New in Town

Having spent the 1st 22 years of life in Wisconsin, I got all the jokes, I related to the accent, the unpredictable winter weather, (not the moose but I've been sideways in a ditch a few times) and I definitely related to the small town we can do this attitude and yeah, there can be some attitude towards outsiders too. All in all,, the whole cast did a great job and the movie was cute and heartwarming. I got a kick out of it.

In 1953 Richard Bissel wrote a novel titled "7&1/2 Cents." In 1955 his novel became the book for a Broadway Musical titled "The Pajama Game." Then George Abbott had Bissel write the screenplay for a musical film version of the play. In that movie, as in the book, a female Iowa pajama factory worker who is head of the union at the factory falls in love with a male superintendent who has been hired by the factory's boss to help oppose the workers' demand for a pay rise (7 & 1/2 cents.) Take this book and change the male role into the union rep and make the female role to be an executive from a corporation who want to downsize the candy factory or close it down. Then move it from the Sunny South to the frozen north (Minnesota,) remove the music, and you have this film. I just simply could not get the "The Pajama Game" or "7&1/2 Cents" out of my mind as I watched this film. And the ending was exactly the same.

This film is about a business woman from a big city who got transferred to a small town. She encounters much trouble adjusting to the small town life.

"New In Town" is another romantic comedy with Renee Zellweger as a person who achieves despite her mischievousness. She is already heavily typecast, but then she really is adorable and likable so it is OK. The plot is very predictable, but is enjoyable mainly due to the small town warmth. Seeing acquaintances and colleagues help each other out, and giving hand made gifts is refreshing. It enhances the positive spirit of the film, and makes the characters more engaging.

"New In Town" is a heartwarming comedy, I enjoyed watching it.

Though its payoff scenes are as predictable as could be, this entertaining romantic comedy is an effective vehicle sure to please Renee Zelweger fans. Well-timed to a winter release (the film's heartwarming Xmas scene occurs early in the story as an intended anticlimax preceding the plot complications to come), this modern fable set in a small town in frozen Minnesota is well-photographed on atmospheric Manitoba locations. Zellweger top lines as the fish out of water, volunteering in her high-profile Miami based conglomerate to head north to makeover a tiny food plant, cut its workforce by half and retool for an automated new product launch. She's the typical jargon-laden, fast-track advancement type, dreaming of CEO-hood and sorely lacking in empathy or any recognizable people-to-people skills. Strutting around in inappropriate high heels (closeups of which are a bit overdone by Danish director Jonas Elmer making his Hollywood debut), she quickly alienates every Minnesotan in sight and looks to be headed for disaster in a hopeless hatchet-woman assignment. Led by a warm & funny supporting turn by Siobhan Fallon Hogan (who channels the local persona even better than Frances McDormand's Oscar-winning stint in Fargo), as her local assistant, a tapioca pudding whiz who spends equal time on scrapping (making scrapbooks) and religiosity, the very cute cast of hayseeds play off hard-bitten Zellweger quite well in a time-honored clash of city smarts vs. folksy wisdom. Sure it's very, very corny, but fun all the same. Harry Connick Jr. plays the area union chief who is always in view as Renee's romantic interest, and there is also a dynamite turn by J.K. Simmons (fresh from his triumph in Juno) as the plant foreman who runs afoul of Renee's plans. New in Town is not in the league of the great old movies of Riskin and Capra, but is genuinely amusing and a fine platform for Zellweger to display both physical & romantic comedy skills. The spectre of layoffs and disappearing companies we are currently living through was probably not in mind when this light feature was scripted and shot, but it resonates as a timely, escapist treatment of all-too-painful realities.

My daughter and I really enjoyed this film. We weren't expecting much, but were pleasantly surprised by the humorous take on Minnesota life. Yes, the accents are overdone and no, it isn't really 10 degrees below zero from November thru April here in Minnesota, but those exaggerations aside, it did hit on many "traditions" like meatloaf, polka music, hunting, blizzards, and ice fishing. If you are from Minnesota, Wisconsin or North Dakota, you will most likely understand all of the one-liners and euphemisms. If you haven't experienced life in the frozen tundra of the upper Midwest, this movie will probably not make sense to you. Also, the actors in this film seemed to be genuinely enjoying themselves. I can't recall ever noticing that in any other movie I've seen. It just seemed very genuine and sincere to me.