Wallace & Gromit: Un sacré pétrin !

Having gone all Hollywood on us it was a surprise to see Wallace and Gromit back on the small screen with this 30 minute short (which sounds harsh considering the years that goes into making them) for Christmas 2008.

It's great fun from start to finish. Loads of lovely verbal jokes, as well as the classic Aardman style of visual jokes you only see on second viewing.

Peter Sallis is as ever the perfect voice for Wallace, and is much missed.

The bar is set pretty high where Wallace and Gromit are concerned, and while I don't think this short is up there with 'A Close Shave' or 'The Wrong Trousers' it's certain good fun.

This was the first Wallace & Gromit short to be made after the big world wide theatrical release and success of the full length animated movie "Wallace & Gromit in The Curse of the Were-Rabbit". By now the entire world and- not just England anymore, knew who Wallace & Gromit were. This of course made expectations higher than usual and putted on pressure on Nick Park and the rest of the crew. "Wallace and Gromit in 'A Matter of Loaf and Death'" however does what all other previous Wallace & Gromit shorts had also already done in the past and that is to bring some cracking and good looking simple entertainment.

It's probably not as hilarious to watch as the previous Wallace & Gromit shorts but the movie is nevertheless entertaining and of course impressive as well to look at. The animations and possibilities have all advanced, which provides "Wallace and Gromit in 'A Matter of Loaf and Death'" with some even more impressive looking sequences.

The movie is probably less hilarious to watch because of its story. It's a quite sinister- and more of a thriller type of plot. All other Wallace & Gromit movies already sort of had this but this movie just a bit more than others. I must say that the movie even tends to drag a little at points but luckily the movie has more than enough redeeming qualities to qualify this movie as simple a great- and highly entertaining movie.

Another triumph for the Aardman studios.

8/10

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I do agree with the other commentators that it isn't quite as good as Wrong Trousers or Close Shave, but there is still plenty to enjoy here. I can see completely why it was the most watched Christmas programme on British Television. Technically, it is a wonder. Even after thirteen years, the claymation is so good. And there are plenty of visual jokes to delight even the fussiest adult or child, like Puppy Love by Doggy Osmond. I just have to mention the ending, it was hilarious, with Wallace shouting "Gromit I've got a bomb in my pants". It was so silly I couldn't help laughing, so much so my sides were really sore. Sally Lindsey was impressive as Piella Bakewell, and Peter Sallis still proves that at 87 he could still do a competent job as ever as Wallace. Gromit still delights with his priceless facial expressions, and the little dog was enough to make you go "awww!" The storyline was quite dark in tone, even more so than the predecessors, but the constant visual jokes kept my family entertained. If I had one quibble, it would be that the pace of the episode was a bit too fast, but overall this was hugely enjoyable. 9/10 Bethany Cox.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Wallace and Gromit have decided to set up their own baking business. One day, Wallace nearly has a traffic accident with the woman who used to be the 'bake-o-lite' girl. They warm to each other and romance starts to blossom-but Gromit, wary as ever (what with past experience!) suspects she's trouble, and what with the spate of serial killings involving local bakers that's been going on lately, maybe he's onto something.

After the success of 2005's film version The Curse of the Were Rabbit, Nick Park's plasticine heroes have become popular again and got enough publicity for a timely new episode last Christmas, that for one reason or another I didn't get to see all the way through. But now I have, and while the technical animation never ceases to impress me, it's now becoming quite clear that in my mind, Park'll never make as great an episode as The Wrong Trousers.

The serial killing theme of this new story might have been a bit too dark and adult to feature in a family film, but one of the trademarks of the franchise, the cheesy puns, are in abundance, from vinyl records Gromit owns by artists like Doggy Osmond and McFlea (as well as The Hound of Music!), to other clever (but not very subtle!) touches like advertisements for flights by Cheesy Jet. The stories in most of the short films revolve around Wallace warming to someone (or something) he's just met and Gromit suspecting (and being proved right!) that they're up to no good, and this is no exception but most of it is carried off with such technical expertise it's a minor quibble.

There's nothing really wrong here, it's just that nothing has (and I doubt ever will) live up to the standard of The Wrong Trousers for me. ***

Roald Dahl knew as much as anyone that kids love things a bit darker, a bit more menacing. Nick Park seems far removed from Dahl, but the truth is the dark has always been there, it's just people haven't bothered to look.

Matter Of Loaf And Death was great BECAUSE it pushed the boundaries. It would be so easy to coast and take Sony's Yankee dollar. But Nick Park isn't like that.

I admire him because this is his creation and he always seems to come up with something surprise him. The clever film references, the delightful puns (Citizen Canine!) all well handled.

And seriously, didn't anyone else find Fluffie's relationship with Gromit sweet? Or perhaps I'm getting sentimental in my old age.

Anyhoo, I loved it.