Passchendaele

Passchendaele is a decent World War One film, one of the best out there and there's not too many it has minor flaws but does the job brilliantly. Paul Gross has done a great job acting in and directing this film. Some may be put off by the love story but for me this just reinforces and shows the losses of many people during this time period and era. Passchendaele shows how many people who once lived to together as neighbors are divided by stupid things like family nationality and false loyalty and bad promises of adventure and glory.

The love story isn't for everyone but wow many girlfriends and wives lost partners and how many young men never came home to true love or had a chance to live full lives? This film does get you thinking!

Of course this is no Band Of Brothers in terms of scale (I know that's World War Two) but Paul Gross has done extremely well acting and directly. I find this film to be a good tribute to his Grandfather and to those who lost something because of World War One.

The film is low budget however this doesn't really show to be honest and this is a fitting tribute and good story! With regards to the low budget the battle scenes could have been bigger and better but this is by no means a bad film.

The acting and casting is spot on and this film really does show the stupid ill placed passion and faulted logic of young people in this era and, it shows the pressure many had to go through and be forced to fight for freedom not knowing what the loses and costs would be. World War One was a slaughter and waste of millions of lives and the deaths of certain characters and the gruesome way they die shows this war was not the fairy tale adventures many painted it to be at the start.

Among all the blood and slaughter there is a story and the film does well to reflect and show not everyone fighting was a murderer or cold blooded killer and many just wanted it to end.

We need more World War One films like this to teach young people the truths and to keep history alive so we don't make the same mistakes again.

At last a genuine Canadian movie... Calgary is Calgary... The Americans didn't win the battle, didn't even turn up anywhere... There were no Stars and Stripes in every office. Okay, the plot --- a sort of WW1 Saving Private Ryan effort set against the bloody Belgian battle --- is a little far fetched. But the scenes --- both in 1916 Calgary and in the mud and horror of the battlefield --- are as good as those in any WW1 movie I've seen. There are believable characters well portrayed both in the script and by the actors. The effects are superb. The lighting and cinematography are sensitive and creative. And how very impressive that Paul Gross was a triple threat man. He wrote it, he directed it and he starred in it. That totals 300% This is as good as they come.

Paul Gross' Passchendaele provides a unique perspective of the Canadian effort during the First World War. Those who are expecting just battle scenes will likely be disappointed.

For those looking for character development, some romance, an interesting perspective on recruitment pressure, and yes -- AMAZING battle scenes -- then yes, this movie is for you.

As a Military History student, I had no issues with the historical accuracy of the movie. Paul Gross based the first 5 minutes on his grandfather's story, and the rest is historical fiction. In general, it is an excellent representation of the period, and certainly provides a much more realistic version of the soldiers' perspective on war in 1917 than many other war films out there.

I highly recommend this film.

Passchendaele is part unabashed romance and part horrific and quite graphic war story.

In film World War One has been a neglected war compared to the more morally unambiguous Second World War and the more recent Vietnam War. And films that aren't about American participation are just as neglected. Passchendaele fills that void.

The movie moves quickly and switches between home life and battlefield with surprising ease and effect. I was not bored for a moment of this movie. The movie will make you care about these people when they are at home living their lives and then fear for them at war. While the battle scenes are quite brutal, they are not sensational or exploitive, since to have made them sensational or exploitive would defeat the great effort this movie takes in showing how men had to cope with life after the war and the memories of what they lived through.

Undoubtedly there will be cynics who will decry some moments as contrived or melodramatic, but these are the small-minded who have missed the real emotion of this film. The movie is great entertainment, but there is something going on beneath the surface. This is the first time I can recall a film where the main character is someone who has been both emotionally damaged by the war, but does not succumb to it. I suspect there must be many men coming out of the war who were damaged, but quietly lived with that damage their entire lives. For that depiction alone, this is a great movie.

The movie is not without humour and it has one of the funniest seduction lines I've ever heard uttered by a woman in a movie.

The movie is entertaining, but there's a lot going on and much I haven't mentioned as I don't want to click the spoiler warning. There are scenes I'm still thinking about, which doesn't happen with every movie I see.

Sergeant Michael Dunne (Paul Gross) survives a brutal vicious assault and finds himself in a Calgary hospital being treated by nurse Sarah Mann (Caroline Dhavernas). She and her brother David (Joe Dinicol) face problems arising from their German father who died for the German army. David's asthma keeps him out of the war which is looked down upon by his girlfriend Cassie Walker's father. Michael is facing desertion charges and possible execution back at the front despite winning a medal from the fight. The three of them eventually find themselves back in the war.

There are compelling bits of scenes here and there. It's kinda daring to have the protagonist bayonet a helpless German boy in the forehead. The shaming of the men who haven't enlisted is interesting. The story back home is way too messy encompassing too many elements. It's trying to do too much. Paul Gross is not gritty enough for this role. The first half becomes a sincere melodrama. The second half is more or less a big muddy WWI trench war movie. The production is not as high as Hollywood. The sincerity does keep it from being truly bad.