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Edward Norton stars as Bill Kincaid a sensible ivy league philosophy professor who makes a trip home to Oklahoma, and Edward Norton stars as Brady Kincaid, twin brother, a rash hillbilly drug dealer who gets himself mixed up in bad drug deals and murders. "Leaves of Grass" is a dark comedy, crime drama and ultimately character study.

It starts out with a fair amount of comedy. Both brothers are pretty funny in their own way. There are a number of pot jokes which even seem original. The film slows down as it introduces us to all the different characters. Too slow, in my opinion, as we are all anxious to see what crimes the brothers get themselves into. And then those crimes play out with a lot of violence.

The interesting thing about this film as that it really is just a character study at its heart. Norton and writer Tim Blake Nelson do a great job with Bill as he examines who he is and what he really wants out of life. I recommend "Leaves of Grass" to people who like the idea of a philosophical character study played out as a violent, comedic, crime drama.

Ed Norton is great as always, playing two diametrically opposite but highly intelligent identical twins. One brother, Bill, is a professor of classical philosophy who has worked hard to eradicate his Oklahoma accent and fit into the world of east coast academia. The other, Brady, stills lives in Oklahoma and makes good money selling high-grade marijuana with his red-neck buddies. Brady tricks Bill into returning home for the first time in 2 decades so that Bill can be an alibi while Brady commits a crime in another city. Although Bill is furious and is tempted to fly back home immediately, he ends up staying a few extra days and visits his mother for the first time since childhood. He also meets Janet, played by Keri Russell, a beautiful, intelligent woman who can recites poetry while gutting a catfish. It's an enjoyable movie with quite a few surprise twists along the way.

The strengths of the movie were excellent performances by Norton and Russell, and even director Tim Blake Nelson was great in the role of Bolger. This movie will probably do very well at the box office because of the big name cast plus some great dialogue and humour. I didn't love the ending though, because of too many coincidences and some implausible scenes near the finish. Also, there was an exploration of Christian-Jewish animosity which seemed like an awfully heavy theme to (briefly) deal with here in what is essentially a romantic-comedy. I almost gave this a 6, but the great acting is definitely worth at least an extra point and I bumped it up to a 7 out of 10.

I enjoyed "Leaves of Grass" for awhile, until writer/director Tim Blake Nelson, who also has a supporting role in the film as a hillbilly pothead, tired me out with his insistence on pushing the film into directions it just didn't make sense for it to go.

Edward Norton is immensely enjoyable as a pair of twin brothers, one an intellectual from the city, the other a country bumpkin with a major marijuana operation, who are reunited after the country brother fakes his death to persuade the other to visit home (a home he has shunned) and then drags him unwillingly into a shady scheme involving some other drug dealers once he gets him down there. There was plenty of interesting potential to be had in the story of these two very different brothers who maybe aren't quite as different as they think they are, but Nelson insists on throwing in a bunch of other distracting plot strands that make what should have been a low-key comedy something schizophrenic and exasperating. The film is only 105 minutes long, yet we have a storyline involving the brothers' mom (played by Susan Sarandon) and the city brother's estrangement from her; a love interest for the city brother (Keri Russell) who recites Walt Whitman poetry while filleting a catfish; the whole drug war storyline that gets queasily violent; and the dumbest storyline of all, involving an orthodontist in debt who hatches a half-assed blackmail scheme. I think Nelson is going for black comedy with much of his film, but he doesn't succeed; the abrupt changes in tone are jarring, and one of the violent scenes at the end involving the orthodontist character is downright tacky.

This movie is a prime example of what happens when a lot of talent is assembled and then squandered by a bad screenplay and unsure direction.

Grade: C

"Leaves of Grass" at its core is a coming home movie like many others. Typically, coming home movies are about city folks coming back home to the country. Initially, they experience all the things that made them flee to begin with, then they are reminded of all the things they love.

In this film Billy Kincaid (Edward Norton) was a philosophy professor in Boston while his twin brother Brady was a marijuana grower in Little Dixie, Oklahoma. Brady was in hot water with Pug Rothbaum (Richard Dreyfuss), a Jewish loan shark. Brady had a plan to get out of his predicament, but it involved his brother Billy.

"Leaves of Grass" had plenty of known names and faces. Besides the two actors I already mentioned there was Susan Sarandon, Tim Blake Nelson (who wrote, acted, and directed), Pruitt Taylor Vince (known for "Identity"), and Josh Pais. The movie was humorous and a little surprising--in a good way. It wasn't as predictable as I thought it would be and that's probably one of the highest compliments you can give to a movie.

Keep your friends close and your enemies closer ... but never forget the closest thing of all: Family. Although it seems quite distant (beginning) it might be actually the closest (especially if you consider the mind set). But this movie is not about interpreting things or about good or bad.

And while Ed Norton (1) tries to make sense of things, Ed Norton (2) also is very free and does everything he wants to do (either you read the summary and know what I'm about or you are going to have to watch the movie to understand). Great actors in a very twisted little story, that has not easy answers or solutions. Which might be satisfying or not. Depending on your view of things. I liked that it dared to go the direction it took and that it switched gears between comedy and violence (though it didn't feel right mood-wise for the movie).