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5.8/10
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Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a se... Read allFollowing Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.
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After so many sequels, one should expect a series to be driven to the ground. Although it's getting a bit tiring, Saw fans, & for that matter, fans of gore, shouldn't be disappointed with the fifth movie. Saw 5 still follows the same routine of the cat and mouse game... but of course, as always, telling you too much of the plot is a ruining the game for you. Let's keep it at the thin plot description already given: a detective goes out of his way to make sure that his secret is kept, before an agent uncovers his identity. The subplot involves 5 individuals who are somehow connected, and must work their way out of traps.
The traps still prove to be especially cruel, perhaps a little too cruel, but even that is worked into the story. It involves quite a bit of the past, much like Saw 4, it will give you more of the origin of the characters, whether it's needed or not. Minimizing flashbacks, it instead will fill in a number of plot and character holes.
This is David Hackl's directional debut. Considering he's been around since Saw 2 as production designer, this is a solid step forward. There's no doubt that these somehow ingenious, if not over the top story lines that interconnect were made up well after the fact, but that doesn't change the fact that the scriptwriters were keen on at least making an effort to do exactly that. Tie things in, making the package look neater, & hoping you don't think about it too much that you start to see the implausibility of it all.
If you have not seen the previous Saw's, you will be lost here, as you will be left with confusing tie in's and past incidents that mesh too well with the present. It's just not kind to new viewers.
All in all, I can't complain about Saw 5, because I got exactly what I expected. Clever, deadly traps, uncomfortable situations, & of course, the "twist" at the end. There's no denying that one particular actor that's been in all the Saw's is especially good at what he does.
For the most part, I would suggest waiting for a rental. I think that some viewers may grow tired of the series because it comes out every year. The nature of an audience viewing sequels is that it dwindles in number over time, as "sequelitis" sets in. But if you enjoyed the previous Saws & all their abusive, bloody, cruel, & heartless drama, you don't need me to suggest anything to you.
The traps still prove to be especially cruel, perhaps a little too cruel, but even that is worked into the story. It involves quite a bit of the past, much like Saw 4, it will give you more of the origin of the characters, whether it's needed or not. Minimizing flashbacks, it instead will fill in a number of plot and character holes.
This is David Hackl's directional debut. Considering he's been around since Saw 2 as production designer, this is a solid step forward. There's no doubt that these somehow ingenious, if not over the top story lines that interconnect were made up well after the fact, but that doesn't change the fact that the scriptwriters were keen on at least making an effort to do exactly that. Tie things in, making the package look neater, & hoping you don't think about it too much that you start to see the implausibility of it all.
If you have not seen the previous Saw's, you will be lost here, as you will be left with confusing tie in's and past incidents that mesh too well with the present. It's just not kind to new viewers.
All in all, I can't complain about Saw 5, because I got exactly what I expected. Clever, deadly traps, uncomfortable situations, & of course, the "twist" at the end. There's no denying that one particular actor that's been in all the Saw's is especially good at what he does.
For the most part, I would suggest waiting for a rental. I think that some viewers may grow tired of the series because it comes out every year. The nature of an audience viewing sequels is that it dwindles in number over time, as "sequelitis" sets in. But if you enjoyed the previous Saws & all their abusive, bloody, cruel, & heartless drama, you don't need me to suggest anything to you.
As I sat down to watch the 2008 movie "Saw V" again here in 2023, it was my second time of watching it.
The storyline in "Saw V", as written by Patrick Melton and Marcus Dunstan, is actually a fairly enjoyable script and storyline. "Saw V" carries on the legacy of the previous four movies in a good way, so the writers managed to carry on the torch nicely. I was adequately entertained throughout the 92 minutes that the movie ran for.
The cast ensemble in "Saw V" was good, withScott Patterson, Costas Mandylor and Tobin Bell returning to reprise their characters from the previous movies. And that was a good thing, because it definitely was in the spirit of the continuity of the franchise. And "Saw V"saw new performers make an entrance in the franchise, with the likes of talents such as Mark Rolston and Greg Bryk.
The amount of visceral scenes, mutilations, gore and deadly contraptions was good in the movie. And there were some rather brutal moments as well. So as a life-long gorehound, I was entertained.
If you have been enjoying the previous four "Saw" movies, then you certainly should carry on with this 2008 fifth movie in the franchise, because it is an enjoyable and entertaining movie from director David Hackl.
My rating of "Saw V" lands on a six out of ten stars.
The storyline in "Saw V", as written by Patrick Melton and Marcus Dunstan, is actually a fairly enjoyable script and storyline. "Saw V" carries on the legacy of the previous four movies in a good way, so the writers managed to carry on the torch nicely. I was adequately entertained throughout the 92 minutes that the movie ran for.
