Titane

I didn't read anything about this movie, I heard it could make it onto the Oscar's long list so gave it a go.

Immediately you realise this small girl has "issues" not sure what, but all becomes clear after a few minutes.

She has a car accident and needs a titanium implant in her skull, this accident clearly leaves a cathartic impression on her and cars which caused her injury.

We then see her as an adult , a car fanatic and erotic dancer famous around Europe' car and custom shows.

Extreme scenes , those with needle phobias will need to look away a few times.

On the run, finds a firefighter who is looking for his son who went missing 10 years ago, both had needs and make a weirdly suitable match.

If it were a crime drama it would be clear A-B storyline, but the writers added a twist which you really have to get your head around. I won't say what it would spoil it for you, just to say it's weird.

Extremely compelling viewing, if you were to put the movies "Eraserhead, Christine and Backdraft into a blender this is the movie you would end up with.

I liked it.

I think there is no point in trying to judge or rate this film. Even though I am doing it in order to post something. It's as if the Wario version of Kill Bill went on a date with Lars von Trier. Then they went to a club, met Cronenberg, Lynch and the Toxic Avenger and they all took Ketamine. I would call it a masterpiece but I have a little issues about the violence. I can accept it, because it's art. But where does it stop? It is a disturbing film and I liked it. This is a thing people will talk about for a long long time. Also I am confused now. In terms of how the narrative is unfolded it reminded me of dogtooth from Lanthimos. The shifting of elements of a narrative in a film and replacing them by something else. It's Dada. Is this only making sense to me ?

Original. Daring. But doesn't quite gel.

I am writing a review after ages. Perhaps it's a sign of a good movie that provoked this response. Or perhaps it's just appreciation for a director who really did go for it. Ducarnau demonstrated the Cronenbergesque body horror and satire in her first feature film. Titane has confirmed that she is definitely could be the next champion of extremely physical movies. Film reminds of themes of Crash ( 1996 ) and to some extent Videodrome ( 1983 ) .

Keeping the cryptic and puzzling aspects aside, it's a basic story of finding closure and a place in this world, when you have ambiguous intimacy / sexuality, distorted physicality, suppressed emotions and childhood trauma.

Ducarnau is however not quiet able to meet the ambition of ideas she is putting down on canvas. There is rather drastic shifts in tone of movie, which can be confusing. There is no harm in mixing genres but I felt a bit lost in parts of second half.

The shock values of the scenes ( and they are shocking ) wears off once you are no longer sure of motives of players especially when you are not totally buying into it. In first 15 min, the film hits such high note that the twists and turns that follow almost negate the impact.

I would say if you are looking for a provocative film, this is the one. However, keep an open mind. Titane is ambitious but it's not able to live up to its potential.

Most years, I start with a desire to see a wider variety of films at the cinema than previously. Usually it doesn't last, but it was in this spirit that I went to see Palme D'or winner "Titane" as it was released in UK cinemas. Even having had a couple of days to ruminate on it, I'm not sure exactly how I feel about it.

Having suffered a terrible car accident as a child, Alexia (Agathe Rousselle) now dances seductively at motor shows to an appreciative audience. Following a violent encounter with a fan, she returns to the building and has sex with one of the cars. She flees the town, changing her appearance and binding her body, claiming to be the long-lost son of firefighter Vincent (Vincent Lindon). Vincent tries to reach his "son" with various acts of kindness, but the physical act of binding her body is taking a toll on Alexia, that only worsens as she discovers she's pregnant.

I suppose the key questions are thus. Did I enjoy "Titane"? No. I don't think I was necessarily supposed to though. It's a hard film. The juxtaposition of the fantasy elements of the first 30 minutes and the, occasionally quite touching, scenes between Vincent and Alexia is stark. There's certainly a version of this film that could entirely ignore the idea that literally she has sex with a car, that would work just as well, but this isn't that. Which leads me to believe that the car aspect must mean something, but if it does, I didn't get it. This leads me to my second question, did I then get an insight into something? Again, not really. Darren Aranofsky's "mother!" was a similarly tough watch, but at least I came to get that it was allegorical. I don't feel like "Titane" can make a similar claim, indeed I've read an interview with Julia Ducournau that explicitly says that it's a fairy story and your supposed to accept the events happened as laid out.

This is not to say that I felt the film was entirely without merit. The performances are really good, particularly from Agathe Rousselle in what is her first feature film. The body horror elements are well done and at the very least you can't argue with Ducournau's singular vision for the film. There are little touches in the background of the story, that suggest a bigger narrative that you're not explicitly seeing, and I do like that faith in the audience to pick up on that. The connection between Vincent and Alexia is interesting. I suspect he knows from the start that it's not his son that he's bringing home, but he's so destroyed by grief he is happily blind to it.

I am, as you might be able to tell from the review, conflicted about my feelings about the film, but still thinking about it days later.

From the opening scene, Titane continuously doubles down on its own outrageous absurdity until it suddenly pulls back. You go from watching a thriller, to body horror, to something that has a lot to say about what it means to be family. Specifically, what it means to be family in action, not just by blood or oil. Titane somehow addresses gender fluidity, the role of parents to support and accept, the male ego slipping as bodies and testosterone age away, and the opportunity to choose a family not given to you by birth all while bombarding the screen with gore and squirm inducing violence. You find you cannot look away from these disturbing images partly because of how beautifully Titane presents them and partly because they all have something to say. Even though the film may retreat too far from its own deliriousness in the second half, it comes speeding back just in time for a finale that will have you guessing until its last push. Strap in because Titane is one hell of a ride.