The 3rd Guest

You know when there is a car accident on the road that you don't want to look at, but can't help it? This is the train wreck that you may peek at, but wish you didn't.

Absolutely the WORST movie I have seen in years.

After just 5 minutes, it seems that the movie throws its hands in the air and says "I have no clue".

The "script", (was there one really though?) was written AND directed by the same person (Sean Patrick cannon). It was erratic and confusing, as though he was spurting out a bunch of random ideas from his head, but had ZERO way, of liking them together in a cohesive way. Extremely obvious there was no script editor, and if there was-I hope they have another job to fall back on. THAT is how bad it was.

The movie is described as being a couple of ghost hunters who go to a site after the death of her daughter, only to discover that she starts to see her daughter. That is where the writers mission statement begins and ends. There was some very fractured and unfinished/unrefined things about a cult that we were given basically zero information on, leaving more questions than answers - but not in an entertaining intentional and plot driven way. It was "I really don't understand what is happening right now, or why".

Literally most of the movie were people not just screaming at each other, but verbally assaulting one another. It was very cringe.

The "acting" is MORE than just abysmal-especially the lead "actress" and the bartender. WAY too over the top and fake, it reminded me of kids in an elementary school play. But worse. Much worse. Sooo much worse. I may be wrong, but have a hunch that these people are family or friends of people who were involved in this project. I mean it when I say that while I was watching, I was actually embarrassed FOR these actors, that is how cringe worthy they were.

The ONLY possible redeemable thing this movie MAY have going for it is that it could be worthy of Rifftrax (Mystery Science Theater)

The script is atrocious - just unbelievably terrible. How on earth did this thing make it to production??? Not a chance this was externally funded. Aspiring scriptwriters the world over should watch this abomination, to give themselves a confidence boost that they will already be much better at scriptwriting than whoever wrote this. And no matter how novice they may currently be on their scriptwriting journey, they can be confident that they too could one day make it to film, no matter how bad they end up, and their scripts will be superior to this atrocity. On the contrary to other reviews, I think every film lover should watch this film, to remind ourselves just how good other films actually are.

I do not usually write reviews but I had to make an account just to advise other people to not watch this movie.

From the beginning the quality of audio and the camera angles were just off. The script leaves massive gaps in the story as well.

Every time you expect the movie to end there happens to be another turn but the execution overall is too cheesy to bare. Whoever greenlighted this movie to stream on Amazon needs to refine what type of content they release. You would assume that this would have got scraped in production but they decided to just keep going.

Please spare yourself the confusion from watching this movie and watch something else.

"The 3rd Guest," a cinematic endeavor brought to life by the collaborative talents of writer, director, and editor Sean Patrick Cannon, producer Kristifor Cvijetic, and lead actor Matthew T Clark, stands as a testament to the power of passion and dedication in independent filmmaking. With a modest budget and a team committed to their craft, this film delivers an impressive and engaging experience.

Matthew T Clark's performance is a standout in "The 3rd Guest." Despite the absence of big-name actors, Clark's portrayal of the central character injects the film with a charismatic energy. His nuanced delivery and authentic emotional range elevate the narrative, making it easy for audiences to invest in the unfolding story. Clark's presence is a testament to the potential for talent to shine, irrespective of the Hollywood hierarchy.

Sean Patrick Cannon, wearing multiple hats as the writer, director, and editor, showcases a commendable level of skill in crafting a cohesive and compelling narrative. The film's storyline, though not groundbreaking, is enriched by Cannon's attention to character development and storytelling finesse. The pacing is generally well-executed, with scenes flowing seamlessly, though occasional awkward moments may be attributed to the constraints of a limited budget.

The collaborative effort of the production team, spearheaded by producer Kristifor Cvijetic, is evident in the film's overall aesthetic. While constrained by financial limitations, the team maximizes the available resources to create a visually engaging experience. The use of practical effects and inventive set design, albeit simple, adds a charming authenticity to the film, emphasizing the dedication of the crew to their vision.

One of the film's strengths lies in its musical score, a testament to the collaborative nature of the project. The soundtrack, though composed on a tight budget, complements the narrative beautifully, enhancing emotional beats and contributing to the overall atmosphere of the film.

"The 3rd Guest" is not without its flaws, as is expected with most indie productions. However, the film's achievements far outweigh its limitations. It serves as an inspiring example of what can be accomplished when a talented group of individuals comes together with a shared passion for storytelling.

In conclusion, "The 3rd Guest" is a triumph for independent filmmaking, where the talents of Matthew T Clark, Sean Patrick Cannon, and Kristifor Cvijetic converge to deliver a heartfelt and compelling cinematic experience. Despite its small budget and lack of industry heavyweights, this film succeeds in capturing the essence of collaborative creativity, leaving audiences with a newfound appreciation for the artistry that thrives beyond the glitz of Hollywood.

Cabin-in-the-woods troupe with an interracial husband/wife on rough times. They have a hack ghost hunting business and take a lucrative job opportunity or they'll lose their house.

They have a recently deceased daughter and the daughter comes back to haunt them. They think it's the home-owner playing a prank. Slowly the wife dives into the history of the old house, and the cult leader / magician Karlov. The husband cracks and is possessed by this magician, turning on his wife.

It's a formula that worked well for Harrison Ford and Michelle Pfeiffer in 'What Lies Beneath', but with a non-existent budget and fresh actors, the slow methodical pace is hindered by obvious production issues.

The strength is in the setting, which is utilized extremely well for the budget limitations. The music is also orchestrated well.