Hamlet 2

As an English major and film lover, I found this movie hilarious and lovable. The performances were divine, the story quirky and hilarious, the musical at the end a rollicking good time. I thought the Tucson comments were funny -- not insulting at all. For the person who was upset that it was actually filmed in Albuquerque because Tucson is "unfriendly" to filmmakers, this is actually because, some years ago, the city council removed the tax incentives that had long attracted movie makers to town. That was a terrible decision; the result is that we've lost our local grand movie-making tradition. This story is imaginative, clever, funny and heartwarming to boot.

I also was expecting something raunchy like South Park or Team America and it wasn't. But it was really entertaining. The bad reviews for this movie say stuff about character development...who cares. You should have known thats not the type of movie this was before you went and saw it then came immediately to your computer to blast it. I think people are too critical on movies lately; you don't have to be moved or have life altering epiphanies after seeing a movie. A movie can just be something that makes you laugh for two hours that you don't have to think too much about and thats what I found in this movie. I found it witty and clever; and I would recommend it.

Hamlet 2 (2008) had an ad campaign that seemed to focus on the fact that it was from the co-writer of South Park, but they are not referring to Matt Stone or Trey Parker (who had absolutely nothing to do with this movie). They are talking about Pam Brady who mostly produces the show, but has some co-writing credits on a couple of the episodes and on the South Park movie. So, if you're going into this expecting something like Orgazmo or Team America, then you'll probably be disappointed.

That being said, the movie is still pretty clever and funny. Aside from a slow beginning, an annoying amount of pratfalls, and two completely pointless characters (played by Catherine Keener David Arquette), it's a pretty funny movie.

Unfortunately this is one of those movies where the funniest parts are spoiled by the trailer. My suggestion would be to skip the theatrical release and wait for it to come out on DVD. By that time, you probably will have forgotten the ad campaign, and you'll really be able to enjoy it.

In a year punctuated with very funny movies, "Hamlet 2" stands out as the most peculiar and comedically risky. Its style of humor is an almost indescribable mixture of social satire, broad slapstick, and dry irony. I've seen it twice, seven months apart, and while I laughed through most of it both times, I can also see how some viewers will come away scratching their heads and wondering what's supposed to be so funny.

The star is Steve Coogan, a beloved British comedian who still isn't being hailed as a genius in the United States. (Meanwhile, Dane Cook gets one movie deal after another.) He plays Dana Marschz, a mostly untalented actor who endured a number of humiliating show-biz gigs before giving up and moving to Tucson, Ariz. ("Where dreams go to die"). Now he is the drama teacher at West Mesa High School, specializing in stage adaptations of popular movies like "Erin Brockovich," which he writes himself and which invariably must be two-person shows because he only has two students in his class. One, a girl named Epiphany (Phoebe Strole), is a typical drama queen; the other, Rand (Skylar Astin), idolizes, and is probably in love with, Mr. Marschz.

After budget cutbacks result in the cancellation of most other electives, Dana's class is suddenly full of students, though most of them have little interest in being there. Determined to be an inspiring educator like the ones he's seen in "Dead Poet's Society" and "Mr. Holland's Opus," Dana tries to reach out to these kids, who are all Latino and, Dana assumes, from the wrong side of town. Dana is a lot like Michael Scott from "The Office": unaware of his own imbecility and eager to show everyone how gifted he is, despite not having any gifts.

Soon the budget cutbacks, mixed with a string of scorching reviews from the school paper's theater critic, threaten to shut down the drama program, too. Dana has one last chance to stage a show that will raise money and awareness. It has to be a dozy. It has to be memorable. He settles on an original script he's been writing, a little thing called "Hamlet 2." That title is arbitrary, perhaps chosen to give the movie a hook. ("'Hamlet 2'?! Now that sounds like a crazy comedy I should definitely go see!") What Dana Marschz writes only begins with Hamlet (who escapes death via a time machine) and becomes more accurately a musical investigation into Dana's own childhood traumas and his unresolved issues with his father. We see snippets of it in rehearsals and a huge chunk of it at the end of the film, when the play is staged before a shocked audience. Hamlet isn't the only literary figure of note to be included, either -- Jesus is here, too, a hip Jesus who moonwalks on water and scores big with the modern generation.

