Wendy et Lucy

WOW, that is easily the most depressing film I saw this year, hands down. Michelle Williams and Lucy the Dog star as Wendy and Lucy, respectively, in this remarkably affecting drama about a poor, independent woman escaping from her undisclosed troubles and making her way to Alaska with her dog. All the two have in life is each other, money is tight, food is hard to come by, and sleeping in the car is the only option for Wendy. A devastating turn of events happens to Wendy, and Lucy subsequently goes missing, leading Wendy on a mission to recover the only companion she has in her life. Along the way, Wendy encounters indifferent individuals whose actions are driven by self-righteous attitudes, but Wendy also finds help in an unlikely place, a compassionate security guard. In many ways, Wendy and Lucy succeeds in areas where Bolt (2008) came up short, but they both approach their themes in very different ways. Wendy and Lucy is absolutely heartbreaking, forcing me to cry out "NO!" twice in its duration. The ending was an absolute shocker to me, and actually squeezed a few tears out of my eyes.

In this film, Lucy becomes a character in her own right, a brilliantly effective choice. Lucy becomes not just a symbol of everything Wendy loves in this world, but her only hope for survival. It is never specified, but the audience member is allowed to create an entire backstory behind these main characters. I like to believe that Lucy is a childhood pet of Wendy's, who helped Wendy through a difficult childhood, perhaps with abusive parents, in a foster home, whatever you would like to believe. It makes Wendy's situation that much more affecting. If you've ever felt like you have but one object in this world to turn to in times of trouble, and you've felt like escaping from chains that are holding you down, and beginning a new life for yourself someplace new. If you've ever felt so cut off from other individuals in this world, like screaming at the top of your lungs. If you've ever been placed in such a desperate situation, where your livelihood is threatened, and all that you love seems as though it is vanishing before you, you will undoubtedly shed a tear at this incredibly powerful drama about the connections humans make, the friendships we forge, and the sacrifices we must sometimes make.

9/10

The true triumph of this film is its ability to say so much about the cold, cruel reality of just how close some people are to breaking their banks and their hearts.

What fascinates me is: there are a few big budget films out there right now - all scrambling desperately to capture the same themes as W&L - that have no concept of how real people really act and survive. Those filmmakers must be pulling their hair out screaming "how can she say it all with one woman and a dog, and I can't say a damned thing with all these great special effects???"

That is the joy in this film. The simple, honest, brutal truth of now. Enjoy.

To say that this film is spare is to be generous; and, to whatever extent actors become their characters, Michelle Williams becomes Wendy, a young woman that is hanging by a thread. Wendy is doing her best, with little support and money, to survive day to day and to maintain her dignity. Along the way she loses her dog Lucy, the only stable and loving relationship in her life. Ultimately, she is faced with making a heartbreaking decision that their mutual welfare will depend upon. As her car (and bed) breaks down and resources dwindle, she collects cans and bottles and shoplifts dog food. She encounters a group of homeless people making a fire, a self-righteous store clerk, a smug auto mechanic, a sympathetic security guard, and a psychotic drifter, among others. We see each of them from the perspective of a young woman on the verge of economic collapse and who is gradually being transformed into someone facing the possibility of homeless destitution. Wendy offers a lens through which we can see such a transformation evolve. All homeless people, unless born into this condition, were something and somewhere else first. Wendy is such a person. As the economy declines and more and more people retreat into survival mode, it will be harder for them, for us, to empathize with the Wendys of the world, young people with once bright futures now facing desperate and maybe devastating times. I have heard it said that empathy is the first hostage of survival. Wendy and Lucy is an important little film, a slice of life, that not enough people will see and that offers us a window on what more and more young people will be facing for some time to come. This film pleads with us not to close our eyes or turn our backs on them.

As I've said many times in my reviews, I will watch Michelle Williams do just about anything. I think she's one of the greatest actors of all time and certainly of this generation. In one of her earlier starring roles, as the titular Wendy, Williams is able to carry an otherwise very somber movie and bring a sense of relatability and gravitas to the story of a women struggling to stay afloat. Especially for a dog person, this film is particularly difficult to watch, but it also feels essential and timely, even 11 years later.While it may not be a film I check out again, I can once again appreciate the artistry of Kelly Reichardt, as I did with Meek's Cutoff. She remains an essential part of indie-filmmaking.

7.3/10

This laconic indie film can put you to sleep in you're not in the right frame of mind. Turn off the phone. Stop checking Facebook. Set aside 1:20 to just concentrate. Lean and simple--but not simplistic--this tells a story that rends any heart still beating, yet it does it quietly, with dignity and without dramatics. Lucy is the key. The cruelty around Wendy is appalling, always doubling down to smash one of life's apparent losers. There's the young creep, lacking a shred of empathy or insight, who blithely declares that if she couldn't afford Lucy, Wendy shouldn't have her.

Yet, ultimately what Wendy does with Lucy is the key to the rest of her life. What will happen to Wendy? No one knows for sure. That's a deliberate ambiguity. If you wanted a clear resolution, you'll have to watch a different film. It takes awhile to get where it is going--something that pierces the heart and creates echoes of calamity as well as growth--but it gets there. Consider the slow pace a journey as well as a destination.