Three friends Karnan (G V Prakash Kumar) a thief, Kalai (Pasanga Paandi) an ex-convict and Rocky (Nandhan Ram) a drug peddler are childhood friends who live in the government housing board c... Read allThree friends Karnan (G V Prakash Kumar) a thief, Kalai (Pasanga Paandi) an ex-convict and Rocky (Nandhan Ram) a drug peddler are childhood friends who live in the government housing board complex in Thuraipakkam, Chennai. The police and the public always eye those in the area as... Read allThree friends Karnan (G V Prakash Kumar) a thief, Kalai (Pasanga Paandi) an ex-convict and Rocky (Nandhan Ram) a drug peddler are childhood friends who live in the government housing board complex in Thuraipakkam, Chennai. The police and the public always eye those in the area as criminals and jobs are denied, forcing them to resort to illegal activities. Rocky is alw... Read all
Featured reviews
G V movies Ini pohavey kudathunu thonu cheii!
The trajectory of Tamil cinema is still on the lines of taking gully based movies, I don't know if the commercial success is happening because of that group of people and hence the targeting is still happening but this is definitely not good at all.
This one especially portrays the lives of the Kannagi Nagar people, the director has tried to justify whatever mistakes that group of people do, a totally irresponsible film making there.
There are so many ways to present the lives of those underprivileged people if the director does really care about the enhancement of their lives but it was abrupt that the film was just trying to show one side of the story and failed miserably to highlight what could be done for the betterment, in that way, this film could've easily been into the limelight and a box office success if it'd have taken from all angles but just one side of storytelling dumped the whole movie into the gully itself.
I remember when there was no other choice but to watch Navarasa. Despite it's pretentious casting and worst dialogues, it was beyond comprehension to think on how this totally ridiculous film was this train wreck got greenlit by Netflix India. I spent the whole time laughing, which begs the question: why did I watch it? Well, sometimes you're trapped, forced to endure these "cringe" fests hyped up by suspiciously enthusiastic reviewers, all thanks to well-meaning but misguided friends. You sit there, cringing and laughing internally as cinematic garbage unfolds before your very eyes, surrounded by equally bewildered and amused companions. I resisted the urge to add my own two cents because, frankly, everything that needed to be said about that mess had already been screamed into the void.
And now we have "Jail," another overhyped turd I desperately wish I could un-see. I already suffered through GV Prakash's "Bachelor," a film that offered profound insights into the minds of insecure losers and wannabe hippies (spoiler alert: there were none). Ut I clung to a sliver of hope for Vasanthabalan, a director returning after a whopping seven years. His last film was a decent-ish rip-off of "Amadeus," which, in the current landscape of Tamil cinema, qualifies as a misunderstood masterpiece (lol). That was my sole motivation for subjecting myself to "Jail." And boy, did he fail spectacularly. Pathetic writing, absolutely superfluous acting from everyone involved including a villain so ridiculous , and songs so awful.
By the time the "climax" rolled around (and I use that term loosely), I couldn't have cared less if the film had spontaneously combusted and our lead predictably biting the dust. I just got detached as this film does a terrible job communicating with the audience with what emotions we're supposed to be feeling.
In Conclusion, A really bad filmmaking and it's high time that Tamil cinema should stop mediocre filmmakers from milking out delicate topics (Eelam Tamilians, the plight of farmers, Malaysian Tamils, gentrification, the "Kasthapadra Vada Chennai folks" - whatever that even means - drone shots for the sake of drone shots, rowdies doing rowdy things, "porul," and whatever the heck "Pullingo Sambavams" are) for cheap drama. How about focusing on something like... good writing?
Good making and cast but too much diluted into gangster fights rather than actual issues of migration.... Movie started and ended with song solid documentary details about slum migration into concrete jail...but in-between it just travel as gang fight with very average love interest.... If they concentrate more on the theme, it would have another milestone like Madras... Missed chance...
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Details
Box office
- Gross worldwide
- $4,358
- Runtime2 hours 15 minutes
- Color