Shanghai

This film is about the lives of several spies from America and China in the turbulent Shanghai in the 1940's.

"Shanghai" is a mesmerising film that successfully recreates the 1940's feel of Shanghai. The film is engaging throughout, with no unnecessary scenes. It is also straightforward and easily understandable, which is a rarity for spy dramas. It is also captivating, as it beautifully captures the stress of people living deceitful lives, not knowing who to trust, without any back up. Even your best friend can be someone entirely different, befriending you only for intelligence.

Gong Li is great in "Shanghai", she radiates beauty and charm, and yet at the same time her extraordinary elegance seems to be begging for pity and mercy. She is rightly cast for her role.

I have really enjoyed this excellent movie, since i love war films. This one is about a pre-Pearl Harbor Shanghai, where Japanese, Chinese, Nazi, American intelligence services clash, and it's common people who make history. John Cusack is a great choice for the main role, and he delivers his part impeccably. Being a secret agent, he is deeply sensitive and sensible man, who wants to reveal some mysteries and he is right in the whirlwind of a war craze. Other actors include Chow Yun Fat, Gong Li, among others, and they all do great jobs. Japanese soldiers fight the Chinese partisans, Americans try to find out what they think will help... and all this is a dizzying background to a deep touching story of love, hate, cowardice, friendship, bravery and valor. This movie is highly recommended

Shanghai impressed me as a very well-made film. This tale of espionage and double dealing kept me hooked throughout. Shanghai compels the viewer to pay attention in order to piece together a jumble of unclear relationships and alliances. There are many acts of betrayal in the story and they unfold from start to finish. The film also gets high marks for its depiction of pre-World War II Shanghai. The audience get a good visual sense of the cosmopolitan characteristics of the city and in fact, even its delights, like its bars and casinos, compare favorably with those in other modern cities. The acting in this film deserves commendation. Though I am not much of a John Cusack fan, I found his performance believable and not overdone. Li Gong and Yun Fat-Chow are also well cast. Their demeanor came across as natural. I would recommend this film to anyone without reservation.

We've seen this in spy movies before: men do things because it is their duty, for whatever reason they feel it is, until they meet a woman. Then it all goes haywire. Most of the time, people love this kind of script and when you have the cast that you have: Cusack, Chow, Watanabe, Morse, Morgan, you expect to love a good old fashioned spy movie that also teaches about the period before the Japanese entering the second world war. Asian sensibilities in the romantic noir period: win!

However, the biggest sin of the movie was, believe it or not, the editing. John Cusack is not a fantastic actor, but he is good enough. Ken Watanabe is always good, no matter what kind of movie you cast him in, and all of David Morse, Yun-Fat Chow and Jeffrey Dean Morgan had marginal roles, yet well acted. However the editing of the material was horrendous, to the point where you didn't actually get what the movie was about, who was who and what were they doing. For Western audiences that do not know the history in the region - as myself - would be especially difficult to understand where the plot is going and what are the different factions and what their goals are.

I wanted to like the movie, a detective noir about spies in Shanghai before the Japanese declaration of war and the reasons why Americans might not have found out in time about the Pearl Harbor attack: women! :) but it didn't work out that way. Instead it felt a little bit like another bit of Asian/Cusack melange: Dragon Blade, which was just as epic and just as clumsy a production.

This is a fascinating movie in many ways, not least for its partially successful elucidation of a particularly dark period in Shanghai's colourful history. However, "Shanghai" comes across all too often as a confused mish-mash of other movies - Casablanca and The Third Man both spring rather too readily to mind - while offering little of its own in the way of an original plot or any intriguing character arcs.

Solid acting work all 'round. Franka Potente is probably the most watchable of the actors here, despite being less toothsome than Gong Li (who looks every bit her age in this movie but is still ravishingly attractive).

There are a few intriguing glimpses of Shanghai as it might have been in the early 40s, including one particularly well-recreated crane shot of the Bund - although I have to say the ships look just a tad too close to the imposing British-built buildings lining that famous boulevard. There's another shot from inside the Cusack character's hotel room showing a few of Shanghai's classic buildings through the window, clearly digitally composited as those particular buildings could never have been viewed that way from the one vantage point.

However, it seems (judging from the credits) that the vast majority of this movie was shot in Thailand, and thus most of the street scenes and interiors are fairly generic and not particularly evocative of Shanghai's history. For a much better rendition of this you need to have a look at Ang Lee's "Lust, Caution" which treads similar territory (Shanghai, spies, Japanese occupation etc) with much more style.

Indeed I find myself wondering why this movie was made at all, given that pretty much 100% of its thematic territory had been covered by Lee's movie just a couple of years before, and with considerably more chutzpah.

Nevertheless...if you're a fan of any of these actors, it's worth a look.