Le Pont

... consider it an accident and look for the - really impressive - original! You will spare yourself quite a lousy piece of love story and war action rudely looted from the heritage of the 50's version by Bernhard Wicki. Even Hollywood barely could do worse twisting historical facts and life stories into some sort of spectacular fireworks performed by characters who don't really deserve this description. Good war movies (such as the original one!) should include the stories of the human beings involved, narrated in an empathic way thus helping the viewer to understand or at least imagine how it might have come to all the cruelty - and maybe even how it could be overcome. Otherwise there will be sown rather fascination than consternation. The next war will come too soon anyway. 2/10 just because of occasionally good acting (esp. by the soldier boys) and seemingly accurate requisites (uniforms, armory...).

It's near the end of WWII. In a small border village, seven 16-year-old schoolboys are conscripted as the front moves ever closer. They're made to defend the small local bridge. There are also subplots that add nothing but screen time. This uses very little of the material available, and its 100 minute running time, or 96 and a half without end credits, drags at many points. Characterization is less of a priority than illicit material. Maybe they figured they'd need something to wake the audience up. So every so often, there's nudity, sexuality, or war violence. Even though none of it leads to anything.

Franka Potente is an international film star. So once they had her, they expanded her role from the previous versions of this story, combined several characters, and increased her presence. It amounts to nothing. See, before, it was different people, related to the teens, all individually trying to get them out of the war. They don't succeed, because that's what's accurate. When you have just one person doing that, and failing repeatedly, it gets to be annoying to watch. She doesn't even get closure. One scene has the crush of one of the boys take a similar role, and I swear, it's purely so that there's at least *one* other doing some of that. Where are the parents? They're such a strong element in the 1959 movie. Everyone in the military in this are incompetent, and basically every adult German is a monster. This from the same country who, rightly, made us understand Adolf Hitler, himself?

I recommend this purely to those who are too curious to stay away. 3/10

I did not realise that this was a TV remake of Berhard Wicki's 1959 classic 'Die Brucke' especially as the cover was more misleading than a James Bond movie and the credits stated that the screenplay was based upon a book by Gregor Dorfmeister (Wicki's masterpiece credited a novel by Manfred Gregor). In fact it was a remake of 'Die Bruck' albeit with the additional sub-plots of a sexual nature. I also was impressed with the attention to detail on the equipment employed and care taken with the Production set and design. Whilst it was not quite the work of art displayed by the 1959 version it was acceptable and fairly realistic. Indeed I thought that it was very well made and was to Feature Film standard. I am still working on identifying some of the kit used but it was all believable for the period. Despite the reliance upon Franke Potente as the main international 'Name' in the cast, the casting was very good and all of the characters were believable and did a grand job in telling this sad tale. I do not believe that most fans of this genre will be too disappointed with this well made little tale of the futility of war.

You don't have to know the original to dislike this version of "Die Brücke." It is what its producers wanted it to be: filled with more action and romance than the original, more "modern" (whatever that means), in color and whathaveyounot. What lacks is any sense of reality, any understanding of the time or the people. The romance is unmotivated, that action has no impact at all, and music and slo-mo-shots are overused and abused to imply epic qualities or sadness (passing trucks with wounded German soldiers, dying American tank driver). All in all this looks like a bigger budgeted WWII-film in the vein of the many amateur videos you can see on Youtube, where teenagers dress up in uniforms, wield plastic gun replicas and insert lots of muzzle flash effects over the action scenes.

Hi "dixibuster", you should see the original version, which is not 30, but almost 50 years old and one of the classical and best movies in German movie history.

This remake is a well-meant try to bring this serious issue to todays's younger generation. Clear, it's nothing in comparison to Dennis Gansels "Napola", but it's o.k. And if the remake brings some of the audience of the younger generation to see Bernard Wickis original from 1959, then I think it has fulfilled his service.

But one thing I must add: Main Character Francois Göske shows also here, that he's one of the most talented young actors in Germany. With his extremely physically acting he will have a great movie career !