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6.8/10
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Martin McGartland joins the I.R.A. and feeds information to Britain's Special Branch Agent Fergus.Martin McGartland joins the I.R.A. and feeds information to Britain's Special Branch Agent Fergus.Martin McGartland joins the I.R.A. and feeds information to Britain's Special Branch Agent Fergus.
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Conor MacNeill
- Frankie
- (as Connor McNeill)
Evan Harte
- Little Patrick
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Based on the life of Martin McGartland, who was recruited by the British Police to spy from within the Irish Republican Army, Fifty Dead Men Walking is the latest cinematic attempt to bring awareness to the horrors of the British/Irish troubles. At the end of the film there is a disclaimer about the accuracy of the film in relation to McGartland's actual book of the same name. While it should be noted that McGartland himself has renounced the film in British film magazines as not being his story. What we do know is that Martin McGartland is a real person who really did spy for the British Police inside the IRA. It's also fact that he saved close to 50 men from being killed as part of the long running conflict, and he is in fact still in hiding to this very day.
So with that in mind it's a film to be viewed both with suspicion and intrigue. There is no denying that the harshness of the plot and some of its scenes {ouch, torture} impacts like a sledgehammer, but crucially it's hard to get on side with the unlikable McGartland {brilliantly played by rising Brit star Jim Sturgess}. In spite of his achievements in thankfully stopping many murders down the line, his motives are mixed and not necessarily prioritised. Having not read the book myself I have no idea if the portrayal of himself is what McGartland objects too? Or it may well be that he is shown as being in places he clearly wasn't? Still, character affinity is probably not what the makers were after anyway, they view the conflict from primarily one side, and in the main they achieve that without looking biased or guilty of sensationalism. Certainly the play off between Martin, his best mate and IRA baddie, Sean, is very engrossing as things start to get hairy. While the relationship between Martin and Ben Kingsley's copper, Fergus, is one of the film's strengths.
Not so good is the shoe-horned in part of Grace {a miscast Rose McGowan} and the ending feels rushed in relation to the pace that preceded it. A potent soundtrack featuring the likes of The Ruts and Stiff Little Fingers mingles perfectly with the grainy portrait of Northern Ireland that director Kari Skogland has opted for. Whilst the script is sharp and never drifts off to filler speak and pointless musings on the moral quandaries that are thrown up. As a history lesson on the Irish troubles it's barely worth any interest, as a character study about people within the troubles? Well it's definitely of interest there. 6.5/10
So with that in mind it's a film to be viewed both with suspicion and intrigue. There is no denying that the harshness of the plot and some of its scenes {ouch, torture} impacts like a sledgehammer, but crucially it's hard to get on side with the unlikable McGartland {brilliantly played by rising Brit star Jim Sturgess}. In spite of his achievements in thankfully stopping many murders down the line, his motives are mixed and not necessarily prioritised. Having not read the book myself I have no idea if the portrayal of himself is what McGartland objects too? Or it may well be that he is shown as being in places he clearly wasn't? Still, character affinity is probably not what the makers were after anyway, they view the conflict from primarily one side, and in the main they achieve that without looking biased or guilty of sensationalism. Certainly the play off between Martin, his best mate and IRA baddie, Sean, is very engrossing as things start to get hairy. While the relationship between Martin and Ben Kingsley's copper, Fergus, is one of the film's strengths.
