Un conte d'été polonais

Had to walk out on this one at a film festival in Sydney, which is something I rarely do. In terms of story, there's no real conflict to drive this film along. I found it tedious and was not moved at all by the young boy's plight to try and get his father back. Lots of scenes of the boy placing his toy soldiers or coins on the train track. I also didn't understand the whole 'fate' angle.

Anyone looking for a strong story about a boy and his father would be advised to watch the Aussie film Romulus My Father a far superior film to this.

I have no idea why anyone would think this film capable of winning a Best Foreign Film award at the Oscars.

'Tricks' (or 'Sztuczki' ) is an utterly charming and delightful film by Polish director Andrzej Jakimowski,. A young Polish boy, Stefek, is determined to find his father, whom he has never met. He has an active imagination and tries various 'tricks' to succeed. He believes in a chain of events, and that one thing will lead to the next, and that he can induce or 'bribe' fate to do what he wants. In this case to find his father. And Stefek is not one to give up lightly.

The backdrop is a small Polish village, where we witness a slice of small town life, where much activity is focused on the railway line that crosses the town.

His sister Elka is trying to find a better job, but also has to look after the boy while their mother works in a shop, and even when Elka is with her boyfriend. We meet several other colourful characters in town as young Stefek continues his quest.

It is the subtleties, the understatements that make this film so special: Stefek hesitating before answering questions, the 'tricks' he plays with coins and toy soldiers, the way how he attempts to discover the combination of factors that makes his neighbour's pigeons fly their coop. Director Jakimowski did an outstanding job.

Technically too this is an excellent film; the richly-hued cinematography by Adam Bajerski and soundtrack by Tomasz Gassowski in particular are outstanding. And then the acting by the non- professional cast; the boy Stefek played by Damian Ul, is a true natural and gave a magic performance, and so too his sister Elka (Ewelina Walendziak).

I am looking forward watching this gem of a film again. 8/10.

One of the truly wonderful Eastern European films. "Sztuczki" beautifully captures the spirit of the small post soviet town. I found it very recognizable as I come from that kind of place myself.

The relationship between reality of that kind of life and dream world is shown subtly and accurately in those characters. "Sztuczki" is a deep film, but the aftertaste is light and positive.

I particularly loved the casting – little boy, his sister, boy with motorcycle, mystery guy from the train platform, neighbors and ordinary passers-by – they all were poetical impersonations of the emotions people deal with in a town like that - boredom, longing, coping with everyday life, affection.

Beautiful filming, writing and acting.

This is an excellent movie and you will realize that more when you're movies professional or an individual with enormous movie knowledge because when you're watching this movie for let's say over 90 minutes, one question comes every time and that is with what idea the director has shoot ed the movie, even though he knows that, it is very difficult to convince others, i mean the cast and the crew so the movie we are watching and for an movie like this to come to this stage is really surprising and i am happy for the director and also thank him for giving us such a film.

I can give plot synopsis but the director's focus is not at all the plot and when i give the plot here, u might not find it interesting because this movie is all about excellent writing and excellent filming.

There are lot of beautiful ingredients in this movie to admire such as the kid who is really damn cute and he takes over the whole project along with the director, it is as if only the director and the kid knows about what the movie is about and we audience following them all the way.

This is the excellent movie screenplay i have ever seen, no one can write such an screenplay unless the guy has enormous movie making knowledge.

This movie extremely goes with charlie chaplin kind of narration like showing tragedy in a comical way, using kid as protoganist etc..,

please don't miss this excellent poetic picture.

To the DIRECTOR and the KID - you guys rock.....

Stefek and his older sister Elka are the main characters of this film - and from what the opening line states (the director dedicates the film to his older sister) its possible that the film is 'semi-autobiographical'.

Their relationship almost borders on mother and son as Elka says to Steffek, she is 'both Mom and Dad' to him, and that is what the movie mostly revolves around – the antics of young Steffek and how Elka does her best to watch out for him, and balance that job with the one she has at a restaurant and another job that she is desperately trying to win in a big firm in that small town. Steffek, meanwhile is someone who totally believes in fortune and how one could get lucky in different ways, like, by throwing coins on the railway tracks and keeping his fingers crossed for hours as Elka waits in queue for her interview.

There are other quite important characters in this film too, like the man who Steffek believes is his father and Elka's boyfriend apart from some minor roles played by their mother, neighbor and a few others. All in all, it's a very simple film and Jakimowski keeps the storyline pretty straightforward. That is the secret to the beauty of this film – its simplicity. It's also quite funny at times and it opens a window into Polish small-town life, and it kind of made want to visit this town - If I could find it, and if I were living not too far from there, I would - if it meant just spending a lazy weekend there, taking a stroll, a swim or just sipping some coffee and watching the trains go by.

Lastly, like I stated in the Summary (based on my humble opinion) - there was a hint of Kusturica - his brilliance and his kind of humour – and like most Kusturica films, it was set in a Central/East European small-town, and was accompanied by catchy and well-composed music that fell into place with every scene. There was nothing to complain about - in direction, plot, acting nor the music.

Like Steffek, I keep my fingers crossed for Jakimowski (and other Polish directors) for a lot of success and acclaim that will pave the way for more projects of this genre / quality..