The cast ensemble in "Saw V" was good, withScott Patterson, Costas Mandylor and Tobin Bell returning to reprise their characters from the previous movies. And that was a good thing, because it definitely was in the spirit of the continuity of the franchise. And "Saw V"saw new performers make an entrance in the franchise, with the likes of talents such as Mark Rolston and Greg Bryk.
The amount of visceral scenes, mutilations, gore and deadly contraptions was good in the movie. And there were some rather brutal moments as well. So as a life-long gorehound, I was entertained.
If you have been enjoying the previous four "Saw" movies, then you certainly should carry on with this 2008 fifth movie in the franchise, because it is an enjoyable and entertaining movie from director David Hackl.
My rating of "Saw V" lands on a six out of ten stars.
To say the least, I was NOT disappointed. I enjoyed the film as much as I thought I would. Going in, I had some doubts, what with a new director and this being a fifth installment in a horror series (they usually start sucking by the 3rd).
As soon as the opening credits start, you can already tell that a different director had his hands on the project. Acceptence doesn't take long to sink in though. As expected, the film meets the typical Saw requirements. Multiple traps and more revealing back-story.
Simply put, Saw V should not disappoint the loyal Saw fan. I know I'll be back for the next installment with bells on.
Seeing that this is the fifth film, you simply MUST see 1-4 in order to truly understand all the flashbacks. I don't want to give anything away, so all I will say is this: The very last trap in this film is one of my new favorites. . .
As soon as the opening credits start, you can already tell that a different director had his hands on the project. Acceptence doesn't take long to sink in though. As expected, the film meets the typical Saw requirements. Multiple traps and more revealing back-story.
Simply put, Saw V should not disappoint the loyal Saw fan. I know I'll be back for the next installment with bells on.
Seeing that this is the fifth film, you simply MUST see 1-4 in order to truly understand all the flashbacks. I don't want to give anything away, so all I will say is this: The very last trap in this film is one of my new favorites. . .
Saw V is clever. It knows what the audience wants, and after four solid films, it still continues to fill in the cracks of minor plot inconsistencies and even manages to link itself all the way back to the first movie. The genius of these films is finding out more about the past that directly links to the events in the future. In this respect, Saw V may just be the best film in the whole series, utilizing plenty of flashbacks, insane traps, and a plethora of returning characters. The fifth film stars series regulars Tobin Bell, Costas Mandylor, and Scott Patterson, as well as newbies Julie Benz, Meagan Good, and Greg Bryk. David Hackl, who served as production designer on Saw II through Saw IV, now takes over the director's chair for Darren Lynn Bousman.
This time around, Hoffman, Jigsaw's last remaining apprentice, is trying to tie up all the loose ends, following instructions Jigsaw gave him on his deathbed. Agent Peter Straum is quickly piecing together clues and suspects Hoffman as being tied to Jigsaw. At the same time, five people, Brit, Luba, Mallick, Ashley, and Charles, wake up in a trap and must work together to reach the end. It all builds up to an astounding conclusion that sets the scene for Saw VI in a fantastic fashion.
As always, one of the most enthralling things about the Saw films are the traps, and this one doesn't disappoint at all. It doesn't go too over-the-top with the gore, and yet stays intense and absolutely enthralling the entire time. We get explosions aplenty, a water tank, a falling pendulum, a trap involving electrocution, and several others. There is a particular one involving a glass box that was especially disturbing and crazy.
The acting in this installment is on-par with Saw II, which is actually saying a lot. It seems as if in all of the films, there is always a weak spot except for Saw II, and now this one (Cary Elwes in Saw, Bahar Soomekh in Saw III, and Justin Louis in Saw IV). Julie Benz is an effective heroine, one that is fun to root for throughout the course of the movie. Likable characters abound, with few even approaching annoyances from this viewer. Scott Patterson was great to watch in his race to piece things together. Costas Mandylor shines in his scenes, and takes over Jigsaw's reign quite well. Tobin Bell is in a league all his own, and in all of the flashback scenes (and there's plenty of 'em), he comes nothing short of an absolute pro. After five films, he has 100% nailed the Jigsaw character.
In terms of directing, David Hackl does an excellent job taking over for Darren Lynn Bousman. There is lots of flashy editing and awesome camera angles, and the constant close-up shots that fans of the series have come to love. Hackl's visual style is very similar to that of Bousman's, and that's saying something. Both directors bring an incredible amount of creativity to the screen, and Hackl sprinkles a little flavoring all his own that makes this new Saw flick a feast for the eyes. There's no arguing that's it's well-made, in terms of both acting and directing.
The latter half of the movie is super intense, and although the runtime is very short, the length is perfect. It lays out the carpet for the next film in the series with amazing bravado, perfected after five films. It seems like they finally know how to leave us with a cliffhanger at the conclusion. As promised, the ending is stunning and shocking, but don't expect it to be on caliber with the first movie, an ending which will be hard to ever top. Even after five films, Saw has not grown stale, and continues to enthrall and thrill fans of the series. It is probably the best movie series ever in terms of continuity. As much as I thought I knew what was coming, the fifth entry in the Saw series threw out shock after shock and never ceased to surprise me. Once the credits start, you are left craving more, which will make the next and final entry in the Saw series one that this particular fan will very much be looking forward to.
