K-20: Kaijin nijû mensô den

There's no stopping Takeshi Kaneshiro in charming the socks off everyone, especially since new fans were won over by his heartfelt performance as the Grim Reaper in Accuracy of Death last year, and following that with his Zhuge Liang in Red Cliff. This year in Singapore, he marquees a big budgeted action-mystery masked vigilante movie, and while his powers and abilities to hark back to the Batmans and Spidermans, K-20 turned out to be rather entertaining for its liberal use of special effects, comedy and some fantastic action sequences, set against at alternate Japanese universe.

Which is interesting because other than the unmistakable Tower, Tokyo now known as Teito, is quite unrecognizable, and plaguing the country is a huge class and income divide between the aristocrats, and everyone else, which reads the Poor and have nots. It's set after WWII which never happened since Japan signed a peace treaty with the US and the UK, and hence what we have is some strangely futuristic backdrop, and some peculiar background on everyone being conditioned for pre-determined jobs and not having the ability to switch careers. Doesn't make a difference actually to the story, but gives you the feeling that everything is centrally planned.

While the title points to K-20, the fiend with 20 faces, the story's actually focused on Heikichi Endo (Kaneshiro) as a poor circus acrobat. And if Bat-fans would see some similarities here, I'd say his character's more like Dick Grayson and with putting his abilities to fighting crime, it's almost exactly how a Nightwing would behave. But back to Japan, Heikichi gets set up by K-20 himself, and gets framed into allowing everyone to believe he's actually the masked villain himself. Breaking out of prison thanks to a merry bunch of thieves whom he soon allies himself with, Heikichi makes it his quest to flush out K-20 and to clear his name, with the help of a nifty grappling hook and rope device.

Not being sexist here, but I was pleasantly surprised to learn that K-20 is directed by a female - Shimako Sato, who also adapted the screenplay from a novel by So Kitamura. It's a fresh perspective having to watch an action movie directed by a female at the helm, and the focus here was of course on the characters. We have Takako Matsu as the Duchess Yoko Hashiba, who isn't your standard fare damsel-in-distress, and Toru Nakamura as the police inspector Akechi Kogoro, the arch-enemy of and resident expert on K-20.

It's a classic action mystery which like The Prestige has Russian scientist Teslar providing the object of tussle, a device capable of harnessing and transmitting vast electrical power across locations without the use of cables. K-20 wants it to rule the world, and it's up to our heroes to crack the mystery as to where the device is, and to stop the villain from achieving his goal. The plot's fairly simple, which includes an origin story for Heikichi including the antics of a hero in training, but what made it palatable was the excellent delivery by the cast, together with gorgeous sets and edge-of-your-seat action. A key element here too is the identity of K-20, having nobody actually seen the villain in the flesh except for Heikichi himself.

The story however does sag a little when it lingers on the more dramatic moments, and you'd know for sure when Kaneshiro gets replaced by stuntmen for most of the action shots not on closeup. But as far as big-budgeted movies like these go, K-20: Legend of the Mask still came across as pretty entertaining and all primed for sequels and a franchise should the box office prove to be successful.

Quite frankly I dislike most of the Hollywood comic to screen adaptations that have been made possible with high budget CGI and motion control. The most positive thing about a cheaply made film is that either the makers deliver shoddy goods (nearly every SciFi Channel movie) or they focus on story, drama and comedy which can result in the most satisfying movie.

K-20 inhabits a world that's very familiar to comic book readers, alternate history what-if. Here the Japanese have avoided WW2 and have evolved into a strange combination of the Taisho era with the totalitarian leanings of the Showa with technology seemingly mired in the 1920's even though the film is set in the late 1940's. German is used instead of English when a universal language is needed. The film revolves around a Japanese invention that finally brings Tesla's dream of wireless energy to fruition. Unfortunately it can also be used as an extremely powerful weapon.

