A man's life is derailed when an ominous pattern of events repeats itself in exactly the same manner every day, ending at precisely 2:22 p.m.A man's life is derailed when an ominous pattern of events repeats itself in exactly the same manner every day, ending at precisely 2:22 p.m.A man's life is derailed when an ominous pattern of events repeats itself in exactly the same manner every day, ending at precisely 2:22 p.m.
- Awards
- 1 win & 2 nominations total
Featured reviews
A story about mysterious set of events that continue happening to one man at 2:22 every single day. Michiel Huisman stars is an air traffic controller from New York losing his job after experiencing a weird flash of light causing him to blank out at 2:22. The plot tells about his experiencing more and more weird events at the same time after he meets a woman, played by Teresa Palmer. This appears being quite a unique idea for a film story overall it's not easy to understand what is exactly going on. Is it the movie the stars or about this guy? Is it something else? The full cast includes Sam Reid, Maeve Dermody, Remy Hii, and Simone Kessell. To sum up an original idea but the result is nothing more than a barely decent entertainment.
An American sci-fi drama; A story about an air traffic controller who is suspended from his job after a near miss incident, who starts to notice a reoccurence of the conditions that led to his suspension. Drawn into a complex relationship, he must figure out a way to control time itself. Pattern, repetition and predestination often feature in sci-fi fantasy movie plots, but when complicated ideas are ill-explained, it makes for difficult viewing for the circumspect viewer, even one prepared to suspend belief. The lead character is a poseur, a man of metropolitan cliché, rushing about carelessly - this runs in stark contrast to the traits one associates with an air traffic controller. The love story also feels unnatural. The stylisation of the film feels misplaced too with voiceovers that reduce the illusion further.
Keeping this short, I don't understand why there's so many negative reviews of this flick. I see a repeating pattern for genre movies such as this, in that the sex & explosions popcorn actioner crowd seem to take it personally when they don't understand what's going on.
Above average movies such as this and other hidden gems like "Predestination" get an unfair rap from the instant gratification legions, who seemingly don't like any pointed reminders that they're stupid.
Good casting, locations, cinematography and a breathtaking soundtrack used to the best possible effect make this a welcome addition to the stable of movies that you wouldn't usually watch because of all the naysayers, but are glad you did once you do. Yeah, there's some minor plothole issues and the pacing was a bit confusing at times, but the good far outweighs the bad.
Watch it.
Above average movies such as this and other hidden gems like "Predestination" get an unfair rap from the instant gratification legions, who seemingly don't like any pointed reminders that they're stupid.
Good casting, locations, cinematography and a breathtaking soundtrack used to the best possible effect make this a welcome addition to the stable of movies that you wouldn't usually watch because of all the naysayers, but are glad you did once you do. Yeah, there's some minor plothole issues and the pacing was a bit confusing at times, but the good far outweighs the bad.
Watch it.
In NYC, air traffic controller Dylan Branson (Michiel Huisman) has a premonition of a shooting in Grand Central Station at 2:22pm. He goes to work and nearly crashes two planes into each other at 2:22pm. He continues to encounter strange occurrences at 2:22pm. He meets art gallery owner Sarah Barton (Teresa Palmer).
There is a good idea somewhere here and these actors could have made it work. I'm still not sure if this premise makes any kind of movie sense. It would probably make more sense without the complication of the past loop. It could be more compelling. I really like the beautiful looking couple although they could have some better writing. The movie just needs to clear up the rambling premise.
There is a good idea somewhere here and these actors could have made it work. I'm still not sure if this premise makes any kind of movie sense. It would probably make more sense without the complication of the past loop. It could be more compelling. I really like the beautiful looking couple although they could have some better writing. The movie just needs to clear up the rambling premise.
The star of this film are the screenwriters; Nathan and Stein, who take an incomplete idea and run with it. Unfortunately, when you rush, you sometimes make mistakes. This is one of those times. It is a real shame, and I am sure both writers will have a productive future. But this effort falls short due to the inability of the writers to clearly convey what they are writing about. The character of the air traffic controller is well-developed, but not anyone else. To get an effective chemistry for the audience, one must develop the TWO characters at the same time; not just one and then introduce another one much later. That device does not work, and helps to eventually ruin any connection the audience might have with the later character. This flaw is not the only reason the film is not successful. The premise of time travel (and this is a time travel film in the sense that Groundhog Day was a time travel film) is a difficult premise to work around as a film. Groundhog Day was successful because it had a great actor, Murray, and great comedy situations. This film has no sense of humor, nor does it have any sense of impending repeating events. The audience is intrigued, but then loses interest when there are no compelling examples before the final event of the phenomenon. A good try, but no cigar.
Did you know
- TriviaDuring its one week theatrical release from June 30 to July 6, it only made $422, making it the lowest grossing film of 2017.
- GoofsIn the opening scenes of New York the Twin Towers are clearly visible. In a later scene of New York we see the One World Trade Center.
The first scene is in the dream. At that time in the dream, the twin towers still stood.
- ConnectionsReferences La Jetée (1962)
- SoundtracksCool on Fire
Performed by Daniel Johns
Composed by Daniel Johns / Joel Little
Licensed by Sony/ATV Music Publishing (Australia) Pty Limited & EMI April Music Inc. Licensed by EMI Music Publishing Australia Pty Limited
Under license from Eleven: A Music Company Pty Ltd
Licensed courtesy of Universal Music Australia Pty Limited
- How long is 2:22?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- 2:22 - Thời Khắc Định Mệnh
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $422
- Opening weekend US & Canada
- $294
- Jul 2, 2017
- Gross worldwide
- $3,945,729
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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