A newly married couple buy property that not only has a link to the husband's past but also to the lost colony of Roanoke.A newly married couple buy property that not only has a link to the husband's past but also to the lost colony of Roanoke.A newly married couple buy property that not only has a link to the husband's past but also to the lost colony of Roanoke.
Frankie Faison
- Gene Woodman
- (as Frank Faison)
Brad Dison
- Award Ceremony Patron
- (uncredited)
Phillip A. Ranallo
- College student
- (uncredited)
Van White
- Powhatan Warrior
- (uncredited)
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- Writer
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i have just finished watching this film. To say the least i was/am very confused about the whole project. I just cannot believe that Nobody read the script from beginning to end and said it didn't make sense.
There were many different angles and leads that the writers could have taken. I saw so many different cut & pastes from movies, and ideas that were plastered together to make this................odd........
The only reason i gave it a 2/10 is due to the fact that some big names were listed in the movie.
what the hell? I would only watch this if a friend rented it from the $1 redbox and i was drunk.
Sorry crew/actors... you tried but...
There were many different angles and leads that the writers could have taken. I saw so many different cut & pastes from movies, and ideas that were plastered together to make this................odd........
The only reason i gave it a 2/10 is due to the fact that some big names were listed in the movie.
what the hell? I would only watch this if a friend rented it from the $1 redbox and i was drunk.
Sorry crew/actors... you tried but...
A supporting cast consisting of Tom Skerrit, Tom Bower, Joanna Cassidy, Kris Kristofferson, Frankie Faison, and Rachel Nichols made For Sale By Owner appear to be very promising indeed, and each of these stars put in decent performances albeit all fairly small in this low budget flick. Unfortunately, from the start, Scott Cooper's abominable acting and scripting proved nothing could salvage this debacle.
The Ronoake legend is one that has received a fair amount of play the past few years in films and the mystery surrounding the disappearance of the 16th Century British colony is the backdrop once again here in this discombobulated tale. Father to be, Will Custis (Cooper) decides to purchase a dilapidated old Virginian home to partake in some historic renovation. When he discovers an old antique cross and a strange mural painted on the wall in the basement, things get a bit quirky. His wife (Nichols) doesn't dig the house and wants to call it quits and his father in law (Skerrit) wants to steal the credit for what could be an historic archaeological discovery. Top it off with ghosts apparently running around.
The film travels in a multitude of directions that lead nowhere and concludes with an absolutely ridiculous ending all in an effort to tie up all the loose strings. It's bad. However, it would not have been so lousy had it not been for Cooper who portrays a character so obnoxiously uninteresting I almost gave into the taboo temptation of hitting the stop button.
Anna? Anna? Anna?
The Ronoake legend is one that has received a fair amount of play the past few years in films and the mystery surrounding the disappearance of the 16th Century British colony is the backdrop once again here in this discombobulated tale. Father to be, Will Custis (Cooper) decides to purchase a dilapidated old Virginian home to partake in some historic renovation. When he discovers an old antique cross and a strange mural painted on the wall in the basement, things get a bit quirky. His wife (Nichols) doesn't dig the house and wants to call it quits and his father in law (Skerrit) wants to steal the credit for what could be an historic archaeological discovery. Top it off with ghosts apparently running around.
The film travels in a multitude of directions that lead nowhere and concludes with an absolutely ridiculous ending all in an effort to tie up all the loose strings. It's bad. However, it would not have been so lousy had it not been for Cooper who portrays a character so obnoxiously uninteresting I almost gave into the taboo temptation of hitting the stop button.
Anna? Anna? Anna?
This movie had the potential to be pretty darn good. The historical aspect involved made it even more interesting. The acting ranged from passable (the leading man, who comes across as not likable at all,) to strong (Skeritt.) The plot was fairly good, until just after the half-way point, but left some threads hanging that I kept expecting to be tied up, but they never were. The ending was nothing short of unfortunate. It was as if the writers couldn't come up with a good ending, and took the cheap route out. I can think of a couple of endings that would've earned this movie a solid 6 or 7 rating. Unfortunately, the writers couldn't, so they're stuck with a 4 - and I'm stuck with my disappointment.
Very suspenseful in places, but there are too many loose ends that are never tied up. The ending was awful and rushed, at that. Could have been better scripted; didn't seem like the editor could have saved this one. Several additional scenes needed to be added to provide plot and character continuity. Like, "Who was the boy and what was his significance to anything? What was his relationship to Gene? Who was Gene?" On and on and on.......too bad, good subject; bad screenplay. Although I know the background of this particular film (my daughter played in it), it is obvious that there was not enough money to go back and complete enough pick ups to make this thing flow the way it should have. 3 of 10 only because there were some decent performances by the cast and crew.A lot of soft focus when it shouldn't have been used. Don't know if this was intentional or not, but it was distracting.
Did you know
- ConnectionsReferences Délivrance (1972)
- SoundtracksOne Way Home
Written Bret Levick & Robert Anthony Navarro
Performed by 3 Headed Monster
Courtesy of RA AUDIO INC.
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