"BREATHE" unravels the lives of a suburban LA community ensnared by drug trade. Interwoven fates collide, forcing them to confront their darkest truths and navigate loyalty, ultimately leadi... Read all"BREATHE" unravels the lives of a suburban LA community ensnared by drug trade. Interwoven fates collide, forcing them to confront their darkest truths and navigate loyalty, ultimately leading to a tragic, irreversible transformation."BREATHE" unravels the lives of a suburban LA community ensnared by drug trade. Interwoven fates collide, forcing them to confront their darkest truths and navigate loyalty, ultimately leading to a tragic, irreversible transformation.
- Director
- Writer
- Stars
Forrest Kiyoshi
- Garrett Yune
- (as Forrest Kiyoshi Hoffman)
Danúbe Hermosillo
- Ariela Morales
- (as Danube Hermosillo)
Jona Dominguez
- Lucas Hernadez
- (as Stephano Jonas)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Yo, BREATHE just brought back my faith in indie films! This movie doesn't just have named talent (yeah, there's some seriously dope names in here like Brandon Butler and Blue Kimble who CRUSH it), but it's the newer faces that really make you fall in love with film all over again.
Jona Dominguez? This dude is FIRE as Lucas Hernandez. Every time he's on screen, you feel it. He's the kind of actor that makes you want to dive into more indie films because you KNOW you've discovered something special before the rest of the world catches on. Jeff Rose as Victor brings all the emotional weight, and watching him go toe-to-toe with these fresh talents is magic. And let's not forget Blue Kimble, who gives serious edge as Xzavion, playing that role with the kind of swagger you can't teach.
And Danube Hermosillo as Ariela? Nailed it. She brought so much heart and authenticity to her scenes. The diversity in BREATHE is not just there for show-it's baked into the core of the story. It feels real, like these characters actually exist in a world that's messy, chaotic, and very relatable. The mix of fresh and seasoned actors gives this movie a unique flavor, making it stand out from the usual crime drama fare.
Seriously, this movie is a reminder that the best films make you feel. Whether it's intense moments, quiet scenes, or just straight-up killer performances, BREATHE has it all. This is what indie cinema is all about.
Jona Dominguez? This dude is FIRE as Lucas Hernandez. Every time he's on screen, you feel it. He's the kind of actor that makes you want to dive into more indie films because you KNOW you've discovered something special before the rest of the world catches on. Jeff Rose as Victor brings all the emotional weight, and watching him go toe-to-toe with these fresh talents is magic. And let's not forget Blue Kimble, who gives serious edge as Xzavion, playing that role with the kind of swagger you can't teach.
And Danube Hermosillo as Ariela? Nailed it. She brought so much heart and authenticity to her scenes. The diversity in BREATHE is not just there for show-it's baked into the core of the story. It feels real, like these characters actually exist in a world that's messy, chaotic, and very relatable. The mix of fresh and seasoned actors gives this movie a unique flavor, making it stand out from the usual crime drama fare.
Seriously, this movie is a reminder that the best films make you feel. Whether it's intense moments, quiet scenes, or just straight-up killer performances, BREATHE has it all. This is what indie cinema is all about.
10steadlj
Allison McAtee's portrayal of Kendal Macario in *Breathe* is nothing short of a revelation... a masterclass in emotional restraint and nuanced performance. As Kendal, a woman who is quietly holding her family together while battling her own personal demons, McAtee brings a depth and complexity to the role that's often missing in contemporary film. There's a quiet intensity to her work here, one that speaks volumes without the need for excessive dialogue. It's the kind of performance that lingers with you, not because it demands attention, but because it subtly demands your empathy.
In the quieter moments, McAtee shines brightest. A particularly memorable scene takes place over a seemingly innocuous dinner with her husband, Leone (Ottavio Lobefaro). There's no grand confrontation, no cathartic outburst, yet McAtee conveys so much in her stillness-the weight of years of unresolved pain, the fragility of a marriage teetering on the brink, and the quiet strength of a woman unwilling to let go. It's one of those rare cinematic moments where a single look or a fleeting gesture speaks louder than pages of dialogue.
The dynamic between McAtee and Lobefaro is electric in its subtlety. Their chemistry, fraught with unspoken tension, underscores the emotional crux of Kendal's journey. The failure of her marriage is not painted in broad strokes, but in delicate shades-McAtee's portrayal of a woman slowly unraveling, but never fully giving in to despair, is a testament to her skill. She never allows Kendal to become a victim, even when the emotional weight of her situation would justify it. Instead, McAtee gives us a character who is simultaneously fragile and resilient, trapped in the tension between vulnerability and strength.
