Noël sous un ciel étoilé

I was expecting a typical Hallmark Christmas romance with all about the 2 leads & their stories. However the glue that holds everything together was the natural excellent performance by Clarke Peters as Clem, who owns a Christmas tree-lot. Autumn Reeser adds another classy believable role as a Mum who has crippling bills to pay from her Dad's medical treatments , being badly treated by finance companies who own the debt. Jesse Metcalf does pretty ok too as a recently-fired Investment expert who finds himself again & gets to give back to others at the best time of the year ! Less typical than most Hallmark seasonal films, and all the better for that !

When I sat down to watch this movie I was skeptical on whether I would like it, surprise, surprise, I rather enjoyed it. I have seen Jesse Metcalfe in previous Hallmark productions, he runs hot & cold in my book, but I found him likeable in this role. I have always enjoyed Autumn Reeser, her acting did not disappoint. But the show stealer was Peters (Clem), this guy hit it out of the park. The interaction between the three was amazing. This was one of the better Hallmark productions of 2019.

Hallmark hit a home run with this cast. Not to mention the great story. Reeser has mastered the "struggling single mother" role. I would love to see a sequel and not necessarily a Christmas sequel. That's how good I think the story is.

This was an amazing and beautiful movie that was not just about a holiday romance. This film was also about spreading kindness/helping people and how simple acts can change a person for the better. This film had an amazing amount of depth for a Hallmark Holiday film. Autumn Reeser, Jesse Metcalfe and Clarke Peters were absolutely wonderful. This is the type of film I wish Hallmark would do more of.

Half of virtues of film are contributions of Clarke Peters. The story of his character, his performance, the social aspects too , as the parenthood definition are the good points of this charming halmark film. And, no doubts, the chemistry between Autumn Reeser and Jess Metcalf is far to be bad. But Clarke Peters remains the pillar for a film not different but well nuanced.