Chathur Mukham

If you got all the time in the world watch Chatur Mukam, else save yourself from this burden.

First of all, do not fall for negative reviews. Most of them are paid to write stuff.

The movie is not boring. The concept is really good, one of its kind in India at least. Its about a girl who is addicted to social media and ends up buying a mysterious phone which turns her life upside down. In this movie, there is not much emphasis on exorcism but on science which is one of the reasons what makes this so unique. The concept of physics and electromagnetic waves and its impact on containing the negative energy. We cannot deny that negative energy does exist, which most people term as supernatural encounters or ghosts. If you have no belief in those, then this movie may disappoint you.

From an acting standpoint, Manju Warrier does a fantastic job. She has the kind of innocence and realism which makes you empathize with her character when she realizes that her days are numbered.

Compared to Cold Case, this movie stands out in terms of concept and execution.

I liked the story. But the scripting and the execution was poor. Manju was the only plus in the movie. Sunny👎 . Overall watchable experience.

This theme is not seen before in Malayalam movies. But still, the movie was not up to the mark. The concept was silly in places. Couldn't take it much seriously.

They could've come up with some more clever death scenes.

Dialogues felt artificial in many places. Some scenes were completely filler ones.

This reminded me of some ok ok movies like 'Countdown', 'Truth or Dare' etc from Hollywood.

Manju Warrier was a miscast. She doesn't look like a late 20s or an early 30s woman.

Acting was ok. But there was nothing great for anyone to do in this.

This turned out to be better than expected. When the makers claim that this is a techno-horror thriller, they substantiate that statement with a reasonably engaging plot, solid visual effects (for a mid-budget flick), and a riveting central performance by Manju Warrier. The length of the film (with several stretched out scenes and largely unexplored characters) is a drawback. Packaged at 100 minutes, this could have been just as effective and crisper at the same time. That aside, the film does have a few surprises up its sleeve. Manju's character Thejaswini is not showcased as a damsel in distress, instead, as someone who's ready to fight back. The writers also do not waste time building a romantic relationship between Thejaswini and Antony (an okay Sunny Wayne), her business partner. Even though the film begins with Thoreau's quote: "Men have become tools of their tools", it never gets preachy around how we have basically succumbed to our smartphones. Alencier's supporting act is also worth a mention.