Bigger Stronger Faster*

I just recently saw this film at Sundance Film Festival. I loved it. It was the best of the three documentary competition movies I was able to watch. Chris Bell does an amazing job taking an intimate, honest look at American culture and Steroid use. He essentially sets up himself and his family as a case study for his movie. He looks at himself and his family in an honest, open, and introspective manner. He causes the viewer to reevaluate their pre-conceived notions of steroid use and American values. His investigations on the subject include interviews with experts including his own mother and Olympic greats Carl Lewis and Ben Johnson. It is thought provoking, clever, and insightful, all while remaining objective. All things that define a great documentary in my book.

If nothing else, this documentary (that took a very level-headed approach to weighing the pros & cons of steroid use amongst athletes/bodybuilders) was certainly well-worth a view just to get an eye-popping look at Greg Valentino's ridiculously over-developed biceps, as well as seeing a heavily muscled Belgian Blue bull (sans steroids) up close.

But besides these 2 very freakish curiosities, this fairly satisfied viewer was also very pleasantly surprised by how well-researched and competently presented Bigger Stronger Faster* was. I certainly wasn't expecting to be this impressed with this documentary.

Very professionally directed by Chris Bell (whose 2 older brothers were both avid steroid users), I found this entertaining documentary to be quite fair-minded about its research regarding the positive benefits of taking steroids as opposed to their negative side-effects, which showed clear links to cancer, heart attacks and erratic behaviour (roid rage).

Through interviews with medical experts, sports figures, etc., etc., Chris Bell's documentary repeatedly brought into question the use of steroids amongst high-profile athletes. And, as a result of this, brought some of America's biggest heroes in the arena of sports (who are praised to the heavens) down a few significant notches from their lofty positions on their pedestals.

As an ex-amateur wrestler, I have seen a lot of this stuff first hand. But until now the use of steroids or performance enhancing drugs was very hush hush. This movie is very true to life and reveals the truth behind this mystery.

Steroids are not limited to sports pros or Olympic athletes, these drugs are everywhere. People you would never suspect are using them, your neighbor, your teacher, possibly even members of your own family.

It is about time someone has lifted the veil off of this issue, and this movie did a realistic and honest job of doing just that. Thank you to the brave participants.

The documentary "Bigger, Stronger, Faster" provides a decidedly unconventional - indeed, controversial - take on the use of anabolic steroids. Rather than pointing out the dangers of such use, the film seems to be making the opposite case: that steroids are really no more problematic than myriad other performance-enhancement substances and techniques used by athletes to better their game. And, if anything, it is the American obsession with being the biggest, the strongest and the fastest that may be the real culprit in the first place.

Christopher Bell, who directs, narrates and appears prominently in the film, was a short, fat kid when he and his two brothers, Mark and Mike, the latter of whom died not long after the release of the movie, became obsessed with achieving fame and fortune through bodybuilding, power-lifting and professional wrestling. With media-savvy role models such as Hulk Hogan, Arnold Schwarzenegger and Sylvester Stallone serving as their inspiration, the boys eventually turned to steroid use to improve their chances of achieving their goal. But Chris always felt bad for trying steroids, mainly because the media and the people around him kept telling him that it was both dangerous and immoral to do so. So he quit. Now, through his film, Chris has decided to find an answer to his question of whether steroids really are such a bad thing - in terms of their effect on both the body and competitive fairness - or whether their negative reputation is largely a product of media hype.

He spends a good amount of his time in the film seeking out professional athletes, coaches, and "experts" in the field, only to find that the "experts" – whether in the medical field or the halls of Congress – don't really have the facts to buttress their case, and that most of the athletes he talks to flat-out admit to using steroids themselves.

Chris really aims his opprobrium at the modern American obsession with achieving fame, fortune and physical perfection at any and all costs – a group in which he includes himself and his brothers. There's a particularly pointed and witty moment as a psychologist he's interviewing points to the slow but noticeable evolution of the GI Joe action figure over the decades, from a fairly trim average guy in the '50s to a muscle-bound, six-packed, super-hunk today. Chris calls out the media for its complicity in this obsession with the models that are used in advertising and the actors who have achieved superstar status on screen.

