Les emmurés

This movie really isn't terrible. It's a little weird, but it's well shot and the acting is decent. I'd watch if again if I were drunk or bored- or both.

I rented this movie yesterday and really didn't expect much to be honest. Many current horror titles are very uninspired and frankly rely too much on gore and not enough on story or atmosphere. I was surprised though, it was an engaging story, taking inspiration for Poe perhaps, Agento and others which isn't a bad thing, and actually keeping a sense of its own identity and style. I love horror movies, especially ones that rely more on imagination and atmosphere, this one does to an extent but then focuses on the human element and becomes more of a thriller, in this I felt a little cheated.

The building which is the object of the movie is simply a nice piece of Gothic, deco art. Sinister and yet elegant in its simplicity, huge and monstrous in its presence. The premise works in the beginning and the actors do not disappoint. It is suggestion that works here as well as a psychological drama that is as twisted as an abnormal Mother and son relationship and dark secrets of the past mingled with arcane knowledge of the architecture of forbidden temples. Sadly though, I wished for more emphasis on the later aspect, it held my interest and fascination, but it veered into a film about a demented teenage crush. If more time had been spent on the architect, his history and theories as well as the previous murders then the chill factor would have been amped up.

The building should have been the real star here and its creator and to a large extent it is, yet it slowly is pushed into the background and dwarfed by a teenager's obsession and some of the dwellings rather seemed to be almost inconsistent in their art direction. The inhabited dwellings almost seemed cheap, bland compared to the overall presence of the building. It caused a sense of confusion, perhaps intentional.

Enjoyable yet flawed and could have been developed into a much richer film. It is still a fun view. I hope the director continues with the genre, though this film has its flaws, the director has potential.

I never saw the trailer, but I can guess that it gives off the wrong impression. "Walled In" is not a horror movie, at least not like "The Ring" or "Saw" or anything that features murderous ghosts, demented psychopaths and rivers of blood. So if that's what you're looking for, I hope I saved you 100 minutes of your life.

Instead, "Walled In" is basically a slow paced mystery. The story is about a young rookie demolition engineer named "Sam" (Mischa Barton) whose first job is to survey and plan the demolition of a very creepy and cool building where 15 years prior, a bunch of grizzly murders took place and the killer was never found. Although this premise may lead you to expect a Saw like serial killer game of cat-and-mouse, the story took a different approach. This is really about Sam slowly piecing together the puzzle of what happened and trying to solve this cold case.

Is it terrifying? No. It is creepy? Yes. Largely due to the formidable building (which supposedly doesn't exist in real life but had me fooled enough to spend an hour unsuccessfully googling where it was located), the dark, desolate vibe of this film is very powerful. The lighting is very dramatic with extreme dark and shadows, much like the Exorcist III insane asylum scenes, and the color palette is very rusty. I don't remember seeing any greens except in the very beginning. We are immersed in a visually surreal world that expresses decay.

But I stress again that this is not a gory slasher supernatural horror flick, even though the visual style looks that way. I would put it in the same genre as "Dream House" (2011), "Rosewood Lane" (2011) or maybe even "The Sixth Sense" (1999). Like all of these films, the mystery has its fair share of surprises, and I have to say I didn't see the twist coming, but after thinking about it for a while it made perfect sense, and all the characters' bizarre actions were explained. It should be noted that this is an adaptation of a best selling novel, so the book probably goes into more detail. But this still worked for me.

I thought Mischa Barton's acting was excellent, playing an inexperienced heroine without being an idiot. Almost all of the acting and casting seemed to fit perfectly. The only exception was, surprisingly, Cameron Bright, whom I loved in the similarly-vibed mystery romance "Birth". Here he reprises a similar characterization of an emotionless mystery kid, but in "Walled In" I felt like his role could have added more value if he were more explosive. But who knows, maybe the director was making the point that that growing up in a creepy, isolated concrete monolith all his life would lead to a severe lack emotional development.

"Walled In" definitely presents a lot of psychological food for thought, and I haven't even touched on the really cool artistic and historical themes of architecture that play heavily. Definitely not a gut-grabbing slasher flick, but if you've read this far, then I think you should give this flick a whirl. I really enjoyed this movie and wouldn't hesitate to see anything else the director does.

I used to be a very easy grader, till I've seen too many Horror films that simply didn't do the genre justice. So I've found myself rating many films 4 - 6, and too many times unimpressed. In this case, however, I must say I think this film is a little underrated...

The beginning and build up were absolutely fantastic in my book. It's become rare to find this kind of original screen writing, and being the Horror freak that I am I've seen many many horror films. The idea of a killer walling-in his victims? Simply awesome! As the film continued, however, I've found too many aspects resembling Toolbox Murders, although they all changed and became their own ideas towards the ending. Same goes for the twists - I always like playing the guessing game in these kinds of Horror-Thrillers, and I love it when all my guesses are wrong!

I've actually seen many complaints and critics talking about plot-holes and bad screen writing, and I must say I simply don't understand why... have I missed something? There are many aspects on which the film could have improved, but plot-holes? The acting and cinematography have also been just right if you ask me. As for the ending - a little anticlimactic, but that's the main problem in most Horror films of the pas decade or so. Also, the build up is better than the ongoing film, so the great potential could've been lived up to better. Also - the things that bothered me the most - the homage to the Freddie Kruger "One, two..." song. Out of context, out of its league, and simply wrong!

All in all - I liked this film a lot more than Toolbox Murders, and I think it's definitely worth watching. It might not be a masterpiece or one of the best ones, but very few are. In general - never trust the critics, or the reviewers. Always watch and judge for yourself!

I had high hopes for this movie after seeing the trailer. This could have been a good movie, but... The production team seemed to have run out of money, and then had to wrap it up really fast half way through, causing a hasty and staggering series of quick shots with "one-take" scenes. This, obviously, made the actors look bad and that's a shame. They did a good job at the beginning of the film. The first 20-30 minutes of the movie is actually pretty good, but I'll save you the time by saying that it went downhill FAST. I'll give you perspective that the budget of a film means nothing to me. Sure, I love the special effects that make the big-budget films soar and help tell the story, but I like the low-budget, indie films just as well, provided it tells a good story. This film has neither. When they started to rush, they lost the viewer by getting off track, and seemingly changing the actual story line, making it confusing, wobbly-paced, and completely destroying the story. Not intense, not scary, not interesting. Save your time and enjoy a good indie thriller or a big-budget film that you've yet to see.