Trouble the Water

Trouble the Water: 8 out of 10: Kimberly Roberts is a 24-year-old rap hopeful who took some incredible footage just before and during hurricane Katrina. Carl Deal and Tia Lessin who came down to Louisiana to film a different project about Katrina and found both her and her footage, they switched gears and this movie was the result.

The most amazing footage is the pre-Katrina scenes. Kimberly knows her neighborhood and is a real person. She asks people what they are going to do about the hurricane her uncle buys another bottle of booze, stumbles home, while a 10-year-old pigtailed niece flashes a gang sign, and declares she is not scared of any water.

While I know that neighborhoods like this exist it is still shocking to see people live like this first hand in America. One of the sad strange truths that ooze out of the film is that Katrina is the best thing that ever happened to Kimberly and her friends. The disaster probably saved her life or at the very least gave her a chance at a new one.

Orphaned at 13 when her mother died of AIDS Kimberly is no shrinking violet and she certainly tells it like it is. While Michael Moore veterans Carl Deal and Tia Lessin add structure and social commentary to the film this is Kimberly’s show. The show is both moving and truly fascinating.

A worthwhile trip through the disturbing events of Katrina, an honest film, even if on occasion not so subtly directing its viewers towards particular and easily-held opinions.

There are several striking images in the film, including a recording of a 911 call in which an woman requesting help can't get out of her attic which is flooding. The 911 attendant has to inform her that there is no help at this time, and the victim replies, "So I'm going to die?" Silence on the other end of the line.

It seems like the majority of the film is snatched from the video camera of a survivor, as such the footage can be, well, not professional, but in the end it doesn't matter, perhaps even adding to the realism. It turns out that the couple filming is a set of intriguing characters with admirable qualities. They are from the ninth ward, a poor section of New Orleans hit hardest by the storm, yet for those of us without that much contact with society's underbelly or the semi-destitute, they will probably surprise you with their values, intelligence, resolve and resourcefulness.

The strength of the film for me was not in any attempts at blame or inciting anger at a lack of assistance and the seeming complacency of leadership, but in a reflection on the human struggle, manifested through an inspiring family, and in a basic reminder to examine, nourish, and befriend your own community.

Back in 2005, when Kimberly Roberts,a up & coming rapper from the 9th Ward in New Orleans first heard of what was going to be a major hurricane in her neck of the woods,she got her hands on a used video camera from a street hustler,looking to make a quick buck & started to record anything & everything she saw (with the assistance of her husband,Scott). Four days later,her world,as she knew it,drowned in the aftermath of Hurricane Katrina. Documentary film makers Carl Deal & Tia Lessin (who had worked on 'Fahrenheit 9/11',etc.)were in New Orleans,filming all of the mass mayhem & became acquainted with the Roberts' & offered to use their crude,clumsy,kitchen sink video footage as part of their documentary film project. The results of this collaboration is 'Trouble The Water' (the title of a Gospel song that is heard on the soundtrack). This powerful film is cinema verite at it's best. It easily takes it's place among recently released documentaries on Katrina ('Camp Katrina',etc.). This documentary is produced by HBO,which means that it will probably turn up there some time later for those who missed the opportunity to see it in cinemas. No rating,but contains vulgar language & some disturbing sights & sounds.

It begins as a lark. A video camera is switched on to record an approaching storm. We get to meet the smiling faces of videographers as they laugh and cajole. We on the other hand know what's about to confront them. Or at least we think we do.

This is a magnificent use of home video built in to a rage against poverty and illiteracy and racism. You can blame the victims here all you want, but image after image, scene after scene the plight of being an African American in this country is shoved in their faces...and in ours.

The lives of this family in the Lower 9th Ward are vividly drawn by themselves. When they confront what is outside, i.e., the post-segregation South, we are startled at the condescension, scorn and devaluation of human lives...if your skin is the wrong color.

The people here have no apologies for their lives. They lay it out and I suspect many will resist what struggles they face. But scene after scene, you can't walk away from this film without a better understanding of racism in America.

The stubborn will ask "Why didn't they leave when they were supposed to?" And this film records "How were they supposed to?" and "Where were they going to go?" In the face of it all, those who survive manage here to triumph. While the footage of the disaster is why most people will buy the ticket to see this, it's the struggle to survive, not only Katrina, that will last in the viewer's mind.

Everyone saw footage of Hurricane Katrina on the news. Spike Lee's documentary "When the Levees Broke: A Requiem in Four Acts" dealt extensively with the storm and the lack of response. "Trouble the Water" consists mostly of camcorder footage shot by New Orleans resident Kimberly Roberts before during and after the storm. Partly about the hurricane, the documentary also poses the question of what America is supposed to be all about if it lets this happen to thousands of people, most of them poor and black.

Hurricane Katrina, like the September 11 attacks (whose tenth anniversary is in a few days), is something that should always be remembered, maybe more so. It showed how detached the government had become from its most vulnerable citizens. The collapse of the levees and subsequent flooding of the Lower Ninth Ward became an excuse to dismantle New Orleans's public school system and replace it with vouchers. The documentary is even more relevant now, after Louisiana got a second strike in the form of the Deepwater Horizon spill.