A bullied boy forms a unique friendship with his new neighbor, who is a vampire.A bullied boy forms a unique friendship with his new neighbor, who is a vampire.A bullied boy forms a unique friendship with his new neighbor, who is a vampire.
- Nominated for 1 BAFTA Award
- 76 wins & 58 nominations total
Johan Charles
- Andreas
- (as Johan Sömnes)
Malin Cederblad
- Sjukhusreceptionist
- (as Malin Cederbladh)
Featured reviews
I read the book and loved it. Now, I had the chance to see the movie version at the Gothenburg International Filmfestival 2008, as the movie won the "Nordiska filmpriset". I saw it at a really big screen (700 seats), happy that it delivered fine acting and quality cinema.
Having said that, I'd also agree with what's been said (e.g. above) that the music is a bit over the top. The movie itself is a study in the small: tiny nuances in the classroom and schoolyard, the almost forgotten suburb, the hiding qualities of snow, ice and winter (not to mention the, at least partly, neglected kids). To score such small details with grand strings makes for a bit of a mismatch. Enough on that, some parts have only piano and those work perfectly.
Witout spoiling anything it's safe to say that this first and foremost is a story of friendship. Second, it's a story of revenge. Either way, this is a truly original tale and in many parts a beautiful piece of cinema. Original (and sometimes quite gory) still even the violence seems subdued (at least in comparison to the vampire genre as it has evolved from subtle romance flick to full blown war movie). This movie, however, is about loneliness, friendship and loyalty --- and it's really worth watching. Recommended.
Having said that, I'd also agree with what's been said (e.g. above) that the music is a bit over the top. The movie itself is a study in the small: tiny nuances in the classroom and schoolyard, the almost forgotten suburb, the hiding qualities of snow, ice and winter (not to mention the, at least partly, neglected kids). To score such small details with grand strings makes for a bit of a mismatch. Enough on that, some parts have only piano and those work perfectly.
Witout spoiling anything it's safe to say that this first and foremost is a story of friendship. Second, it's a story of revenge. Either way, this is a truly original tale and in many parts a beautiful piece of cinema. Original (and sometimes quite gory) still even the violence seems subdued (at least in comparison to the vampire genre as it has evolved from subtle romance flick to full blown war movie). This movie, however, is about loneliness, friendship and loyalty --- and it's really worth watching. Recommended.
Let the right one in is a crime drama horror film about a boy named Oscar living in a small Swedish town who's bullied by his classmates while his mother works nights. One night,a young girl moves next door named Eli. The two become friends and Oscar discovers how intelligent Eli is but she has a secret,all of the grisly murders in the town have lead up to Eli and soon Oscar discovers her dark,dark secret. Let the right one in was a originally a Swedish book written by a John something something. The book spawned a sequel called 'Let The Old Dreams Die' and it also become an American remake named 'Let Me In' starring Chloe Grace Mortez,I didn't like the remake cause I thought it wasn't realistic at all. This film was absolutely stunning that it became one of my favourite vampire movies. The book I bought before and I read a few pages but it wasn't as good as the film. From two young Swedish actors who you'd expect to be bad but they were actually brilliant as if they had acted before. Please watch this film!!
10crmang
I am not particularly fond of the vampire genre, but this movie is so much more. It is artistic, poetic, and in many ways a very profound movie exploring the nature of good and evil. It does so through the world of a child where both pure evil and pure goodness are somewhat discernible, and it achieves an astounding array of contrasts that allow us to see that good and evil can coexist side by side. Doing so, this movie is very thought-provoking, leaving the audience yearning to read the novel. In short, this movie is a gem. There is no need to remake this movie which according to IMDb.com they will be. You don't need to wait until 2010, you should watch this movie now.
I saw several movies at the Seattle International Film Festival this year, and Let the Right One In was by far my favorite of the bunch. It's primarily a movie about how friendship can help you find your own personal strength. Two lonely children meet and change each other's lives. The fact that one is a vampire makes the movie even more interesting and unique, but it's not the most important plot detail. The cold darkness of Sweden makes the perfect backdrop for the story. It was so refreshing to see a vampire movie that doesn't rely upon cheap scares, fangs and gore. The only scene I didn't enjoy involved cats with computer animated faces - it looked very stupid and out of place, but this was a small disappointment in an otherwise outstanding film. I highly recommend this movie.
10c99432
I have watched both Twilight and Let the Right one in.
I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.
There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.
I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!
If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.
I strongly feel that Let the Right outruns Twilight on almost EVERY SINGLE ASPECT, except, of course, advertisement, due to the inequality of budgets. (a Swedish director vs a Hollywood one, come on...) If Twilight is no more than an idol gallery under the skin of vampire horror, Let the Right one in is such a film that completely redefines people's perception on traditional vampire horrors.
There aren't many gory scenes or special visual impacts, unlike Twilight being fraught with computer generated scenes. Plus, the pace of Let the Right is slow, without many exaggerations. Yet, the audience could feel the profound impact of the film within, an impact that totally transcends cheap sensory stimuli, while exerting a quiet yet POWERFUL "shake" upon people's soul.
I felt very upset that an American remake will be done next year. From our common sense, we could deduct how the remake would be compared to the original. Before the remake ruins the story, do yourself a favour watching the originals!!!
If you feel yourself mentally more mature than 15 y.o., go watch Let the Right on in instead of Twilight. You will NOT regret your choice.
Did you know
- TriviaSeveral tricks were used to create the right sound effects for some of the gorier scenes. Biting into sausages was used to replicate biting into skin and flesh, and drinking yogurt was used to sound like drinking blood. The sound of the children blinking was made by the skin of grapes rubbing together in an almost "blinking" motion.
- Goofs(at around 1h 8 mins) When Eli tells Oskar to go after she licks his blood off the floor, her appearance changes in one shot. This was intentional - Eli is actually portrayed by an older actress in that scene, and also briefly in the later scene where Eli counsels Oskar to be like her when dealing with his bullies. In both scenes she is covered in blood, and the older actress was swapped in to give us a glimpse of who Eli really is: much older than she appears, and driven by a monstrous hunger.
- Quotes
Oskar: Eli... Can you and I be together?
Eli: What do you mean?
Oskar: Well... Will you be my girlfriend?
Eli: Oskar... I'm not a girl.
Oskar: You're not?
[pause]
Oskar: Can we be together?
Eli: Can't we just be how we are?
Oskar: I guess...
Eli: Do you do something special if you're "together"?
Oskar: No.
Eli: We stay just as we were?
Oskar: Yes.
Eli: Then I agree...
Oskar: What?
Eli: We can be "together".
Oskar: Really?
Eli: [Whispers] Yes.
Oskar: Good.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Déjame entrar
- Filming locations
- Örnäset, Luleå, Norrbottens län, Sweden(the apartments)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $2,122,065
- Opening weekend US & Canada
- $49,295
- Oct 26, 2008
- Gross worldwide
- $11,227,336
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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