The Narrow Road to the Deep North

In response of some critics about... The cinematography is one of the best I've ever seen. Mist, darkness, murkiness... it feels like material heaviness... rain, mud, humidity... It's so rare to 'feel' the visual in contemporay cinema... It is the meaing of the supersensible, synaesthetic overtones that Ejzenstejn spoke of, perfectly reproduced with digital tools. As for the plot: the first two episodes are absolutely solid and convincing. Kurzel proves to be one of the most prepared directors, in the name of a certain incandescent naturalism that borders on material evocation, as already underlined. TV at its best.

I'm not up to scratch on the history of the POW during WW2, but this programme has made me look into it. The actors/actresses are amazing and deliver their characters perfectly. Some of the true stories I have read on the internet are unbelievably horrific, and these are reflected in the programme.

Parts of the programme made me feel sick to my stomach during the torture scenes, and I like to think I am pretty desensitised to TV brutality (long time horror watcher).

If you come away from watching this series without feeling affected in some way, maybe you are a robot, because the emotions it evokes are so strong.

My Spanish grandmother was under house arrest during the Japanese occupation of British North Borneo during the war. She told me stories of the treatment of Australian soldiers held captive. This show is serious television. It is part English Patient, Tree of Life, Thin Red Line, and Bridge over River Kwai. It is haunting, erotic, intimate, brutal, humanistic, and historical. This was a show made to honor the fallen and to preserve memories and experiences and is unflinching. It is the kind of series that will penetrate your dreams, make you feel small, and humble you. These kinds of series are not often made. The showrunners are owed gratitude and respect for having pursued this undertaking. It is unabridgedly effective.

You can rarely see a good series or movie from the australian perspective. It's a short series but keeps you engaged at almost every scene. The brutality of the japanese or the POW struggling for survival really comes through the screen on an emotional level.

I would say it's a unique World War 2 series, can't put it in a category. It's not really about the war but how we humans sometimes lack the humanity, emphaty or the communication so we could understand each other. When we can't communicate or express ourselves then we just move on instead repairing the thing that brings us the most joy or even who brings us the most love.

A must watch for anyone who enjoys war series with less action and more emphasis on the emotional and personal struggles for both the character and You, the viewer.

Had high expectations, but was very disappointed. The misty, murky photography made it hard to watch and I gave up. The lead actor mumbles his way through the episodes and Ciarin Hind's Aussie accent is even worse, and he too mumbles. The producer should have hired someone who knew how Aussies spoke in 1941, because they certainly did not call a dinner jacket , a tuxedo, nor say hi in a formal setting. I know the series is based on a book, which I have not read, but the movie, Bridge on the River Kwai was better and if you want to know about the hardships suffered by Aussies in Japanese POW camps, read about Sir Weary Dunlop.