What makes McAtee's performance so compelling is its quiet power. There's a fierce determination beneath Kendal's composed exterior, a resolve to keep her family together even as the walls begin to close in. The way McAtee balances these competing elements-vulnerability and determination, fragility and strength-makes Kendal's journey feel deeply personal and utterly relatable.
Frederick Tabiyus Nah IV's direction complements McAtee's work beautifully, allowing the character the space to breathe. His pacing is deliberate, ensuring that the emotional beats are earned, not rushed, which allows Kendal's story to unfold organically. The film's attention to the quiet moments-those reflective pauses where a character's inner turmoil is revealed through their actions rather than words-mirrors McAtee's understated performance. Together, they create a portrait of a woman who feels both timeless and profoundly real.
In *Breathe*, Allison McAtee delivers one of the most compelling performances of the year. She's able to do so much with so little, and in doing so, she creates a character whose emotional depth resonates long after the final frame. If there's one takeaway from this film, it's that sometimes the most powerful stories are the ones told in silence.
In the quieter moments, McAtee shines brightest. A particularly memorable scene takes place over a seemingly innocuous dinner with her husband, Leone (Ottavio Lobefaro). There's no grand confrontation, no cathartic outburst, yet McAtee conveys so much in her stillness-the weight of years of unresolved pain, the fragility of a marriage teetering on the brink, and the quiet strength of a woman unwilling to let go. It's one of those rare cinematic moments where a single look or a fleeting gesture speaks louder than pages of dialogue.
The dynamic between McAtee and Lobefaro is electric in its subtlety. Their chemistry, fraught with unspoken tension, underscores the emotional crux of Kendal's journey. The failure of her marriage is not painted in broad strokes, but in delicate shades-McAtee's portrayal of a woman slowly unraveling, but never fully giving in to despair, is a testament to her skill. She never allows Kendal to become a victim, even when the emotional weight of her situation would justify it. Instead, McAtee gives us a character who is simultaneously fragile and resilient, trapped in the tension between vulnerability and strength.
What makes McAtee's performance so compelling is its quiet power. There's a fierce determination beneath Kendal's composed exterior, a resolve to keep her family together even as the walls begin to close in. The way McAtee balances these competing elements-vulnerability and determination, fragility and strength-makes Kendal's journey feel deeply personal and utterly relatable.
Frederick Tabiyus Nah IV's direction complements McAtee's work beautifully, allowing the character the space to breathe. His pacing is deliberate, ensuring that the emotional beats are earned, not rushed, which allows Kendal's story to unfold organically. The film's attention to the quiet moments-those reflective pauses where a character's inner turmoil is revealed through their actions rather than words-mirrors McAtee's understated performance. Together, they create a portrait of a woman who feels both timeless and profoundly real.
In *Breathe*, Allison McAtee delivers one of the most compelling performances of the year. She's able to do so much with so little, and in doing so, she creates a character whose emotional depth resonates long after the final frame. If there's one takeaway from this film, it's that sometimes the most powerful stories are the ones told in silence.
10mifgold
Frederick Tabiyus Nah IV proves himself to be a true creative powerhouse in BREATHE. Taking on multiple roles as director, writer, producer, lead actor, casting director, and even contributing to the soundtrack, Nah's vision is the driving force behind the film's success. His ability to weave complex storylines into a cohesive, emotionally charged narrative speaks to his multifaceted talent.
Nah's portrayal of James Reed anchors the film with quiet strength. James is the moral compass in a world teetering on the edge of chaos, and Nah plays him with understated intensity. His performance shines in moments of stillness, where James tries to guide his best friend Craig (Brandon Butler) away from addiction. The emotional weight of these scenes is palpable, with Nah conveying James's frustration and quiet hope in every interaction.
As a director, Nah demonstrates a remarkable gift for pacing. BREATHE is a slow-burn crime drama, but the tension never lets up. He masterfully balances quieter, character-driven moments with high-stakes sequences, creating a dynamic narrative flow that holds the audience's attention throughout. Nah's control over the film's tone-from introspective scenes to moments of explosive action-speaks to his strength as a storyteller.
