Faintheart

Faintheart (the character) is a Viking reenactor (as opposed to a Bravehearted Scot) who, despite having married and sired a son already in middle school, has never quite matured enough to be able to separate his real and fantasy lives. As a consequence, his wife has separated from him; and the film concerns his search for a pathway back into her heart. (Hey, "Richard", what's with the eyeliner?)

As the first Yank to review this film, it's not clear to me why, at a key re-enactment, the audience would cheer for the Vikings over the Normans, unless the Vikings were merely the "home team" at the site of the event, or unless the Brits, after nearly a millennium, still resent the Norman invasion. (Historically, the Vikings launched raids on England, but it took the Vikings who had settled Normandy to later conquer England. According to geneticists, however, due to DNA similarities across sources, the percentage of today's population with Norman blood is indeterminate.)

Faintheart (the movie) is an unusual setting for the standard RomCom. The execution is well-done, but unexceptional. The acting is good all around, but one is continually impressed with the juvenile leads. Faintheart's son, Martin (Joseph Hamilton, in his first credited film here), looks like a reincarnated teenage Jodie Foster, with the covered-left-eye haircut. Martin's girlfriend, Emily, is played by Chloe Hesar, an accomplished TV actress, apparently appearing in her first big screen effort.

Faintheart is recommended for an easy-going one hundred or so minutes of undemanding entertainment.

Knowing nothing about Faintheart before watching it I was fooled by the opening sequence where two armies were preparing for battle so imagine my surprise when a cell rang and the scene was revealed to be a re- enactment in modern world. After that I was excited to see what the movie has to offer because it had never occurred to me before that there are no comedies about Live Action Role Playing and anyone who is familiar with that hobby knows that it is a goldmine of hilarity.

Faintheart indeed takes great advantage of its unique setting and shows us how imaginative people have to be to be able to enjoy dressing themselves up as knights or mages and swinging a sword made of plastic. However, at about 70% into the movie they seem to have run out of funny scenarios and choose to close the show by introducing clichés that we have seen so many times before.

The main male cast consists of Ewen Bremner and Steve Ryland who i hadn't heard of before but after looking them up on IMDb I was surprised at how many movies I had seen without noticing them. The female lead is Jessica Hynes from the amazing series "Spaced" looking better than ever. It was interesting to see her act in a role that requires a somewhat more serious approach but she pulls it off quite well.

Overall Faintheart is an enjoyable piece of British cinema and if I had kids I would make sure they saw this movie.

I would agree that Faintheart mines a subject matter with rich pickings for parody, but I would stop short at saying that it does so particularly well. Some of the gags are sweet, and the whole ethos of the film is well intentioned, but it is at the end a very predictable romantic comedy with a plot that has been retrodden way too many times. The acting is good, although no real demands are made on any of the actors to show off what they are undoubtedly capable of, and the direction and camera work is also fine, but there is nothing really standout about this film. I wouldn't exactly avoid it, but I certainly haven't gained anything by seeing it either.

I saw this last night, and what's special about it is that it was filmed in my home town of Ludlow (the shots of the Castle and the Church are landmarks in the town like the Empire State Building is in New York and the Eiffel Tower is in Paris), and also in Hereford just half an hour away, so I was dead eager to see it. Especially since I missed seeing it filmed because I was on a stunt course in Cardiff during that week in summer. After watching this movie, I was glad that I don't live in LA or New York (used to seeing a film in the cinema shot just down the road), because I found it fascinating to see a film with shots of the park, the castle, and the main street that I grew up with.

Luckily, I was not disappointed. There is not a single weak link in the cast. There are moments that make you laugh out loud so often (such as the moment when Ewen Bremner's character realises that he's landed a date with a fellow trekkie), and when you want to cry (for example, when Eddie Marsan's character realises that his hobby of battle re-enactment is the reason his relationship with his family has gone awry).

I would love to go on, but I fear it'd spoil the story. If the climax didn't warm you, you have a heart of concrete. A real feel-good film that will brighten your day without a doubt.

Those looking for a whimsical British comedy will not find it here. Instead, "Faintheart" takes the kitchen-sink approach to a tale about a middle-aged man who can't get over his obsession with childish things. These include his bedraggled early 1970s appearance, his ancient decal-covered VW bus and his passion for playing a Viking in a series of battle reenactments with his similarly socially retarded buddies. Along the way, he loses his wife and child over his childish behavior. The plot has him slowly deciding to grow up and win back his love and young son, who is greatly embarrassed by his Peter Pan-like dad. Nothing all that special here, but worth a look. The ending is clumsily handled, but in truth it fits with this neo-realist fantasy. Oddly enough, the son is the spitting image of a young Jodie Foster. He's also the best actor in what was his very first movie.