Eddie the Eagle

It was a pretty good movie, like most of the movies that have ties to reality. My biography was not consistent. Fine, it was fun. If it were not for the truth, it would definitely be the last scene kissing scene. But there was no love in the movie. This really went up for me. Apart from these, the filmin music and the actors were beautiful. These plus points also prevented me from paying attention to the clichés.

He's also a really good player at Taron.

It was really nice Eddie was slowly realizing his dreams. In the last part of the scenes I learned how this feeling is now. It was a really good movie.

The British love a plucky loser. "Eddie the Eagle" tells the astonishing but true story of everyman plasterer Eddie Edwards who qualified for, and then competed in, the Calgary Olympics in 1988 (probably most famous for those other plucky losers – the Jamaican bobsleigh team of Disney's "Cool Runnings" fame). I have absolutely no idea how the traditionally more success-driven and competitive American audience will see it, but the packed English showing I attended all clearly loved this film as a feel-good classic.

The film starts with Eddie's childhood, struggling out of leg braces to try to pursue his Olympic dream with no success whatsoever. (Excellent performances here by brothers Tom and Jack Costello who set-up the tone for the film). His battle is not just against his lack of skill: whilst his mother (Jo Hartley) is quietly supportive, his father Terry (Keith Allen) is – not unreasonably it must be said – hugely frustrated at his son's fanciful ideas, wanting him to follow in the family plastering tradition with the same zeal. (The gulf in ambition is vast – Eddie: "Didn't you have a dream when you were younger Dad?"; Terry: "Yes, plastering".)

Eventually Eddie finds a sport he is half decent in (by British standards!): downhill skiing, but is thwarted in following his Olympic dreams by smarmy and sneering Olympic selector Dustin Target, played by Tim McInnerny (from "Black Adder" and "Notting Hill"… someone who has rather cornered the market on 'smarmy and sneering'). It is then that he exploits ancient rules in the UK Olympic playbook to try to qualify in the discipline of ski-jumping: something no one has done since the 1920's. Linking up in Austria with an alcohol-infused coach and ex- jumper Bronson Peary (Hugh Jackman), Eddie faces the terrors of the 40m and then 70m jumps to try to learn the sport (16 years too late).

This film has been long in gestation, with both Steve Coogan and Rupert Grint originally earmarked for the role. But Matthew Vaughn's involvement in the current project probably contributed to Taron Egerton getting the job following their work together on last year's "Kingsman". And a great choice he is too. Almost unrecognizable from the sharp- suited Eggsy in "Kingsman" and gangster-sidekick Teddy in "Legend", Egerton switches effortlessly between clueless goofball and steely determined sportsman.

The film's emotional heart though is with Hugh Jackman's side-story, battling with drink after throwing his own chance away with US-coach Warren Sharp (a nice cameo by Christopher Walken). Although going a little OTT at times (we see for example that he is no Meg Ryan!), Jackman provides a solid acting foundation that the rest of the cast can play off.

Rounding out the cast are solid performances from Jo Hartley ("This is England") as Eddie's Mum, Mark Benton ("Waterloo Road") as a BOA official, Rune Temte as a bear of a Norwegian coach and the ever-warming Jim Broadbent as a BBC commentator.

An 'attaboy' should also go to the special effects crew headed up by Marty McLaughlin for making believe a man can fly. Whilst – you understand – not in any way doubting Jackman's ability to risk his pretty face on a 90m jump, the nighttime sequence of him doing that jump is really nicely executed (with cinematography by George Richmond).

A quick browse at Wikipedia will make it clear that there has been a lot of license taken with this as a "true story", and to be fair the prefix "based on a.." was used! And the film is not without irritations: Terry's negativity to his son's actions is about 25% overplayed in Simon Kelton's story, and the coach/protégé sub-plot has been overused in the past. The soundtrack (music) by Matthew Margeson is also rather grating particularly early on in the film: it is presumably going for 'period' in its use of Hammond organ cheesiness, but that music was tiresome in the 80's too! Fortunately Margeson redeems himself with some kick-ass (no pun intended) classic 80's tracks neatly edited into the action.

These criticisms aside, I dare you to come out of this film without a silly grin on your face. I certainly did. Directed by Dexter Fletcher ("Sunshine on Leith") it's not likely to win any Oscars, but in setting out to deliver what it said on the can it succeeded in all respects.

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I've seen some sport films through the years but I've actually never seen one about ski jumping. Eddie the Eagle is the truth based story of the British ski jumper Michael "Eddie" Edwards who participated in the 1988 Olympic winter games in Calgary, Canada. Eddie has since childhood, dreamed of becoming an Olympic participant. When he gets older and is denied to compete in downhill skiing by the British committee, he decides to try ski jumping instead. The problem is that the Olympic games is one year away and Eddie has never before in his life tried ski jumping. The incredibly charming Taron Egerton plays Eddie the Eagle and Hugh Jackman also takes part as the drunken American ex pro jumper Bronson Peary.

Classic underdog stories always works well within the sport genre and really are a well played card by now. And yet there is something with the story about Eddie that grabs hold of me. Nobody believes in him, he is odd and rather strange. Despite dealing with all the resistance and sometimes humiliation, he never gives up. The thing that also really keeps me interested is the ski jumping. I have always found that sport pretty funny, but I now seriously have to confess that I would never dare to jump that high with skis on. Hugh Jackman's mentor character is actually very cliché and perhaps a bit exaggerated. They should probably have toned him down to add a little more realism in the story.

According to the filmmakers the story is really not that truthful, especially not the parts about Eddie Edward's life outside of ski jumping. His result and what happened to him is however not changed that much, but besides that much of the story is made for film. I really don't think that's a problem. I rank Rocky as my favorite sport film and it is because I think that the ultimate sport film needs an underdog story. It is actually the same thing here in Eddie the Eagle. A struggle for the little man and a display with an encouragement to never give up. Perhaps well needed in our sometimes dark world.

David Lindahl - www.filmografen.se

I remember Eddie the Eagle as a joke, a laughing stock, incessantly pilloried by the gutter press and sneered-at by the mainstream media alike.

This film made me realise just how wrong I was.

Those shots peering down from the top of the ramp at the tiny people in the distance barely hint at the terror, standing up there and knowing that when you set off, there is only one way down.

They don't so much fall, as plummet.

I enjoyed the humour and the music, but most of all the story ... just ... worked. I know it's dramatised, it's not a documentary. Doesn't matter. It was something unique, truly special. And the film captures the essence of Eddie's '15 minutes of fame' in a remarkably positive and upbeat way. A true Olympian.

Some films are merely created for entertainment and to tell a story. This is one of those films that you're not going to hear about during award season but it was certainly satisfying and worth the time.

Egerton was a perfect choice to play Eddie, from his off beat humor to his on spot facial expressions, and Hugh Jackman is a great compliment as the supporting role. Both characters are total opposites, each flawed in their own way, but really mesh together on screen.

The movie is fun and the story, based on the Eddie the Eagles dream of going to the Olympics, was nicely told with clean comedy paced throughout.

Not knowing the outcome of the true story, I was on edge rooting for Eddie throughout - just like the crowds in the stands on film.

Really glad they made this film, it's such a fun story and Eddie The Eagle is so deserving for a film that honors his hard work dedicated to his Olympic dream.

Have fun with this one!