Pippa and Thomas move into their dream apartment, but notice that their windows look directly into the apartment opposite. This will set in motion a chain of events that will lead to disaste... Read allPippa and Thomas move into their dream apartment, but notice that their windows look directly into the apartment opposite. This will set in motion a chain of events that will lead to disaster.Pippa and Thomas move into their dream apartment, but notice that their windows look directly into the apartment opposite. This will set in motion a chain of events that will lead to disaster.
- Awards
- 1 nomination total
Madelline Harvey
- Barb
- (as Madeline Harvey)
- Director
- Writer
- All cast & crew
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Featured reviews
This move started out fun and taboo... they're exploring/discovering a fetish. Then there's some interaction outside of the secret. Then the intervention but finally the obstacle was out of her way so her true flawed and depraved imperfect self could act on her real desire. The story here is really getting intriguing and it's different, as messed up as it is, but I'm all in at this point. Then the predictable happens, not in a bad way, just expected... but then it really sinks... next up cliche, not so subtle twist, cliche, cliche, followed by a try-hard wanna be profound, but completely failed, ending. This was a masterpiece for 75-80% of the movie and then it completely fell apart. This movie goes from a 9-10/10 to a 6/10 all in the last 25 minutes of the movie. I suspect some higher up just had to put their hand in the pot and completely ruined the movie.
The story gets preposterous at the end, I feel like it had one too many twists, literally just one less at the end and it'll be fine by me. Everything else was done brilliantly, not to say it would have contended for movie of the year but for what it was trying to do, everything was good, the acting, the directing, casting, the pace of the movie was well put out. Which is why I'm confused with all the twists at the end, because the movie was interesting enough without them.
It's just very fictional, like a watt pad novel my friends used to love reading in high school. As a whole, feels like it was stuck in-between two minds, whether to make it an erotica or not. The illogical twists and the stand out sex scene made it feel like they were trying, but there wasn't enough of it to consider it a "skin flick"(lack of better words). I almost like it as a regular movie, too mediocre to make it a priority on your watch list yeah but still worth a watch. It just feels like an adult movie that didn't want to be explicit, which is why that Seb and Sydney Sweeney scene confused me, it's welcomed, just confusing.
It's just very fictional, like a watt pad novel my friends used to love reading in high school. As a whole, feels like it was stuck in-between two minds, whether to make it an erotica or not. The illogical twists and the stand out sex scene made it feel like they were trying, but there wasn't enough of it to consider it a "skin flick"(lack of better words). I almost like it as a regular movie, too mediocre to make it a priority on your watch list yeah but still worth a watch. It just feels like an adult movie that didn't want to be explicit, which is why that Seb and Sydney Sweeney scene confused me, it's welcomed, just confusing.
This was categorized in Amazon as young adult and drama. What?!? This is a seriously dark and twisted erotic thriller with lots of disturbing things happening. I almost didn't watch thinking this was a teenage movie but it's not. Very much for adults only. I feel the reviews are harsh. It's really like two movies in one.
Not only is "The Voyeurs" the kind of movie Steven Soderbergh makes, I also wish that he had made it. Michael Haneke, too. These auteurs would have found a style befitting of the material that would have made it seem plausible, that would have kept us engrossed, and that, hopefully, would not have required the ridiculous, jarring twists and turns that the movie ends on.
The young couple move into an apartment in Montreal with windows that look directly into an apartment across the street. The very first time they look, they watch the couple in that apartment have sex. They continue to watch, get turned on, and even go so far as planting a listening device.
The climactic twist isn't entirely predictable. I wasn't surprised. But still, Soderbergh or Haneke could have put more of a point on it. Here it was a bit "meh", as my generation likes to say.
I really think that the twists and turns that come after were put in as an afterthought when the director realised nobody was going to buy what he had sold up to that point. It almost feels like a consolation prize, as though he's saying, "I agree that sucked because I don't have the skill to do it the way Haneke would have... oh well, here's some extra tawdry garbage."
He should have just made an erotic thriller. This is more like "Sliver" than "Benny's Video" or even "The Girlfriend Experience". And an erotic thriller would have been more fun. The attempts at seriousness or social commentary come to nothing, and in the final act, are totally abandoned.
The young couple move into an apartment in Montreal with windows that look directly into an apartment across the street. The very first time they look, they watch the couple in that apartment have sex. They continue to watch, get turned on, and even go so far as planting a listening device.
The climactic twist isn't entirely predictable. I wasn't surprised. But still, Soderbergh or Haneke could have put more of a point on it. Here it was a bit "meh", as my generation likes to say.
I really think that the twists and turns that come after were put in as an afterthought when the director realised nobody was going to buy what he had sold up to that point. It almost feels like a consolation prize, as though he's saying, "I agree that sucked because I don't have the skill to do it the way Haneke would have... oh well, here's some extra tawdry garbage."
He should have just made an erotic thriller. This is more like "Sliver" than "Benny's Video" or even "The Girlfriend Experience". And an erotic thriller would have been more fun. The attempts at seriousness or social commentary come to nothing, and in the final act, are totally abandoned.
This feels like a throwback to 90s erotic thrillers and I don't mind that. They're usually pretty entertaining regardless of quality and The Voyeurs mostly follows this. The film drags a little bit in the middle, but some wild twists keep things interesting. I kinda wish the film ended after the first big twist because the second was pretty ridiculous. The atmospheric cover of Eyes Without a Face is fantastic and honestly makes the film worth watching just for that. I can't get it out of my head.
Oh and my god what is wrong with Justice Smith's voice. Completely took me out of the movie.
Oh and my god what is wrong with Justice Smith's voice. Completely took me out of the movie.
Did you know
- TriviaThe idea for this film came to Michael Mohan after visiting a friend's new place in Los Angeles, looking out the window and spotting a couple in their apartment across the street, walking around naked.
- GoofsA laser microphone does not need a mirror, it reflects off the front of the glass, which is its primary advantage (it does not require access to a room to listen to it; if you had access you'd plant a bug). In fact, passing the laser through the window in both directions would likely cancel any information from sound wave vibrations.
- ConnectionsReferences Casablanca (1942)
- SoundtracksEyes Without a Face
Written by Billy Idol and Steve Stevens
Performed by Angel Olsen
Courtesy of Angel Olsen
- How long is The Voyeurs?Powered by Alexa
Details
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 2.35 : 1
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