Le prédateur

Berger usually gets away with hiring so-so actors by engaging with his camera work and its eroticism...which would have been extremely uncomfortable in a movie like this. For that reason, it makes no sense for him to try to tackle this subject with the same resources. Long shots, lifeless actors and open endings do not mix well. He does not get away with artsy shots and beautiful cinematography. Kudos to the editor for managing to tell a story with limited resources.

I kept getting distracted by the main characters huge uni-brow.

Unbearably parsimonious, the only thing worth watching is the main characters' great performances, who manage to take the indecisive plot somewhere away from utter uneventfulness. It does depict the ugly reality of teen exploitation, but it fails to deliver relatability.

Marco Berger is an excellent filmmaker, but this one is a miss for me. His better work "The Blonde One" is more of my speed. The kid in this film, his unibrow, as someone said before was way too distracting. Also, the pace was so incredibly slow, it took me out of the story at times. And so it goes. The beat goes on.

I have watched all but one of Berger's films (2015's 'Mariposa'). I really liked 'Plan B' and 'Hawaii' both which count on very good perfomances of their lead actors, specially Manuel Vignau. 'Absent' and 'Taekwondo' are not as good as these I first mentioned, but are okay. 'The Blond One', however, is just a bad one. After watching 'Young Hunter' I now just think that Berger might be becoming self indulgent. His formulas are just becoming too repetitive whereas his actors are becoming less and less charimastic. If you're gonna play a 'thriller-like' take like this one you simply need good acting or else your movie is just gonna feel souless. The writing here is just not very good either. It feems like he had a bunch of shots in his mind but didn't know how to connect them or where to take the history afterwards. Juan Pablo Cestaro looks like he doesn't know what to do with his character. The tension the film tried to build up is artificial.