Le sel de la mer

This is a film well worth seeing by people who want to know more about the reality of the Palestinian tragedy. Artistically made, with no hysterics about showing daily material sufferings, but instead, the ordinary life of Palestinians which has to somehow go on, with laughter, anger, happiness, pain, love, etc. It also reflected the psychological pain felt by the Palestinians wherever they may be (in USA in this case), showing how a Palestinian-American young lady seeking her roots in a country she had never seen before can in fact have the feeling of "longing" and belonging, not in any way different from the feeling of an adopted child upon meeting her/his real parents. The film is of course about Palestine and Palestinians and not about Israel and Israelis, however, it does not "demonize" anyone! See it for yourself and be the judge!

very week script , politically oriented in a cheap direct way . unjustified overwhelmed Nostalgia ( can anyone feels crazy homesick to a place he never lived in and just heard about it from the news and the grandparent's stories ?? ) , actually the writer didn't know how could he tell the story so he simply stuffed his script with many symbols and boring repeated nostalgic ale motives to the extend that that rhythm was terribly agonizing in the last 3rd of the film . the acting was really good specially Suheir Hammad who was acting in a very authentic style . the starting sequence was strong and succeeded to arouse Tension which was unfortunately totally lost .

Cogent, well written, well acted, and well directed.

Filming was excellent. The film moved in the correct tempo with ample economy and control .

Story was of an important matter that is often suppressed.

Much more poetic than polemic.

Strong female lead and direction was not self-righteously or overbearingly so.

Creative and multifaceted script.

More than adequate character development.

Balanced presentation between societal and personal.

Nice lighting.

Cinema, in my eyes, is an art. The best pieces of art in almost any medium are subjective pieces of work they allow you to understand what the artist's feelings, emotion, messages etc. are. However when inducing politics into art one should be very objective. It is impossible to set out a rational film on a political issue if the movie is made in a subjective manner. 'Salt of this Sea' is one such movie where a strive has been made to critique a very delicate situation in Isreal/Palestine, however it is done in such a narrow scope, and at times, disgustingly sentimental way. The mere fact that in the movie, the main character feels such a strong connection with a place she has never been before, is almost laughable, as is the demonising of almost all Isreali characters throughout the film. There can be no doubt that some of the plot and events in the film have merit, but there is an overwhelming bias toward one side of a very complex and challenging issue, that it does no justice to history of the story it is trying to tell.

The current situation with Gaza makes Annemarie Jacir's "Milh Hadha al-Bahr" ("Salt of This Sea" in English) all the more relevant. The protagonist is a Brooklyn woman of Palestinian descent who goes to her ancestral land for the first time. Subjected to a humiliating search in the Israeli airport, she eventually makes her way to Ramallah.

Jacir's movie - which was Palestine's submission to the 81st Academy Awards as nominee for Best Foreign Language Film- isn't about political arguments. It's about what everyone in the area feels like they've gone through. Basically, it seeks to find everyone's humanity while still making clear the humiliation that the Palestinians suffer on a daily basis (and how plenty of Israelis refuse to acknowledge this).

This isn't the sort of movie that you'd watch to understand the situation there in detail, but it still gives a good feeling of things. It could be a double bill with Julian Schnabel's "Miral". I recommend it.