Stolen Lives

Stolen is a good mystery movie.

If you are looking for something to pass 90 minutes, you could do a lot worse.

The story basically is a cop, Tom Adkins, is haunted by the disappearance of his son 8 years ago. Then he discovers the remains of another boy about the same age as his own son, who was murdered 50 years previously. He becomes obsessed with the case, which has been long-forgotten. Is the 1958 case, involving down-on-his-luck dad of three family man, Matthew Wakefield and his own sons disappearance linked in any way to that of Tom Adkins?

Acting is fine by all.

Personally I thought the film started really well, and I thought the 1958 story was more interesting than the present story. But the ending seemed a tad rushed.

But, not a bad film at all.

My advice...well worth renting....but don not buy! (It's a watch once film)

Yes, I am biased, but he is definitely a sympathetic character in this film weaving a 1940's child killing to a current missing child case (grieving father well-portrayed by Jon Hamm/"Mad Men"). Hamm is also good here as he shows a different and more human side of his acting ability. In "Mad Men" he plays a slight sexist (apropos for that era, though).

Lucas has three sons, Mark, Luke and John. The youngest child John is autistic (in the 1940's that was clearly a cardinal sin.). When Lucas' wife commits suicide and they are foreclosed on, he must hit the road to find any employment, and give his sons to in-laws to take care of them. His brother-in-law, Jonas is a nasty piece of work and refuses to take care of "the autistic one" John.

Lucas finds construction work with a random group, one ("The Swede", played by Holt McCallany, and one portrayed by James Van Der Beek, nicknamed "diploma").

The peripheral/current story of Hamm and his marital woes with Barbara are rather predictable, though we feel for him becoming obsessed with this 50 year old case of the murdered autistic child John.

Without detailing the outcome, I will say there are some notable performances by Hamm and Lucas here, and the haunting story of missing and murdered children, and how society treats them.

It is also a timely story, children in the U.S. are murdered and missing every day. Highly recommended. If you like this theme you may also like "The Dead Girl" an amazing film about a missing girl and how society treats disaffected people. 10/10.

My wife and I found this on our pay per view channel, and from the synopsis, thought it looked worth watching. We were not disappointed. This is a very good film, in the genre of "Chinatown" and "Changeling". The story (without spoilers), is briefly as follows:

A police detective (John Hamm) has lost his only son eight years earlier, when he went to the restroom in a diner. The usual guilt and strain on his marriage ensues, as he tries to go through life with this unsolved mystery haunting him.

He is drawn into a case of another missing child, and becomes obsessed with that search, to try to find some vindication for what has happened to him. Throughout this exploration, the story is told in two stories, of him and the father of the other missing child, creating parallels, and differences in the two cases.

Eventually the dots connect and lead to a very dramatic ending. although it's a little too neatly tied up.

This is a very entertaining movie, which grabs your interest from the start, engages you with the duplicate stories throughout, and provides some twists and turns at the end, for added effect.

I really enjoyed it and am surprised that it wasn't released theatrically, as I think it is much better than the current "Ghost Writer", for example. It's a good mystery tale, and very worth watching!

Tom just lost his son after a moment of inattention while they were in a restaurant. At a construction site near by it's found a dead body of a child and Tom thinks that it is his son. Being a detective he deeps more in this case and it leads him to another child abduction and murder that happened fifty years ago.

A beautiful and at the same time a sad story told from two points of view, one from the present and the other from the '50. The crossing makes the movie watchable and the fact that they are connected makes the movie even more intriguing. It's almost impossible not to share a tear after and the original story could make us to forget about the little flaws. An unique film that deserves your time.

This thriller, starring "Mad Men's" John Hamm, while watchable, ultimately fails through implausible plotting and the contrived use of coincidence.

Consider Hamm's anguished cop, who, at a Fourth of July pageant, in the mere minutes it took him to go to and from the toilet in a diner establishment, finds the son who accompanied him has apparently disappeared as if into thin air, never to return. It later transpires that he encounters the perpetrator just outside the diner, so how has he managed to spirit away his son and got back to the pageant in those mere minutes?

Years pass, with Hamm unable to get over his loss and attendant guilt, the emotional distance between him and his wife widening close to separation point, when a child's body is unearthed, bearing similarities to his own child and immediately throwing suspicion on a long-interred suspect. The movie then moves back and forth in time from the present-day to 1958 where we see enacted the story of the disappearance (thankfully, there are no scenes depicting the actual murder of the children) of the first child and the truth is gradually brought to light as the stories converge.

That's quite a lot to bring together in a mere 90 minutes and after all the exposition, the ending is wound up in double quick time, with a too blatant slip by the murderer and too easily obtained subsequent confession. I also thought the 1958 story was more involving, if more implausible than the present-day one, contriving a "Postman Always Rings Twice" dalliance between the father and a local femme-fatale, complete with jealous husband, unbalancing the narrative, although the transitions between the two time-frames were cleverly done, with dissolves on the shared crime-scene exhibits.

The acting was okay, Hamm jutting his jaw and running his hand through his hair in familiar angst-ridden fashion, although I thought the better acting was done by Josh Lucas as his 1950's counterpart, conveying just the right composite of Henry Fonda crossed with James Stewart as the drifter at the mercy of fate, while Morena Baccarin and James Van der Beek playing respectively the slack wife and the murderer made strong, if brief impressions too.

In the end, this was a fairly routine thriller, lacking somewhat in tension, characterisation and credibility, with more of the aspects of a TV movie than Hollywood feature. I don't think I'd pay to watch it, seeing it on the small-screen seemed about right.