No Man's Land - Reeker II

It looked fine visually. Not much to say really. There was nothing wrong with the picture. In fact it was unnoticeable so it must have been good. The picture didn't get in the way of the story. It wasn't too fast or too complex. It was just right. The surround sound element was a little dull but overall it was very serviceable. The effects and music were both unnoticeable which again means that it must have been good. It all suited the mood. I don't especially remember the first film but this sequel felt like the exact same movie all over again. About half-way through I worked out the ending (or remembered it from the first movie) and that did depreciate my enjoyment a little. There were a few funny bits, like the invisible wall; walking legs with no body; man with half a head, which took away from the tone of horror. The scares made me jump but there was no suspense so it was not lasting. It wasn't boring but it wasn't amazing either. Technically very good let down by a conflict of horror and comedy that was not deliberate.

Having caught this at a screening, I can say that No Man's Land is kind of a prequel to Reeker. It gives some insight into the birth of the Reeker. As you might imagine, it's pretty twisted. Once again, Dave Payne serves up a killer opening sequence (pun intended) and the effects are pretty cool and creative, especially considering this is an indie.

If you enjoyed the first Reeker, you should like this one, too. Yeah, we have a group of people who will get picked off one by one, but that's to be expected in the genre. And hey - by now we know one thing the Reeker definitely does not do - and that's babysit. The trick in horror is to keep us guessing, which No Man's Land does and also manages some original kills in the process.

Reeker is back with his tool kit and the prequel retains the same tongue-in-cheek humor as the first, with some choice dialog and gory silliness. (Watch out for further cranial exploitation and the best bird fly-by on screen to date!) Desmond Askew (Turistas) stands out as the inept Binky and it's good to see veteran Robert Pine as the local Sheriff. All in all a fun, schlocky addition to the franchise.

This film first appeared to be a straightforward cops and robbers movie. Three guys rob a casino and manage to land at the same gas station/cafe as a father (Robert Pine) and son (Michael Muhney), one a retiring sheriff, and the other the new man in town, were eating.

Then things got weird, as one man gets his head practically torn of, but was still able to walk and talk, another man, who was burning a car, is also walking around, and, I kid you not, some legs without a body were running. Are we in the Twilight Zone or something?

But, just when things couldn't get any stranger, we come to the ending where there appears to be a logical explanation to everything we saw. So what were we watching for the last hour? A soul-catcher reborn or someones imagination run amok. It was an interesting film with just the right amount of gore, a lot of laughs, and enough to keep you interested. Well, not totally. Mircea Monroe and Valerie Cruz were nice eye candy, but they could have made it more interesting.

I have fond memories of watching the original "Reeker" back in 2005. It was at the Belgian Festival of Fantastic Films and practically the entire theater went wild with enjoyment. Surely the premise was derivative and the wholesome was overall forgettable, but at least it was a totally unpretentious new horror film with neat gore effects, fresh acting performances and a really cool killer character (a smelly grim reaper like serial killer). Nothing more, nothing less. The release of sequel within a couple of years was inevitable, but let it be understood that it wasn't unwelcome at all. In a fair period of three years, writer/director Dave Payne came up with a follow-up that is at least equally entertaining, exciting and fast-paced as the first. Obviously the surprise element has vanished – although even the original wasn't *that* surprising – but Payne inventively compensates this through adding a background to the killer, even more black humor and barbaric gross-out effects. The main difference with "Reeker" is that the characters become conscious of the situation they're in relatively quick and actually attempt to make it out of there. Whether some of them succeed or not is what keeps the film reasonably suspenseful. "No Man's Land" opens bizarrely, in the year 1978, with the arrest and execution of a serial killer known as the Death Valley Drifter. He doesn't even bother to resist because the voices in his sick head keep telling him that his work on earth is done and a much bigger errand awaits him. Jumping forward to present time in the same desert, where a retiring Sheriff and his estranged deputy son literally bump into a couple of fugitive casino robbers. Subsequent to some gunfire and a car explosion, the posse find themselves isolated and abandoned in the desert, with a heavily stinking and vigorous "shape" chasing them. In this type of films, when you already know from beforehand what the major twist will be, it's still a lot of fun to pay close attention and fit all pieces of the puzzle together yourself. The script of "Rise of the Reeker" leaves plentiful of clues for alert viewers, but offers even more exhilaration and bloodshed for undemanding horror fanatics. Good performances, particularly from Michael Robert Brandon and the beautiful Valerie Cruz, surefooted direction and a marvelously depressing setting as well. Overall a much recommended film to fans of the genre.

In 1978, Sheriff Reed (David Stanbra) captures the deranged serial killer known as The Death Valley Drifter (Michael Robert Brandon) in the desert and the criminal is sentenced to death. On the present days, Sheriff Reed (Robert Pine) is near the retirement and will be replaced by his son; while they are having a meal in a diner in a rest stop in the middle of the desert, a runaway car with three thieves of a casino stops in the spot for refueling. One of the robbers is the former boyfriend of the waitress Maya (Mircea Monroe) and another criminal is wounded in the backseat. There is a shootout among the thieves and the sheriffs and their car explodes. However, the body of the wounded criminal vanishes and the survivors discover that they are stranded in the place; further they are stalked and chased by a fiend with stench known as The Reeker.

"Reeker" is a good low budget horror movie that in some moments recall "Identity" and "Jacob's Ladder" and with a great surprising conclusion. Unfortunately this supposed sequel in nothing more than a messy and unoriginal remake, using the same storyline in a different situation associated to a confused and boring screenplay; better off watching the original good movie again. My vote is four.

Title (Brazil): "Pânico no Deserto 2" ("Panic in the Desert 2")