This time around, Hoffman, Jigsaw's last remaining apprentice, is trying to tie up all the loose ends, following instructions Jigsaw gave him on his deathbed. Agent Peter Straum is quickly piecing together clues and suspects Hoffman as being tied to Jigsaw. At the same time, five people, Brit, Luba, Mallick, Ashley, and Charles, wake up in a trap and must work together to reach the end. It all builds up to an astounding conclusion that sets the scene for Saw VI in a fantastic fashion.
As always, one of the most enthralling things about the Saw films are the traps, and this one doesn't disappoint at all. It doesn't go too over-the-top with the gore, and yet stays intense and absolutely enthralling the entire time. We get explosions aplenty, a water tank, a falling pendulum, a trap involving electrocution, and several others. There is a particular one involving a glass box that was especially disturbing and crazy.
The acting in this installment is on-par with Saw II, which is actually saying a lot. It seems as if in all of the films, there is always a weak spot except for Saw II, and now this one (Cary Elwes in Saw, Bahar Soomekh in Saw III, and Justin Louis in Saw IV). Julie Benz is an effective heroine, one that is fun to root for throughout the course of the movie. Likable characters abound, with few even approaching annoyances from this viewer. Scott Patterson was great to watch in his race to piece things together. Costas Mandylor shines in his scenes, and takes over Jigsaw's reign quite well. Tobin Bell is in a league all his own, and in all of the flashback scenes (and there's plenty of 'em), he comes nothing short of an absolute pro. After five films, he has 100% nailed the Jigsaw character.
In terms of directing, David Hackl does an excellent job taking over for Darren Lynn Bousman. There is lots of flashy editing and awesome camera angles, and the constant close-up shots that fans of the series have come to love. Hackl's visual style is very similar to that of Bousman's, and that's saying something. Both directors bring an incredible amount of creativity to the screen, and Hackl sprinkles a little flavoring all his own that makes this new Saw flick a feast for the eyes. There's no arguing that's it's well-made, in terms of both acting and directing.
The latter half of the movie is super intense, and although the runtime is very short, the length is perfect. It lays out the carpet for the next film in the series with amazing bravado, perfected after five films. It seems like they finally know how to leave us with a cliffhanger at the conclusion. As promised, the ending is stunning and shocking, but don't expect it to be on caliber with the first movie, an ending which will be hard to ever top. Even after five films, Saw has not grown stale, and continues to enthrall and thrill fans of the series. It is probably the best movie series ever in terms of continuity. As much as I thought I knew what was coming, the fifth entry in the Saw series threw out shock after shock and never ceased to surprise me. Once the credits start, you are left craving more, which will make the next and final entry in the Saw series one that this particular fan will very much be looking forward to.
While this is still a watchable, well acted movie that continues on the Saw tradition well I have to give it a lower rating because it just was not as good as the previous installments. The plot and the traps that we have come to be surprised by seemed to be a more predictable and rushed along by the makers of the movie. It seemed like this movie could have just been tossed in with part 4 to make one big movie as the prequel to the next part. So to me it seemed like the studio just split up 1 movie into 2 parts to capitalize on the profits....which they have done well I might add because myself and many other movie goers packed the theater for the 5th Saw installment. So in closing I think this movie may be adequate for the die hard saw fans, not nearly good enough for new comers, and winds up lacking far more than it gives. That is why I can only give this movie a 5 out of 10
Did you know
- TriviaScott Patterson was apprehensive about sticking his head in a sealed box that would fill with water. The trap was tested beforehand and didn't go well, which only added to his concern. He ultimately stepped up and did the scene himself without resorting to a stuntman. The trick to the stunt is that the walls of the box were slid open by stagehands, draining the trap as soon as he signaled with his hands. Several takes were required, however, to capture the scene as he found himself uncomfortable at various points during the shooting of this scene.
- Goofs(at around 1h 7 mins) Detective Mark Hoffman steals Agent Peter Strahm's cellphone out of the evidence locker, and uses it to call Agent Dan Erickson. Erickson answers the phone thinking it was actually Agent Peter Strahm. However Erickson should have known that Strahm's cellphone was in evidence, and therefore known that it could have been someone else using the cellphone.
- Alternate versionsAlso available in an unrated director's cut version, which restores deleted scenes and the violence originally cut for an "R" rating.
- ConnectionsEdited from Saw (2004)
Details
Box office
- Budget
- $10,800,000 (estimated)
- Gross US & Canada
- $56,746,769
- Opening weekend US & Canada
- $30,053,954
- Oct 26, 2008
- Gross worldwide
- $113,864,059
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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