Chris's main thesis is that steroid users are being unfairly singled out, while people in other areas of life - like college students and musicians who take performance-enhancing drugs - are not similarly accused of cheating. It's the hypocrisy that seems to bother Chris the most. He points out that the same Congress that brought baseball players in to testify about doping in that field also managed to deregulate a supplement industry that finds ways to rip off consumers with the promise of physical perfection. He likewise attacks the pharmaceutical industry that continually feeds America's obsession with consuming drugs as a means of achieving health and happiness. He also points out just how easy it is to procure access to all kinds of drugs – both legal and illegal – if the determination is there and the price right.

By focusing so heavily on his own family, Chris really personalizes the issue for the audience and prevents the movie from becoming just another finger-wagging, cautionary-tale polemic. This also brings us the film's most poignant moments as he and his brothers engage in moments of fruitful soul-searching and their parents reveal how they feel about the issue.

"Bigger, Stronger, Faster" is likely to upset some in the audience who feel it's taking a somewhat cavalier approach to what is generally considered to be nothing short of a scourge plaguing our nation. But Chris seems to be making some good points, even if he isn't coming right out and endorsing the use of anabolic steroids. He seems more concerned with exactly WHY we are so obsessed with being the biggest, strongest and fastest. And that deeper dimension is what winds up giving his film the competitive edge it needs to win.

Like many men his age, growing up Chris Bell idolized the muscle stars of the 80s like Arnold Schwarzenegger, Sylvester Stallone, and Hulk Hogan. He dreamed of becoming a professional bodybuilder and working out at Gold's Gym with his heroes. He was devastated, therefore, when he realized these men were juiced up and that their message was fraudulent. Chris reluctantly accepted that to truly compete in the sport he loved he would have to turn to steroids and ultimately rejected the drugs. His brothers, Mike and Mark, couldn't make the same choice. "Bigger, Stronger, Faster" explores the controversy that is the steroid industry and the American obsession with being just what the film's title describes.

"BSF" is what you would call a balanced documentary, or to purists, a "true" documentary. Chris explores both sides of the argument over steroids and does his best to leave the final decision of whether or not steroids have been overly vilified up to the audience. There is a certain amount of reluctance to the narrative that Chris provides and you can sense the conflict within himself as he takes us through this journey. On the one hand, he believes the drugs to be morally wrong. On the other, he knows he can't compete without them and proponents of steroids (featured prominently throughout "BSF") make a compelling case for their usage. Chris is a human face for the battle against steroids, a sympathetic figure who really sums up the issues that so many athletes face these days.

Unlike some of the reviews I've read, "BSF" is NOT a pro-steroid documentary. Those who would push for the legalization of the juice are given an opportunity to express their beliefs and discuss the scientific tests that would support their assertions. But I found this to be more in the interest of the aforementioned balance rather than portions of a propaganda piece for 'roids. The classic side effects of steroids (acne, uncontrollable anger, loss of fertility, etc.) are not only discussed but clearly displayed by the drug's defenders even as they argue against these afflictions. When Chris quietly challenges some of the assertions of anti-steroid campaigners, notably Congressman Henry Waxman, it is done with respect and genuine interest in the factual basis for some of the widely-held beliefs about steroids. Through these questions, Chris shows that the issue of just how destructive these drugs are is not as clear-cut as we tend to think. Whether right or wrong, you can find studies that will support your claims either way.

Chris brings the point home, however, when he turns the camera on his own family as he peers into the lives of his brothers, both of who use steroids regularly and both of whom have been negatively impacted by their habits. It is a truly compelling moment when Chris' dad tells him point-blank that he expects Mike to turn up dead sooner rather than later. It's even more hard-hitting when you know that just a few months after the filming of "Bigger, Stronger, Faster", Mike did die at the age of 37. A longtime steroid user who would have done anything to break into the world of big time wrestling, Mike's early demise serves as this documentary's lasting impact and perhaps the final point to swing the balance of the film's debate.

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