Cheerful Weather for the Wedding

I'm not sure it's essential, but a love of all things English is surely an asset when approaching this movie. Peopled by a menagerie of eccentric, frustrating, and ultimately endearing characters, the movie's appeal lies in the brilliance of its script and the interest it ultimately engenders in its many protagonists.

Set in a stately country home in perhaps the 1930s, the movie covers the events of one morning and afternoon. Dolly is about to wed Owen, yet Joseph turns up the morning of the wedding. We find that there had been a whirlwind romance between Joseph and Dolly the previous summer, that Dolly's mother was against the match, and now Joseph returns at the 11th hour to perhaps intervene?

There are far too many supporting characters to mention, and they are essential to the movie's success, but the emotional focus is entirely on Dolly and Joseph. The story of their past romance is artfully narrated in a series of flashbacks (the colour palette changes each time we flash back) which interweave nicely with the events of the wedding day. The emotion between them is portrayed with sensitivity and realism; their interactions with those around them (who are mostly oblivious to what is going on) are often funny but also laced with pathos. The various zany antics that set the backdrop for this drama are hilarious in themselves, and there is a nice blend of humour and gravity to keep one attentive. The house, the gardens, the fashions are all splendid.

What the movie lacks is some greater theme or message; it's about a particular love story between a particular man and woman, but beyond that, one doesn't leave with anything more substantial. Nonetheless, it's a pleasure to watch.

If you like English culture, if you enjoy scintillating, witty repartee, then "Cheerful Weather" is sure to please. If you find the English upper crust snobby and boring, well, you might be better off staying away.

Inside a storm is brewing!

Director Donald Rice and writer Mary Henely-Magill have created a wonderful story about a collection of maybe stereotypical British characters gathered together at a grand country side estate for a wedding.

The bride, Dolly, realizes she's making a mistake to marry Luke because she still loves Joseph. Joseph shows up to hopefully rescue her from this mistake. But circumstance and the lack of courage in both leave both brokenhearted.

The house fills with silly and forceful characters that create a day of confusion and anger. This is a fun and thoughtful film for those who can tune into subdued British humor.

Because of the presence of Elizabeth McGovern and other similar traits of an early 20th century English estate family, this movie felt like a failed script for the TV program Downton Abbey. There was no particular compelling reason for this story to be greenlit in the manner it was produced except to take advantage of this similarity.

It's nice to see the subtle anti-romance character traits of the two leads play out over the narrative, but it's more curiously interesting than it is intensely interesting. The sophomoric foreshadowing and symbolism feel extremely contrived and almost insulting. The scenes that should be amusing are not amusing. The cleverish storytelling isn't clever enough to make you want to care about anyone or what happens to them. And the big reveal isn't at all revelatory, but serves more as a device to unlock the grand mystery of why these people behave the way they do. Sad to say, the mystery isn't all that grand and the viewer is left with the bad taste of being inexpertly manipulated.

I suppose, it is one of film for who the borders between I loike it- it is boring- it has not subject-I love it are more than fragil.

But it is a honest and beautiful film, remembering the universe proposed by James ivory and giving a large slice of very salted cake.

Beautiful acting, inspired cinematography, well crafted dialogues and a blind venerable servant near a special turtle, a summer romance of past and the wedding of present , fragility, joy and connected lives and absolutely fair end.

For me, was a more than pleasant surprise and its English bitterness is served in the most admirable manner , like a cup of black tea.

So, a beautiful, in profound sense, for so many motives, film. First, for the lovely honest perspective about love, duty and choices.

A carefully crafted film which is at once a celebration of English eccentricity and an understated examination of how families often do everything they can to avoid saying how they really feel. Felicity Jones and Luke Treadaway play the lead protagonists brilliantly, but the scene stealer throughout is the wonderful Ellie Kendrick as the younger sister Kitty. Her naivety often reveals so much about what everyone else is really thinking but just can't bring themselves to say. And perhaps the symbolism will be lost on some, but without giving anything away tortoises and a small boy's little bombs mark the path of this film with great effect.