1612: Khroniki smutnogo vremeni

It was my first impression after watching this movie. If someone decides to spend serious amount of money on costumes, special effects, on employing the best Russian actors... well, one would assume the producer got also at least semi-decent scenario. It was definitely not the case here.

Without giving out too many details, the main plot of "1612" is a little similar to that of "Patriot". Just move the action to the early 17th century in Russia, and replace British troops with those from Polish-Lithuanian Commonwealth. The problem is that "Patriot" was somewhat realistic (even if one might have some doubts if all Brits are really brutal sadists), and "1612" is not. Frankly, I have not seen such BS story since I quit watching American B-grade action movies and it was so bad even the best actors could not help it.

Do you know who would be able to build a cannon from leather and then use it with marksman accuracy? Maybe MacGyver? Well, no, but if you want to know the answer for this (and many other, but equally absurd) question, just watch "1612". Otherwise, do something else. I still give it 4 of 10 - mainly for decent historical costumes, great cavalry charges, and other secondary details.

This is a terrifically entertaining action-adventure fantasy from Russia. I say "fantasy" instead of "historical epic" because as the movie proceeds the story and the main character, a serf who rises to superhero, become increasingly larger than life. This boldly heroic storytelling makes 1612 seem very old-fashioned, in the best way, even as the film-making is state of the art, with some amazing action scenes and superbly staged battles. The hero is played by Pyotr Kislov, Russia's answer to Orlando Bloom; the antagonist, a Polish warlord intent on marrying the kidnapped daughter of Boris Godunov and making himself master of Russia, is played by Poland's #1 leading man, Michal Zebrowski, who has headlined some impressive action films himself, such as With Fire and Sword. The initial set-up is a bit wordy, but once the action starts it just gets better and better. Great fun (though be prepared for some startling battle gore).

For someone who is not prepared to handle this movie on the first try, like myself, it would be logical to suggest watching it again. Trouble is, you don't want to. The movie is all over the place with a very vague storyline. I agree that the special effects were descent, the rest of it was borderline horrible. The language used, is "bydlorussian" in many instances. Almost nothing in the movie is remotely believable. Many commented had pointed to a leather cannon, well, it has been done with some success, even reproduced in our time. Such a cannon takes several weeks to produce and a lot of patience. Some would not believe it, but Germans used reinforced cardboard mortars in WW1. As others had noted,the script sucked, actors would look OK in a "clean" porno movie, but are completely unfit for what was attempted as a historical film. I gave it a 5, based on the fact that, even barely, it prevented me from changing a channel, thanks to commercial-free transmission.

a film who could not be a real surprise. heroes and fairy tales, the brave Russian, the week enemy, the love story and few beautiful scenes. and the only error remains the ambition to use to many levels of story without any link. the beauty of images are not enough in this case because to many parts are out of sense. and it is not real a surprise because, like in many other Russian films, the purpose is only expose the heroism as the basic virtue. short, an useful film for the connoisseur of the historical events. and nothing more because the mixture of myth and history , in that case, is almost confusing. good intentions and fight scenes. a fresco about the rising of Romanov dynasty and nice characters.

1612: KHRONIKI SMUTNOGO VREMENI is a strange Russian epic seemingly composed of pasted together bits of history, myth, and fiction by writer Arif Aliyev and directed with a complete lack of continuity by Vladimir Khotinenko. Why these production choices were made in what is apparently supposed to be a critical turn of events in the history of Russia is unclear, but the reason for making the film seems to be to out-Hollywood Hollywood without the benefit of CGI that serve as Hollywood's main 'character' in epics of this sort.

Apparently from the title we are to accept this tale as a recreation of the death of Boris Fyodorovich Godunov (1551 - 1605) - de facto regent of Russia from 1584 to 1598 and then the first non-Rurikid tsar from 1598 to 1605. The end of his reign and the murder of his son saw Russia descend into the Time of Troubles. There was a witness to these murders, one Andrei (Pytor Kislov) who fell into serfdom and then into being a mercenary with his friend Kostka (Artur Smolyaninov) for the Polish hetman (Michal Zebrowsski). Apparently one Godonov remained, the Tsarina Kseniya (Violetta Davydovskaya) and was loved by both the Polish hetman and by Andrei. The entire film is an extended battle between the Polish and the Russians for the control of Moscow and the dream of the Polish hetman to marry Kseniya and ascend the throne as the new Tsar. The referenced year 1612 is the year of the Battle for Moscow when the Poles were successfully defeated making way for the rise of the Romanovs as the royal family of Russia.

Somewhere well hidden in this collage of decapitations and other examples of battlefield mayhem are the identities of the characters who populate this story, but the tale is so chopped up by amazingly bad editing (to the point that the film feels like there are large gaps missing as the screen simply goes dark frequently), by flights of fantasy that focus on a unicorn, moments when the past is recalled through the use of pixels of supposedly previously viewed material, and just plain lapses in plot details that the movie appears like a richly colorful blood bath with some unintentional (?) comedic moments. The machinations of the battle between the winged Poles and the oh-so-inventive Russians fighting against all odds border on absurd. But then perhaps that is the point of the film: war is madness and kingdoms are built by serendipity. It is a long song and tedious, but if you know the realities of Russian history it may be a very entertaining movie!

Grady Harp