Glass Onion : Une histoire à couteaux tirés

This has to be one of the most pompous, disastrously clumsy and downright awful films I've ever seen. Who on earth thinks this is acceptable awards fodder, really, who the hell watched this film and thought it deserved anything but a razzie. Knives Out was an acceptable distraction, a handful of decent performances helping to mask the overcompensation and self-satisfied approach Rian's accustomed to.

Glass Onion on the other hand has no redeeming features, no subtlety, just awkwardly shoehorned in culture war dialogue (that Rian doesn't seem to understand). Craig's accent, the costumes, the wooden writing, the lack of depth... you'd get a better cinematic experience watching an episode of StreetSharks.

I enjoyed this movie and there's nothing really wrong with it. It just isn't all that great. By the end of the movie I had a feeling who the killer was, which ended up being true. I was waiting for another twist but nope, that was it. I understand he's supposed to be the worlds greatest detective, but it just seemed too easy for him to put together.

Besides that, some of the characters are forgettable. If you compare this to a movie like Clue, where every character was interesting and brought something to the table, this falls short. Craig and Norton are excellent. I don't know why people are riding Craig for his accent. I thought it was good.

I didn't understand the whole mask pandemic thing. It's only in the beginning of the movie. I just kept thinking that it was stupid and probably won't age well. Didn't affect the plot at all so why put that in there?

Overall it's a fun movie and worth watching but don't expect too much out of it. Had a cool vibe though and enough interesting twists to keep me entertained. Not every movie has to be a masterpiece.

The casting and performances by all were outstanding, especially Bautista and Norton, and I really liked the setting in Greece, but I feel the ending ruined what could've been a better sequel. There certainly was some creative ideas in the narrative, and even though the start was slow and tedious, it did get better when Benoit Blanc started to unravel the mystery. However, the unravelling was too as-a-matter-of-factly and too convenient in its set-up. And normally I'd be fine with that, because the few twists were a nice touch, but then right after the mystery was solved, the ridiculous antics just became too unbelievable and quite frankly, unnecessary. Still, and enjoyable one-time watch, especially if you enjoyed the first one.

A lot of great actors, and the film is well-shot, but ultimately the whole affair is just too cartoonish to enjoy on anything but a superficial level. Every character (with the possible exception of Janelle Monae's) is so broadly drawn and overacted that you can't invest in them or care what happens to them. Particularly Daniel Craig's lead. He felt like an eccentric, but brilliant, detective in Knives Out, but here he just comes off as silly. His complete inaction toward the end seems to exist only to set up the ridiculous, over-the-top ending. Also, Kathryn Hahn and Leslie Odom. Jr. Are so wasted that I don't know why they even signed on for this. Glass Onion was an okay distraction for a Netflix movie, but I would have been annoyed if I'd paid to see this in a theater.

The long-awaited sequel to Knives Out is here, and although it's still a good time, it feels like a let down overall.

The first film told such a unique and superb mystery that wrapped layers upon layers on top of each other. Meanwhile, Glass Onion tells a story that feels incredibly basic in comparison.

The main problem with this film is that although it's a mystery film, it doesn't give you the tools to solve the mystery. Instead the film walks through the plot and witholds infomation to have big reveals, rather than giving you the clues to work it out yourself.

Daniel Craig was fun the the cast was good overall, with Ed Norton being a big standout. Some characters felt wasted sadly.

Overall, a fun but underwhelming time.