Before we get there, though, there is controversy as the community learns about the edgy elements of Dana's show. The ACLU steps in (kudos to Amy Poehler for a brief but memorable turn as the group's humorless representative), and Dana experiences massive self-doubt. He is not helped by his hilariously unsupportive wife, Brie, played with all the scathing sarcasm and apathy that the great Catherine Keener can muster (which is considerable, as you know if you've seen Catherine Keener in almost anything). Ultimately, the kids realize the lesson Dana has taught them: "It doesn't matter how much talent we lack, as long as we have enthusiasm." There are elements of several different kinds of movies (the Inspiring Teacher Drama, the Teen Comedy, the Let's Put On a Show! Musical, etc.), all of them relentlessly and absurdly satirized in a screenplay by Pam Brady, a "South Park" collaborator who also co-wrote the "South Park" movie and "Team America: World Police." Her work here is co-credited with the film's director, Andrew Fleming, who made 1999's under-seen political comedy "Dick" and last year's better-than-you'd-think "Nancy Drew." Dana Marschz (that's pronounced with three syllables, "Mar-zh-ce") is an oblivious, "Waiting for Guffman" type, the sort of character who never does realize what a loser he is. I'd be hard-pressed to identify any unifying theme to the film's whimsy, any connective tissue between the various things it makes fun of. Why do Dana and Brie have a dull boarder (David Arquette) living with them? Why does Elisabeth Shue appear as herself, tired of Hollywood and now working in Tucson as a nurse at a fertility clinic? Because it's odd and bemusing, that's why.

When "Hamlet 2" is finally performed, the audience is initially outraged by the portrayal of Jesus (played by Dana, looking strangely like "Weird Al" Yankovic), as well as the show's other highly offensive sexual material. Then they come to see that the show means no disrespect, that it's a commentary on stuff, and the scandalous nature of it is necessary to make its point. They say, "Oh, I get it!" But I think the joke is that they're wrong -- there ISN'T any deeper, more honorable message in it. There's nothing to get. Though Dana earnestly believes he's making a valid point, I think his show -- that is to say, the movie -- is being sacrilegious and dirty solely for laughs, a way of poking fun at how high-minded Hollywood satirists like to do something taboo while claiming to have noble purposes for it. (See: the recent controversy surrounding "Tropic Thunder" and the word "retard.") Many humorists are edgy just for the sake of being edgy, and "Hamlet 2" makes fun of them by doing the same thing, only with self-awareness.

A loser drama teacher with no hope left of a real acting career decides to gamble it all with a controversial new play. Through a bizarre combination of circumstances, a gang of tough Latinos and a handful of nerdy white theater kids join forces to help him realize his dream.

So much is going on in this incredible movie. The script is a rag-bag of old SOUTH PARK gags, (writer Pam Brady worked with Matt Stone and Trey Parker for many years) but it's spiced up with bizarre slapstick moments, celebrity cameos, and some real singing and dancing by a surprisingly charismatic and sexy cast of teen unknowns.

Steve Coogan is the glue that really holds this thing together. Even when the gags fall flat, he has a way of injecting genuine humor into the weirdest situations. "Everyone has rain gutters!" he shouts at a wealthy Mexican couple, for no reason at all. And when he's blocked at the typewriter, trying to write a masterpiece, he takes one look at his adorable pet cat and shouts, "What's your problem?" So stupid on paper, but in the film he makes it hilarious. Coogan has the comic genius of Gene Wilder in classics like YOUNG FRANKENSTEIN, combined with the underdog appeal of Sylvester Stallone in the original classic ROCKY.

If I have any complaints about this film, it's that we don't see nearly enough of the talented teen actors who actually put on the play. I loved it when the prim and proper Epiphany threw herself into the arms of the sexy Mexican boy she'd been arguing with all through the movie, but couldn't there have been a little more development there? In a similar way, I would have liked it more if all the kids had gotten a bit more time to show off their acting skills, since it's obvious all of them are crazy about the stage.

HAMLET 2 makes a big joke out of referencing inspirational teacher movies like DANGEROUS MINDS and MR. HOLLAND'S OPUS, but it's really much more similar to that old teen television show FAME. Or to those old Judy Garland movies where someone says, "hey, kids, let's put on a show!" It also has an irreverent, sophisticated sparkle that reminds me of Shakespeare IN LOVE. Not only is there the obvious connection of making Great Literature into lively entertainment, but there's the sense that the entire film is really a love letter to actors and acting as a profession. That's an engaging premise, especially when you see so much bright young talent being revealed in such unexpected ways.

Go to this movie expecting anything and everything -- you won't be disappointed.