In addition to his work on screen, Nah's casting instincts are impeccable. The ensemble, featuring standout performances from Blue Kimble (Xzavion), Jona Dominguez (Lucas Hernandez), and Allison McAtee (Kendal Macario), reflects Nah's ability to bring together a diverse, talented cast. Each actor shines under Nah's direction, with performances that are grounded in authenticity and emotional depth.
Nah also played a pivotal role in the film's music, contributing the single "Revolution" to the soundtrack. The song serves as an emotional undercurrent to the film, amplifying its themes of survival and struggle. Nah's involvement in every facet of the production underscores his dedication to creating a fully immersive cinematic experience.
Ultimately, BREATHE is a testament to Frederick Tabiyus Nah IV's talents as a filmmaker. His ability to balance the demands of directing, acting, writing, producing, and music creation is nothing short of remarkable. Nah's vision drives the film, making BREATHE a standout indie project that lingers long after the credits roll.
Nah's portrayal of James Reed anchors the film with quiet strength. James is the moral compass in a world teetering on the edge of chaos, and Nah plays him with understated intensity. His performance shines in moments of stillness, where James tries to guide his best friend Craig (Brandon Butler) away from addiction. The emotional weight of these scenes is palpable, with Nah conveying James's frustration and quiet hope in every interaction.
As a director, Nah demonstrates a remarkable gift for pacing. BREATHE is a slow-burn crime drama, but the tension never lets up. He masterfully balances quieter, character-driven moments with high-stakes sequences, creating a dynamic narrative flow that holds the audience's attention throughout. Nah's control over the film's tone-from introspective scenes to moments of explosive action-speaks to his strength as a storyteller.
In addition to his work on screen, Nah's casting instincts are impeccable. The ensemble, featuring standout performances from Blue Kimble (Xzavion), Jona Dominguez (Lucas Hernandez), and Allison McAtee (Kendal Macario), reflects Nah's ability to bring together a diverse, talented cast. Each actor shines under Nah's direction, with performances that are grounded in authenticity and emotional depth.
Nah also played a pivotal role in the film's music, contributing the single "Revolution" to the soundtrack. The song serves as an emotional undercurrent to the film, amplifying its themes of survival and struggle. Nah's involvement in every facet of the production underscores his dedication to creating a fully immersive cinematic experience.
Ultimately, BREATHE is a testament to Frederick Tabiyus Nah IV's talents as a filmmaker. His ability to balance the demands of directing, acting, writing, producing, and music creation is nothing short of remarkable. Nah's vision drives the film, making BREATHE a standout indie project that lingers long after the credits roll.
BREATHE masterfully unravels the lives of a suburban LA community ensnared by the drug trade, where interwoven fates collide, forcing characters to confront their darkest truths and navigate complex loyalties. This journey leads to a tragic, irreversible transformation.
I was thrilled to attend the Los Angeles premiere of the film. Jona Dominguez and Jeff Rose delivered standout performances that truly brought the story to life. The overall cast was impressive, particularly for an indie film, showcasing the raw, emotional depth required for such a complex narrative.
In his directorial debut, Tabiyus has crafted a compelling and gritty exploration of human nature under pressure. I'm excited to see what he does next as a director. BREATHE is a remarkable indie achievement that leaves a lasting impact.
I was thrilled to attend the Los Angeles premiere of the film. Jona Dominguez and Jeff Rose delivered standout performances that truly brought the story to life. The overall cast was impressive, particularly for an indie film, showcasing the raw, emotional depth required for such a complex narrative.
In his directorial debut, Tabiyus has crafted a compelling and gritty exploration of human nature under pressure. I'm excited to see what he does next as a director. BREATHE is a remarkable indie achievement that leaves a lasting impact.
10justeni
I had the pleasure of attending the premier of this film and it was beautiful! The way the lives of these LA citizens were woven while also displaying the director's own artistic choices was amazing. The film takes you through a journey from beginning to end, questioning who these people are and why we should care about them, to ultimately leaving us in silence and letting us think about our own lives. This film especially resonated with me having been raised in LA and seeing firsthand many of the same streets, people, situations. To be heard and seen is to be known, to be known is to be loved. 10 stars for this film I hope everyone takes the time to sit down and watch!
Did you know
- SoundtracksRevolution
Written by Frederick Tabiyus Nah IV & Everett Gabriel
Performed by Frederick Tabiyus Nah IV
Courtesy of Swerve Entertainment
Details
- Color
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Breathe: A Tabiyus Film (2024) officially released in India in English?
Answer