Morning Glory

It's a bit cheesy.

But has a seriously sweet story and great message.

It could do without the romance.

It made me laugh out loud, so that's a plus.

It has Rachel McAdams, so I don't think it's humanly possible for me to give this movie (or any movie starring Rachel McAdams for that matter) anything lower then 7 stars. I think I love her.

Rachel if you're seeing this find me. (Why would she see this?) Harrison Ford plays a very Harrison Ford esc role, it's funny and it works.

Diane Keaton is surprisingly pleasant in this. She has a fun little arc.

Rachel McAdams. Wow I means she knocked it out of the park. How couldn't she? With those bloody dimples.

Anyways, yeah it's good! Little cheesy. But good.

Rachel McAdams is taking the lead this time in a rom-com that adds a little pathos, shows the rest of the world what it's like to be totally committed to a job (being a former workaholic, I can totally relate to this.) The pace is set at "sprint" and actually does a great job of going the distance. 10 cuts above a sit-com, but could possibly be turned into a very successful one about a fictional struggling #4 slot on the network morning show circuit. Adding to the mix and a lot of credibility, Jeff Goldblum, Dianne Keaton, and Harrison Ford, looking every bit his 60+ years, but still has a boyishness to his demeanor that hearkens back to Star Wars and Indiana Jones. Patrick Wilson is the rom in "rom-com" and he holds his ground against the whirling dervishness of Rachel's character. The writing is outstanding and the one-liners, priceless. Check it out.

This film is about a young executive producer's struggle to revive an unpopular morning show.

I thought "Morning Glory" is just another romantic comedy that happens to be set in a television setting, but it pleasantly surprised me. The plot in fact focuses a lot more on the stress and frustration of being an executive producer, with romance being sidelined as an almost dispensable subplot. The intensity of Becky's job is well portrayed, the two anchors' verbal wars and Mike's indifferent and selfish attitude all makes "Morning Glory" entertaining to watch. "Morning Glory" is a pleasant surprise!

It's no secret that people go to see movies touted as being comedies for one reason, they want it to be funny and thereby make them feel a little better, or at least lighten their mood. That's what I was looking for when I went in to see this film. Thankfully, I was rewarded with more feel good value than I had paid for. This film is terrific entertainment.

I'll add that I enjoyed this film on a number of levels.

First, was the pure comedic value, which was high. Rachel McAdams owned nearly every scene she was in with not just her drop-dead-gorgeous-good-looks but with her well applied talent invested into this somewhat quirky, high energy character. McAdams' Becky was a finely crafted portrait of a warm, likable, very intelligent, hyper-kinetic, lovable screwball of a young woman. Her every moment on screen exuded lovable charm by the truckload; she's never looked more appealing or more lovely.

But McAdams certainly didn't have to carry this funny film on her own. She was ably assisted by some of the finest people in Hollywood in the persons of Harrison Ford, Diane Keaton, Jeff Goldblum, John Pankow, Patrick Wilson, Matt Malloy, Ty Burrell, Patti D'Arbanville and a long list of equally great supporters. What a great selection of professionals.

Ford was splendid as the emotionally parsimonious codger of an over-the-hill anchor. Not to be outdone, Diane Keaton was as terrific as ever in her turn as Ford's cynical, combative co-anchor; which she carried off with a wonderful exuberance and energy.

Jeff Goldblum - who always seems to land roles as some kind of "different" personality - was excellent as Ms. McAdams' crabby boss. McAdams' colleague Lenny was well worn by John Pankow who seems to add to everything I've ever seen him in. Patrick Wilson as McAdams' love interest wasn't given much material to work with but his time on screen was well spent, adding a quality performance in just the right place. Ty Burrell was funny and at the same time kind of spooky as an unappealingly unctuous departing anchor. Though a small part, it was pleasant to see Patti D'Arbanville play McAdams' mother with appropriate love and concern.

I saved Matt Malloy for last because he was an unexpected treasure. His portrayal of the show's weatherman suddenly thrust into a new and challenging role was particularly hilarious; the proverbial icing on the cake.

The second area of enjoyment was the overall effort put into the sets, art direction, sound and the other technical areas. Everything was first rate which added to the realism.

Finally, their depiction of the behind the scenes areas of a hectic television studio came across as spot on, actually heightening the chaos that seemed to follow McAdams everywhere. You can't go wrong seeing this film if you're looking for a fun night at the movies.

A big thank you to the makers of this entertaining gem! By Bruce L. Jones http://webpages.charter.net/bruce.jones1/

Morning Glory is a splendid work of film making, comprised of a winning storyline and characters we come to care about. Hats off to the writers, as the script really gives the movie a shot of adrenaline and reels you in. I consider it one of the year's finer comedies in an environment where abrasive humor seems to draw people in droves. What Morning Glory isn't is a romantic comedy or a "chick flick", as what we are tending to see on the previews. Rather, a story of an executive producer determined to turn around a dying TV show in comic fashion.

Rachel McAdams plays Becky Fuller, a laid-off executive producer scratching and clawing for a new job in the industry. She comes across a network station at the bottom of the totem pole and sees her chance. Working with Mike Pomeroy (Harrison Ford) and Colleen Peck (Diane Keaton) as her 2 co-hosts, the challenge just begins when she starts her plan to increase the show's viewer count.

McAdams' character Becky Fuller is inspired, the hard charging workaholic personality, on the laptop late at night searching for that next breaking news story. Of course, by working all the time, her social life is nonexistent. Her energy and optimism is infectious, as she impresses us with on her first day taking many drastic measures needed to make the station better. We come to root for her as she faces complacency and apathy all around her, she rises above it and we watch with bated breath to see what she'll do next. She is very diplomatic and manages to deal with all sorts of personalities for the betterment of the show.

Harrison Ford redeems himself from his role as a scientist in the year's earlier flop "Extraordinary Measures". He portrays Mike Pomeroy, the seasoned news anchor who only does the big stories. His comments about famous people he's interviewed in the past and now has to do a silly morning TV show arouse laughs. Pomeroy is the gruff seasoned veteran of the show, stiff and stern, and brings a prima donna attitude in with him -that he has standards and much of what is requested by Fuller is simply beneath him. Pomeroy comes to change his character to someone more likable by the time the film ends. Pomeroy's best moments are no doubt when he is putting down his co-host. The adversarial relationship between he and Peck is all too fun to watch. One of the finer moments with Pomeroy we discover that his workaholic mentality voided him of any close family relationships, and we feel for him, hoping that Fuller will take his wisdom and adjust her approach.

Diane Keaton plays Colleen Peck, the primary face of the show, who has been through all the changes over the years, including 15 different executive producers. She is skeptical of Fuller because of how terrible the show is and beyond help, and believes there is no hope. Peck is lively and shoots back at Pomeroy's comments with her own zingers. She is willing and receptive to Fuller's ideas to improve the show, and shows us her zeal by stepping out on faith with the new changes. Definitely one of the gems in the movie and a true pleasure to watch.

There is no doubt magic and chemistry in the air with the strength of the cast. It is fun to watch Pomeroy drive Peck and Fuller nuts, and the sparring co-hosts bring a lively and light mood to the film. We come to care about what Fuller is trying to do, and root her on as she encounters what seems to be insurmountable odds. This is a feel-good inspirational story that builds from the very beginning, never back-pedalling, with a minor romantic element added in.

8/10 stars