Une histoire d'amour et de ténèbres

I first discovered this film looking through Portmans filmography and saw that it was a Cannes competition film. So i decided to give it a try.

Portman truly does a fantastic job in her role AND as directing the film!

The first minutes you will notice the cinematography is stunningly beautiful! Visual is amazing!

You will also notice very early that this is a extremly deep and emotional film.

Beautiful and amazingly performed storytelling!

Filming along with music is marvellous good!

Manuscript is pure art and pure poetry!

Beautiful environment!

A extremely well made film almost in every way!

Its a complex, but very good film that i truly recommend!

"A Tale of Love and Darkness" (2015 release from Israel; 98 min.) brings the story of Amos Oz. As the movie opens, we see young Amos and his mom, who is telling bedtime stories. We are informed on the screen that it is "Jerusalem, 1945, under British Mandate"> Amos and his parents are trying to build a life , unsure of what is to come. "There is enough room in this land for two peoples", comments young Amos when he meets a young Arab girl at a social gathering. Meanwhile, Amos' mom is starting to deal with with migraines. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: to state that this movie is a labor of love for Natalie Portman would be the understatement of the year. Not only did she write the script (based on the memoir of Amos Oz), she also stars (as Amos' mom), produces and directs. Yes, this is the directing debut of the talented actress, and it shows quite a bit of promise. The movie brings a good mix of what it was like to be in Jerusalem during 1945-1948, and what the O family endured in particular. The movie also serves as a coming-of-age tale for the young Amos, an only child surrounded by loving parents and family,I suppose that Portman could've easily decided to produce the movie in English, but instead she retained the Hebrew language (and being Jewish herself, already spoke some Hebrew but reportedly took significant language lessons so as to portray this role in pretty much impeccable Hebrew). Beware: if you think this is an 'action' movie (due to the 1948 war), you might be wrong. This is a slow-moving film (in the best possible way), focusing on the Oz family and their surroundings.

"a Tale of Love and Darkness" debuted at the 2015 Cannes Film Festival to positive acclaim. Why it's take this long to reach US audiences, I have no idea but better late than never I suppose. The movie finally opened at my local art-house theater this weekend, and the Saturday early evening screening where I saw this at turned out to be a semi-private screening: there was only 1 other person in the theater. That is unfortunate, and I can only hope that as the movie becomes available on Amazon Instant Video and later on DVD/Blu-ray, it will find a larger audience, which by all means it deserves. I can't wait what Portman the director will do next. Meanwhile, if you are in the mood for an intriguing foreign film about a family in the middle of Israel's birth of a nation, I would readily recommend "A Tale of Love and Darkness".

I wanted to like this. I really did. Natalie Portman's directorial debut taking on an epic Amos Oz novel about his early life set against the tale of the birth of the State of Israel should have been wonderful. Instead, it felt like a series of beautiful cinematic vignettes that didn't quite come together to form a cohesive narrative. The dramatic tension is missing. The motivations of Oz and his mother and father are not explained. A couple of political scenes inserted to give some context -- namely the scene with the Arab girl and her brother, and the scene where the UN vote is being read out -- feel clunky and not well linked to the more personal story being told. If I hadn't come into the movie already having a good grasp of the history of mandatory Palestine and Israel's early years, I feel I would have been totally lost, as so much was glossed over or not really explored. Moreover, the most interesting parts to me were those that explored Amos's relationship with his father, but Portman chose to focus the narrative on his enigmatic, struggling mother -- someone you get the sense that the boy himself never really understood. There are a lot of wonderful scenes here, but they don't really go anywhere. Haval.

A Tale of Love and Darkness (2015), Natalie Portman's directorial debut, is an ambitious and emotionally resonant adaptation of Amos Oz's memoir. The film explores the complexities of life in post-World War II Jerusalem, weaving a deeply personal story against a backdrop of political and societal upheaval.

Natalie Portman not only directs but also delivers a stunning and heartfelt performance as Fania, a mother whose struggles reflect the turbulence of the time. Her portrayal is deeply nuanced and emotionally captivating, embodying both strength and fragility in equal measure. Watching her is an absolute privilege.

I cannot overstate how much I admire Natalie Portman-not only for her incredible talent, which has solidified her as the greatest actress of the last decade, but also for her sheer beauty. She is, without a doubt, the most beautiful woman in the world, and her screen presence in this film only reinforces her unmatched elegance and charisma.

While the film is undeniably poetic and visually striking, its pacing can feel slow at times, and the narrative occasionally loses focus. Nevertheless, Portman's dedication to bringing this deeply personal story to life shines through, making it a thoughtful and heartfelt project.

A Tale of Love and Darkness is not without its flaws, but it's a testament to Natalie Portman's immense talent both in front of and behind the camera.

Greetings again from the darkness. The establishment of the state of Israel and the memoir of Amos Oz are the foundation of the feature film directorial debut of Natalie Portman. First time directors don't typically fight over such source material, but it has always seemed that Ms. Portman was headed towards bigger (and more important) things.

She was born in Jerusalem and this story opens in that city during 1945. The narrator is the elderly Amos and the story is told through the eyes of young Amos (a very effective Amir Tessler) … though the focus is on his mother Fania (played by Ms. Portman).

The tensions between Jews and Arabs are ever-present, but this is the mostly personal and intimate struggle of Fania and her family. She has survived the atrocities of the Holocaust, though many of her family and friends did not. In fact, her inability to overcome this past and adjust to the new world is what has the biggest impact on young Amos and his scholarly father Arieh (Gilad Kahana). Amos soon figures out that the litmus test for his mother's mood is whether she is telling stories of the old days, or staring blankly into a void.

Watching someone fade away and experience death by depression/disappointment/unfulfilled dreams goes so against what we typically see on screen – the emotionally strong and heroic types. Portman's performance makes it believable, but no less difficult to watch … for us or young Amos.

The film is well shot and well acted, and much more is conveyed through faces and movement than spoken words … somewhat unusual for the recollections of a writer. The color palette and the silence dominate many scenes, and it seems appropriate given the situation of this family. Expect to see many more projects from director Portman, as she obviously has much to say.