Not so good is the shoe-horned in part of Grace {a miscast Rose McGowan} and the ending feels rushed in relation to the pace that preceded it. A potent soundtrack featuring the likes of The Ruts and Stiff Little Fingers mingles perfectly with the grainy portrait of Northern Ireland that director Kari Skogland has opted for. Whilst the script is sharp and never drifts off to filler speak and pointless musings on the moral quandaries that are thrown up. As a history lesson on the Irish troubles it's barely worth any interest, as a character study about people within the troubles? Well it's definitely of interest there. 6.5/10
I read the book going by the same name many years ago when it first came out and it left quite an impression on me. I felt very sympathetic to Mr McGartland's predicament, so I for one am glad that his story can largely be told in this medium. Read the book to iron out the odd discrepancy and to get the time-line correct. The director of this film bravely attempted to show 'The Troubles' as viewed from both sides in the short time the film allows. Although not all of the events are true, the film does realistically portray the truly chilling times. It is violent, nasty and tense, and I congratulate the director on not pulling any punches and showing the sort of menace that haunted the streets in the province. The makers of the film did state: 'The screenplay to the film is INSPIRED by the book. Although many aspects and characters have been changed the screenplay was not written or approved by the writers of the book and is not a reproduction or adaptation of the book or any substantial part of it' at the end of the film. I would suggest that wording was inserted to cover themselves. Certainly, Mr McGartland was not happy with the film to begin with as it showed him to be present at deaths that took place, to which he claimed he was not. Obviously, there are faults with the film then. But the main thrust of the book/film for me was that Mr McGartland was young, naive but also courageous, he was used by both sides and yet eventually couldn't trust either side. Although the peace treaty has been signed and to 'all intents and purposes' the Troubles are over 'as we knew them', it is a well known fact that the IRA never forget those that cross them. So the film is a reminder to many that this man gave up his life as he knew it for very little in return and to be forever on the run. This is not your typical Hollywood fare and is all the better for it. A job well done!
I had no idea who martin McGartland was until I watched this movie, unlike the main character in HUNGER and ironically I watched this directly after watching matt Damon in The Informant. If that title was misleading, this one certainly was not, though working out why they called it 50 dead Men walking takes some thinking about in the context of the movie. It refers of course to the 50 men who would have died if Mr McGartland didn't save them from assassination.
This is a very powerful piece of British drama set in the 1980s. it is a very intense film but the story is easy to follow and the film overall is enjoyable without ever being full of violence or bad language. I still have images in my mind from HUNGER and FIVE MINUTES OF HEAVEN, not top mention the 'Barley' movie and of course Michael Collins.
I do agree that too much attention as a distraction in the movie to the two young women who feature in Mr McGarlands life and there should have been greater emphasis on the actual political role he had to play for the IRA and for the British Police.
Harrys Game was indeed a top production but should not be compared to this new movie. Ben Kingsley was 'spot on' as Fergus and added the quality to the film it might otherwise have lacked.
another well made British film, keep it up!
This is a very powerful piece of British drama set in the 1980s. it is a very intense film but the story is easy to follow and the film overall is enjoyable without ever being full of violence or bad language. I still have images in my mind from HUNGER and FIVE MINUTES OF HEAVEN, not top mention the 'Barley' movie and of course Michael Collins.
I do agree that too much attention as a distraction in the movie to the two young women who feature in Mr McGarlands life and there should have been greater emphasis on the actual political role he had to play for the IRA and for the British Police.
Harrys Game was indeed a top production but should not be compared to this new movie. Ben Kingsley was 'spot on' as Fergus and added the quality to the film it might otherwise have lacked.
another well made British film, keep it up!
Take one young naïve man and place him as an informer (a "Tout") on the IRA to Special Investigations/Police and you have the gist of this film. Set in Belfast, we follow the life of one guy who is in over his head (as they always are) and has to juggle both sides along with his burgeoning family commitments (girlfriend with kid etc).
A generally captivating storyline being based on a true story, and to my surprise didn't glorify any act of violence but rather shows life as a ground patrol man for the IRA in it's most gritty form. Tries to steer clear of cliché and does a fine job.
Acting is fair and most actors fill in their roles very comfortable. Ben Kingsley is wonderful as the Special Investigators sponsor, whilst Jim Sturgess as the informer keeps you on side throughout the film. Rose McGowan as an IRA intelligence officer is the only person who seems out of place but likely was there to add a bit more colour to the surroundings but doesn't take away from the film too much.