The look of the film is excellent and the effects are, as others have pointed out, very good and well conceived. But that is true of many other big budget films like this. What makes this film different is the drama that fleshes out the fantasy. It's not perfect, some of the acting is old-school over-acting, the main characters are very familiar to anyone with familiarity with Japanese entertainment especially the Duke's daughter. And there are some moments that strain the viewer's credibility but The Dark Knight had moments like that as well. Overall the film ended and I had enjoyed myself.

There are way worse ways to spend your time, (The Spirit anyone?) hopefully this film will see a wide release.

When I bought "K20: The Legend of the Black Mask" I believed it to be a Japanese superhero movie, but usually Takeshi Kaneshiro is great in movies, and that was the main reason for buying it, plus it was a live-action Manga movie, so what could possibly go wrong here?

"K20: The Legend of the Black Mask" is not a superhero movie, not by a long shot. And the black masked person known as K20 wasn't even the actual main character. The movie is about Heikichi Endo (played by Takeshi Kaneshiro) who is a circus performer getting framed for the crimes done by K20. Out to prove his innocence, Endo teams up with the police in order to take down K20 and clear his name. The story takes place in Japan, and World War II haven't taken place, which was an unusual approach to the story, but in overall, that fact actually didn't reflect much in the story. There were German words seen here and there, such as Polizei and the writings on the Tesla contraption, and they had changed the atomic bombs exploding to another disaster (though still an atomic disaster).

The story is actually quite good, and it is well written and well directed. And the people cast for the various roles really did great jobs in fleshing out their characters and making the story come to life on the screen. And the way the story is told is in a manner that keeps you riveted to the chair wanting to see what happens next. There is a lot of action in the movie, but also a lot of character development, which is really nice.

"K20: The Legend of the Black Mask" really surprised me, and it turned out to be much better than I had initially anticipated. And it was a great thing that it wasn't a superhero movie.

The effects used in the movie were really great, believable and in your face. That worked well for the movie. And the props and costumes were also nicely made, lots of nice touches and details, which I like.

"K20: The Legend of the Black Mask" is a great action movie, and it has a lot of entertainment value right from the very beginning. If you like Japanese movies with lots of action, then this movie is well worth checking out. And it is one of those types of movies that actually have enough entertainment value to be seen more than once.

Thumbs up for this movie! Great fun! Great entertainment!

I've watched this film twice on flights to Japan and enjoyed it on two levels. First, by itself, it is a rousing fun action film--superior to most of the US adaptations from graphic novels. The combination of the CGI vistas with realistic local sets works extremely well: you are reminded that you are in an art deco-influenced alternative reality but the immediate surroundings of squalor in the poverty-stricken lower class sections of the city and opulence in the wealthy neighborhoods are entirely plausible. The action and the fights are great and integrated entirely into the plot, and the performances are solid. The only difficulty is that the identity of the villainous K-20 (and, yes, he IS a villain) is probably too easy to guess, while the hero seems at times too dense.

The second level of enjoyment is how the film contributes to an understanding of Japanese culture. The mixed admiration and dislike for the wealthy artistocratic class who dominated Japan during the early 20th century strongly emerges from the film. The depiction of how Japanese people would react to a spectacular, mysterious criminal was also interesting. I could write more, but perhaps someone should try a serious academic analysis. The bottom line is that its fun to watch--much more fun than The Hulk or V--and, at the same time, it is a uniquely Japanese take on the whole vigilante against an unjust society theme. It is definitely NOT a Japanese "imitation" of anything.

I watched this at a Fantasy Film Festival and was surprised how funny it was. The action part was expected, but the silly things in the movie really do work. You could say "Spirit" silly, although the overall movie is not as silly as Spirit of course.

It's a really great "Origin" movie and I guess you don't have to know the Mangas this is based on (I hadn't read/seen anything about this character, before I watched the movie). Great action set pieces, great actors, nice editing, of course mostly foreseeable, but still quite a few crazy ideas. If you like fun action movies, you can't go wrong with this one!