TBS

Wow, I am impressed. I watched the movie at the premiere in Rotterdam and it really hit me like a hammer. The film isn't about shootouts ans cold blooded murder. Its more a tension, you don't know what is going to happen next. Standup comedian Maassen carries the movie without being funny, although there are a few comic relief moments. Lisa Smit plays a perfect naive 13 year old. Together they search for the truth. Is the man innocent or not? I see a remake in this. The director Pieter Verhoef made also Dennis P. and Van God Los, he is really into crime. But in his movies crime isn't black and white. We see also the good aspects of the criminal. In TBS we see that there are more sides to one story.

Maassen did do a good job acting and the director succeeded in taking me on a trip. For me watching this movie was enjoyable for 80%, but the main reason I eventually did not like it, was because afterward I started thinking about the question: what did the movie want to tell me? I did not find an answer. This means either I did not understand the plot, or the story just did not appeal to me. I guess the last.

For being a Dutch movie the style of this work did impress me, but I would not recommend my friends to watch it.

Nice trivia: Maassen was brought to the premier in a police car and stepped out being hand coughed.

I love this movie! The acting is great and the plot is very good. Theo Maassen plays a strong main character which draws you in. You begin to like him, but he plays is very subtle and you feel his edges from the beginning. It's a guy you're not sure if you can trust him or not. Was he wrongfully convicted or is he the beast that others perceive him to be. It gives the movie a strong foundation and he maintains a great performance throughout. A couple of others in the theater weren't able to totally separate his movie character from his career as a comic, resulting in some laughs in the audience in some strange places in the movie. Nothing to blame on Maassen though, he did great. The girl in this movie is brilliant. It's the first role of Lisa Smit (only 13 or 14 herself) and she plays her character very well. She is a typical teenager, with all the problems and issues that girls have at that time in their lives. The plot of the movie had a nice pace and the tension is built up nicely. There is never a dull moment and almost all plot twists are believable. Only problem I had was a strange scene involving a group of journalists. The way they behaved seemed a bit contrived and purely there to help the story forward. They didn't fall in the current Hollywood trap of making a movie too long, it's perfect as it is, an hour and a half of pure entertainment.

Theo Maassen; you like him or you don't, there doesn't seem to be a way in between. I don't like him as a comedian, but his acting in this movie is impressive. Involuntary commitment is the subject of this movie and Theo Maassen plays Johan, the person who claims to be unjustly committed. Since he is not able to convince the psychiatrist that he is able to live some sort of a live in society, he escapes to prove that he was unjustly locked up. The movie is about this quest. Soon he is forced to kidnap a young girl to prevent his re-arrest. The interaction between him and the girl, Tessa, is elaborated very well. Theo Maassen is the person who can do that, playing a person you want to trust, but deep inside you never do. He is the most fearsome when he keeps his expression small, his eyes can tell the entire spectrum from evil to pity. Lisa Smit plays the kidnapped girl very well, from pure fright to the Stockholm syndrome induced affection. The plot is also convincing, no spectacular chase, but an end that swings between pure fear and empathy. A very impressive movie, thanks to Theo Maassen.

Faced with life-long detention as a habitual offender, Johan (Theo Maassen) escapes from a mental institution. Tessa (amazing newcomer Lisa Smit) happens to be in the wrong place at the wrong time. A teenage beauty on her way home from a night at the club, Tessa is right up Johan's aisle and promptly taken hostage. The trip that unfolds is in many ways a road movie, but at the same time, it's a chamber play: There are really only two characters, Johan and Tessa, and it's mostly set in cars. Until very late, we don't know whether Johan is essentially a good guy in a hard place or a dangerous madman out for a kill. Surely he can't be both? TBS is a flawless thriller with a great script brought to life by two terrific actors that keep you on the edge of your seat. Theo Maasen's Johan is an ambivalent character not unlike Edward Norton's altar boy Aaron Stampler in "Primal Fear", but rendered with even more subtlety and wit.