The Code

I actually enjoyed watching this thriller. The problem is that you come across some scenes that makes you feel like an idiot. The plot misses that spark of ingenuity. For instance; you guess what is gonna happen in the next 10 minutes; and it happens!!! I think this is not only because of bad writing, but also because the script is full of clichés.

If you have some spare time to kill and don't mind an uninspired plot. Go ahead; it might amuse you. Don't be fooled by the actors and expect anything better.

By the way isn't it interesting that Morgan Freeman kinda accepts any script? He must be really lucky that really good ones find him too.

For Antonio Banderas; there is not much to do. But wait for a Wrestler like a come back or not...

What a big letdown. First off, I wasn't really expecting much out of this, the trailer wasn't really something but it has Freeman and Banderas in it, both I am a big fan of. As it turned out, it was all a big, fat failure of a heist movie. I always welcome recycled plot lines just as long as the execution brings something new to the table but in Thick as Thieves, there wasn't. We've all seen it before and the twist at the end, although you never see it coming within the movie, the shock factor was poorly executed.

I love all of Freeman's works but this one is at the end of the line. The chemistry between Banderas and Mitchell was off, there was no spark none whatsoever. Skip it, rent it but don't buy it. It's a waste of money.

In New York, the experienced thief of arts Keith Ripley (Morgan Freeman) invites the bold thief from Miami Gabriel Martin (Antonio Banderas) to team up with him in the heist of two valuable mysterious Faberge eggs of 1917 in the safe of the well protected Russian jewelry Romanov. The worth of each egg in the black market is twenty million dollars and Ripley needs his cut to quit his debt with the powerful mobster Nicky (Rade Serbedzija). The reluctant Gabriel accepts to participate after having one night stand with Ripley's goddaughter Alexandra Karolin (Radha Mitchell). Meanwhile, the persistent Lieutenant Weber (Robert Foster), who has unsuccessfully tried to put Ripley in jail for twenty years, figures how to anticipate the movements of the criminal and arrest him.

"Thick as Thieves" is an unoriginal movie full of clichés that gives the sensation of déjà vu to the viewer. There are many movies with impossible heists, and this one has nothing new in this regard. Further, there are many twists in the story and the conclusion is corny and commercial. The good points are the chemistry among Morgan Freeman, the sexy and gorgeous Radha Mitchell, and Antonio. Banderas. In the end, this forgettable flick entertains. My vote is six.

Title (Brazil): "Jogo Entre Ladrões" {"Game Between Thieves")

Thick as Thieves is pretty much as lousy as heist films get. It's lazy, derivative, and really quite offensive in the way it leans back in your favourite chair, flicks cigarette ash on your carpet while smirking at you and telling you there's nothing you can do to stop it as you've already paid your money.

The twists are both of everyone's least-favourite flavour: one you can spot a mile off and the other one - while unexpected - you won't give a hoot about. The heist too is lazy, but by that point you won't be surprised even if you can remember all the talk of it being an impossible job. Your expectations will be so low you'll tell yourself it's par for the course. Both Morgan Freeman (usually reliable) and Antonio Banderas (usually intolerable) coast by with just the pilot light on, totally lacking chemistry, and only Radha Mitchell comes away with any kind of credibility, doing decent work and putting in far more effort than her underwritten character deserves.

Oh Dear, in deed. What could have been one of the best heist movies in recent history turned out to be (in my humble opinion) a serious let down.

Morgan Freeman and Antonio Banderas, a potential chemistry that on paper seemed a sure fire hit, but and there's always a but. It just didn't materialize, whether it was the short-comings of the dialog or the direction I can't say; but it just didn't sizzle.

When you think of heist movie partnerships then you have to be very special to match up against De Niro and Norton has seen in 'The Score'.

Freeman and Banderas - don't....sorry. For me this was the most overwhelming shortfall of the film, the two main protagonists just don't bounce off each other and has a consequence the characters fail to draw you in.

As for the plot, Freeman - going for the last big score before retirement, Banderas - hoping to improve his standing in the criminal fraternity whilst making a lot of money in the process.

Formulaic with a twist-at-the-end that was disappointingly obvious because the writers thought it had to have a twist-at-the-end. When will they ever learn that you can tell a story without having the ubiquitous twist - the bigger surprise would have been - oh wait for it - no surprise.

Unfortunately, this movie will go down has another example of Hollywood doing what Hollywood does, very little thought and effort put into an idea that could have been so much greater than the sum of its parts.

I gave this movie a 5 for the attempt of entertaining us, it should be a lot higher if only it had lived up to it's potential.