Little Ashes

This film is definitely in that upper echelon category of films-- will either be deeply loved or greatly misunderstood. Viewers who go with an open mind; a tolerant & patient mind; understanding that this film is depicting surreal times; understanding that this type of film may be appreciated on a poetic/metaphoric level (rather than spelling everything out/beating viewers over the head with facts or niceties)-- coming from this place then I feel this film will be greatly enjoyed. (For some viewers, it might help to perhaps have a brief surrealism/Dali./Spain between the wars primer; this might make a difference in better appreciating certain aspects of the characters and the times portrayed.) I agree with another review, that in its essence this story about a little known poet and peer of Dali named Federico García Lorca-- the words devastating, beautiful, tragic, and inspiring come to mind. Lastly, even though this film depicts early 20th Century events, I must underscore the fact that this a highly important and timely film right now in 2009 in terms of basic human rights/dignity; namely the right that any human has to deeply love whomever that person wishes to love. DEFINITELY recommend this film.

I just saw "Little Ashes" at the LGBT Festival here in Miami and I have got to say that it was good. I do have to warn you that it is abstract at some points but it IS a Dali movie and he led a very strange life. The movie does justice to the man. I went thinking it was going to be completely about Dali but it mainly focuses on the relationship he had with Frederico. Unfortunately I am very quite aware that this movie will not get the attention it deserves in the states and that a good portion of the people who will watch this movie will only watch for the main actor, Mister Robert Pattinson but I still suggest that Dali lovers watch this movie as well as fans of slightly strange movies.

I will admit, what drew me to this movie was the fact that Robert Pattinson was in it and after seeing Twilight and the ga-ga-ness of him and the media, young girls and even old ladies, I wanted to see him act. (It came across to me in Twilight that he was more eye candy than anything else and his 'acting' was poor.) In Little Ashes he begins shy, reserved and awkward and he ends over the top, flamboyant and awkward. I really feel no middle ground with him, it is one extreme or the other. (I guess one could argue that was Dali himself as well.) He is enjoyable to watch on screen and I do believe that there is potential there. I would have chosen differently for Dali, Pattinson is too young maybe? and British- it would have been nice to see the film in the original language of Dali, even if I had to read it.

Javier Beltran was an excellent choice to play famous writer Federico Garcia Lorca. He was passionate, commanding on screen and as a audience member you grow to love him. You feel his confusion, frustration and love for art, his country and his family. Out of all the players in this film he delivers lines with such a fervor that it as though he is speaking to you- in our time.

At times the dialog falls flat and the story moves slow, it is overall a well told story about art, love and betrayal, just as the tag line reads. The music forces the movie along at some points and the flashes of black and white imagery try to convey the chaos that was surrounding Dali and his mates in Spain in the 1920's and it does not do justice to the uncertainty and fear that was rampant.

If movies are in themselves pieces of art this is a valiant effort on the part of everyone involved, including Mr. Pattinson- though I hope this is not the best I see from him, but it did make me enjoy him as an actor, not eye candy. He to a chance and pushed the limits on himself, certain scenes he is impressive and you cannot look away- even when the image is disturbing- and taking on such an iconic figure in history takes courage.

I think that Dali and Pattinson may have one thing in common for their art- no limits.

There aren't much words to describe. Whether you like this movie or not definitely depends on the type of person you are. its definitely a real independent European film. but i love it. i think the actors capture everything well and the casting was exceptional. i loved the relationship between Dali and Lorca. I watched it a few days ago and i am still thinking and obsessing about the film and its aspects. I think if your the more sentimental type you'll enjoy it, but then again you may not. Like i said, you will either love it or not. its not one of those 'society-accepted' common films i.e. 'transformers'. its artsie and dramatic and Dali is just eccentric. love it. love love love it. 9/10.

The title of my review (if IMDb permits) is taken from a quote by Salvador Dali in 1969 regarding rumors of a Dali-Lorca affair. The full quote, epitomizing Dali's unbridled humor and arrogance is as follows:

"He was homosexual, as everyone knows, and madly in love with me. He tried to screw me twice... I was extremely annoyed, because I wasn't homosexual, and I wasn't interested in giving in. Besides, it hurts. So nothing came of it. But I felt awfully flattered vis-à-vis the prestige. Deep down I felt that he was a great poet and that I owe him a tiny bit of the Divine Dali's a(..)hole."

And with that, let's now talk about the movie.

Although vividly denied by Dali, speculation of a romance between Dali & Lorca is the story of "Little Ashes". This is important to note up front, because if you're looking for a film that delves into the passion & inspiration behind Dali's art, Lorca's poetry and Buñuel's films, you'll be disappointed. This is mostly a straightforward love story with only a few substantial references to the 3 young men's creations (Lorca recites 2 poems, Dali displays 1 painting, and we get no more than 5 sec of Buñuel's film references, including the infamous slashed eyeball scene from "Un Chien Andalou").

What makes this film separate from any other generic forbidden love story is the interesting portrayal of the characters. Whether historically accurate or not, their personalities jump out of the screen at you, particularly Dali played by Rob Pattinson a.k.a. the Twilight studmuffin. Pattinson's Dali is decidedly NOT a studmuffin but instead a very awkward, dorky kid which instantly reminded me of some of Johnny Depp's early roles ("Benny & Joon", "Edward Scissorhands", "Don Juan Demarco"). But fused with his dorkiness is an overbearing arrogance which comes to the surface more frequently as the film progresses.

"Little Ashes", however, is not about Dali and certainly not about Buñuel (who is really a minor character) but is mostly from Lorca's perspective. In that respect, it's fitting that the affair (which never happened, according to Dali) would be exaggerated and poetic. If you noticed in the Dali statement I quoted, he did admit that Lorca was "madly in love" with him, and that is what the film portrays in a very poetic and sentimental way.

Although I was initially disappointed because I wanted to see more of Dali's art & creativity, I liked the forbidden, one-sided love story because it was well done and made good use of recognizable characters & events in history. Thus you could say I liked it in the end (uh, which is more than we can say for Dali. Heh heh).