The Disciple

In his interview with Anupama Chopra, Chaitanya confessed that he did not knew a lot about Indian classical music. But his movie speaks a lot about music not just about Indian classical music but music as a whole.

His take on Indian music shows, on online trollers who judge the singers when they hardly know about it, his take on Music mafias, on changing music style of music show contestants, on Fusion bands in colleges, on failure, on aspiring career in music, on on unpaid fees to classical singers, many things 'The Disciple' talks about with its slow camera movement.

The hustle of protagonist Sharad Nerulkar is clearly visible, the slow death of interest of Indian audience towards Classical music is very well felt.

What i loved most about this movie is that it stands unapologetic to itself, did not tried to make people feel relevance, just telling story as is, without adulteration of dramas to please audience, it does not have it's own opinion on many things, it just show what the reality is.

Clearly best movie made about music. Must watch on Netflix.

THE DISCIPLE is all about the character study of an artist over the years. We all know that this film has already won big in many festivals, naturally everyone was excited to see the movie. No doubt the film is good. But it's very slow paced and long shots are everywhere. I don't know why so many long shots are there.

Maybe I'm not mature enough right now to understand and enjoy this kind of films. That's why I can't say that it's a masterpiece, maybe after few years I'll like it. So, for me it's just a good movie. You can watch it if you love to watch this type of films, but this is not for everyone and of course not for me right now.

Available On Netflix.

© MandalBros.

'The Disciple' is a movie about a journey of an artist and how it pans out over the years. This movie is beautifully directed with on the spot set pieces and full of Indian classical music. The music is so tastefully presented that, even if you are not familiar with it, it sucks you in with its atmosphere and carries over the whole movie.

I speak Marathi, so it was even better experience for me, as the dialogs feels very natural along with all the production. The movie moves slowly, showing us daily struggles of an artist who wants to make it big in field with rapidly declining scope. This along with an amazing lead performance and atmospheric music and brilliant production design makes it worth a watch.

Its a very solid character study, I can easily see this getting such a wide applause.

There is a languid, dreamlike quality that persists in much of 'The Disciple', accentuated by the recurring use of 'tanpura' drone in the background and scenes of the protagonist riding his motorcycle through empty nighttime Mumbai in slow motion. They manage to reinforce a detached state of mind, both for the viewer and for the protagonist. Factually, the film may deal with a specific subgenre of Indian Classical vocal music (a subject I am not versed in, at all), but the observations made so acutely and the opinions expressed so eloquently have a tremendous universal relatability. And not just classical music, they hold true for any pure art form, be it pottery or printmaking. The film is overall a character study spanning three stages in the protagonist's life as he fights hard to prevent himself from being engulfed by social obligations and invariable complications of urban living - like fame, sustainability, professional jealousy, ego - that go against the teachings of his old, reclusive mentor, who is a pure practitioner of the craft. Most efficiently written, acted, crafted, paced - a definitely wholesome film.

"He is mistaken who believes he may pluck a single leaf from the laurel tree of art without paying for it with his life." ~Thomas Mann, from the book Tonio Kröger

# Themes

• The question in an artists life - whether to remain true to their practice, and live the life of an ascetic where you have to work hard with no guarantee you will succeed or to go mainstream where you will get money and fame but won't be living for true art.

• Sharad Tries to work hard and live like an ascetic at the command of Maai. But time frays Sharad's idealism. Asceticism in the hustling and bustling city of Mumbai is a difficult practice.

# Most Striking Details 1. Cinematography:

• Chaitanya Tamhane constructs Sharad's narrative with long takes and wide establishing shots. The camera stays still. The pacing is purposefully slow. This isn't a film about big plot twists or overblown emotion. The story unfolds in a low-key, naturalistic manner. Like Sharad, Chaitanya is pursuing a certain purity of vision. Which requires commitment from the viewer.

• The film is shot like a poetry on celluloid with its studied frames and immersive sound design.

2. Acting:

• Aditya Modak (plays Sharad Nerulkar) gives a melancholic performance. He transforms externally and internally along with the movie. It's astounding to watch and one can't believe that this is his acting debut as Sharad.

• We don't see Maai but we hear her with the same reverence that Sharad does because Maai's pursuit seems mythical.

3. Soundtrack:

• For a film about music, sounds plays a vital role in the movie. But it is expressed not just in the form of the Classical Music that the singers present. Sounds is used as a visual device in the movie.

• Take the instance in Act 2 when Sharad is grown up with a moustache. The Mumbai city is shown by its sound of the car horns and the city life with still imagery.

• The bike ride scenes when Shard is listening to Maai seems mythical of the mythical because of the sitar sounds playing in the background, and as Shard gets sick of, he removes the headphones, and we get to hear the same hustle and bustle of the city again.

# What The Movie Lacked?

• The pacing can get slow sometimes and requires patience from the viewers.

• There are questions that remain...was Sharad just talentless? I've heard that Hardwork can even beat talent where there is no talent. Sharad seemed dedicated to his art and worked hard. Still he wasn't able to succeed. While his fellow students were. What was the reason of Sharad's actual failure? Was it his style of music? Why couldn't he choose some other Form of Classical Music besides the Bandish?

## Verdict My Rating - 9/10 The movie won many awards and rightly so. The topic is touched was new and handled very well. The cinematography was poetic. It was rightly done.