Overall, an enjoyable analysis of life in the IRA. Add in a good soundtrack and some able camera work and you have in total a very good film. Good viewing.
A generally captivating storyline being based on a true story, and to my surprise didn't glorify any act of violence but rather shows life as a ground patrol man for the IRA in it's most gritty form. Tries to steer clear of cliché and does a fine job.
Acting is fair and most actors fill in their roles very comfortable. Ben Kingsley is wonderful as the Special Investigators sponsor, whilst Jim Sturgess as the informer keeps you on side throughout the film. Rose McGowan as an IRA intelligence officer is the only person who seems out of place but likely was there to add a bit more colour to the surroundings but doesn't take away from the film too much.
Overall, an enjoyable analysis of life in the IRA. Add in a good soundtrack and some able camera work and you have in total a very good film. Good viewing.
I've never written a review before and don't really feel very qualified to do so, but I felt so strongly about this film that I wanted to do more to recommend it than giving the star rating.
Jim Sturgess turns in an incredibly moving and amazing performance as Martin, the young man who gets caught up with the IRA via his friends, only to be turned by "Fergus," played by Kingsley in a very different and understated role than we're used to seeing him.
Martin is torn between the cause and his friends vs. the ever-growing violence against innocents. He becomes a father and ultimately decides to be a source for Fergus, infiltrating deep and high into the organization. We live through his angst, fright, joy, sorrow, regret, rage and pride as he evolves.
Kingsley's portrayal of Fergus -- a hard and closed-off guy who comes to uncharacteristically care deeply about Martin -- is played brilliantly, with just the right low-key nuance in manner of speaking and facial expression that allow you to see his emotional wall crumbling a bit for Martin.
But there are costs for Martin regardless which path he takes, just a grim and sad result of the fractious climate between the IRA and British soldiers/police.
The storyline, the style of filming (sorry, I'm not adept with technical terms), the wonderful development of the Martin character (and to a lesser extent, Fergus), along with the incredible performance by Sturgess (I would go so far as to say even Oscar-worthy) really make this film memorable and worth your time.
Jim Sturgess turns in an incredibly moving and amazing performance as Martin, the young man who gets caught up with the IRA via his friends, only to be turned by "Fergus," played by Kingsley in a very different and understated role than we're used to seeing him.
Martin is torn between the cause and his friends vs. the ever-growing violence against innocents. He becomes a father and ultimately decides to be a source for Fergus, infiltrating deep and high into the organization. We live through his angst, fright, joy, sorrow, regret, rage and pride as he evolves.
Kingsley's portrayal of Fergus -- a hard and closed-off guy who comes to uncharacteristically care deeply about Martin -- is played brilliantly, with just the right low-key nuance in manner of speaking and facial expression that allow you to see his emotional wall crumbling a bit for Martin.
But there are costs for Martin regardless which path he takes, just a grim and sad result of the fractious climate between the IRA and British soldiers/police.
The storyline, the style of filming (sorry, I'm not adept with technical terms), the wonderful development of the Martin character (and to a lesser extent, Fergus), along with the incredible performance by Sturgess (I would go so far as to say even Oscar-worthy) really make this film memorable and worth your time.
Did you know
- TriviaThe real Martin McGartland disavowed the film when interviewed by Time Out London, criticizing several scenes of the film.
- Goofs(at around 1h 40 mins) You can clearly see an poster ad for iPhone when they are driving. iPhones were not around at the time the movie is set.
- ConnectionsReferences 1, rue Sésame (1969)
- SoundtracksAlternative Ulster
Written by John Burns (as Burns), Gordon Ogilvie (as Ogilvie)
Performed by Stiff Little Fingers
Complete Music/Universam Music MGB Ltd.
Courtesy of EMI Records Ltd.
- How long is Fifty Dead Men Walking?Powered by Alexa
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- Countries of origin
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- Also known as
- Fifty Dead Men Walking
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Box office
- Budget
- £6,000,000 (estimated)
- Gross worldwide
- $812,872
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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