Uncertainty

In "Uncertainty" a young couple's lives have different paths to take based on the flip of the coin. But they don't tell us what this coin toss means or its significance, so we don't get to understand its implications or consequences.

The young couple is played by Joseph Gordon-Levitt and Lynn Collins. Gordon-Levitt is a talented actor and is good here, but he's better than the character. We are given no reasons to care about these characters and we know so little about them it just makes everything less interesting. I don't know much about Collins, but from this all I can gather is that she only knows how to play sexy. I would like to think that Gordon-Levitt would pick girlfriends based on more than just sexiness.

"Uncertainty" is supposed to be an interesting examination of lives travelling different ways, but the plot devices used are so lame that the two stories are just uninteresting. It is shot well for its low budget, but one should be wary of watching movies written without a script.

This film is about two lost and found stories that lead to vastly different consequences.

"Uncertainty" starts off very promising, with two different parallel plots branching off in a refreshing way. These two plots are separated by colour schemes so the stories are easy to follow despite jumping from one story to another.

The yellow story is an action thriller. It begins engagingly with a lot of adrenaline pumping. However, the thrill and suspense were not maintained. It is not helped by the boredom of the green story dispersed in between, which destroys the momentum of the yellow story. As the green story never goes anywhere, "Uncertainty" is so much better off if they just concentrated on the yellow story as a action thriller.

This movie is easily described as cool. You are going to feel somewhat robbed at the end when the idea you are being introduced to is not exactly tied together in the end, but try not to think about that. This movie is clearly experimental. Forget the style and focus on what the movie is saying.

What was the point of the two stories? (those who have not watched the movie yet will understand once you have seen it) One story was a family drama and another was a high energy thriller. Both about them unable to make decisions on life effecting choices. Through both situations we are able to learn about these two people and the difficulties they have trying to behave as one. What results from this is two very believable performances.

These two performers were so good together. Very different Joseph than what we saw in (500) Days of Summer. They behaved like a real couple. You would think they are dating off screen.

The raw style in cinematography surprisingly works well with the melodic musical score. New York City is becoming less of a movie setting, so it is always pleasing to see it still.

Good experimental film. I recommend it.

The course of our lives is determined by the countless decisions - both major and minor - we make on a daily basis. So much so that one simple and seemingly insignificant act of choice can set the course for our entire future, including where we'll go to school, who we'll wind up marrying, whether we'll be killed crossing that street or live another fifty years because we took a different route entirely. That is the theme explored in "Uncertainty," a dual-level drama produced, written and directed by Scott McGehee and David Siegel.

The movie opens with a young couple - played by Joseph Gordon-Levitt and Lynn Collins - standing on the Brooklyn Bridge, obviously on the brink of making some major decision regarding their future. After a coin flip, one heads in one direction (to Manhattan) and one in the other (to Brooklyn), leading the couple to have distinctly different experiences in what might be thought of as parallel universes. In the Manhattan-based scenario, Bobby and Kate, dressed in yellow, are plunged into a bizarre cloak-and-dagger tale set off by the finding of a cell phone in the back of a cab (a bit like "24" if it were made on an indie-film budget); the other direction leads to a more mundane domestic drama wherein the lovers, dressed in green, celebrate the 4th of July with Kate's family, including the overly critical mother who drives the young woman crazy with her negativity and interference.

The different-paths-equals-different-outcomes theme has been explored before, most notably in 1998's "Sliding Doors," but here the why and the wherefore of it all seems to have eluded the filmmakers - as it does us. Each storyline is interesting enough in its own right - and the acting and direction are first-rate throughout - but they fail to come together in any kind of a meaningful way. They literally run along parallel tracks, with no point of convergence from which we can deduce a point - unless it's that bright yellow is probably not the best fashion choice when you're trying to outrun a hit man.

Moreover, the movie doesn't lay down the ground rules for the scenario in a very coherent or consistent fashion. The synopsis for the film says that the couple uses the coin flip to determine how they're going to spend that holiday weekend. Yet, it's obviously much more complicated than that, for in one version, Kate is pregnant, but in the other she isn't (or, at least, it's never mentioned). In one, she is the star of a Broadway play; in the other, she says she works at a restaurant. And the two couples obviously live in different parts of town. Perhaps, consistency really is the hobgoblin of little minds and we should be looking at the larger picture here, but, all the same, the movie leaves us with a lot of unanswered questions, which may not necessarily be a bad thing, but it can make for a frustrating experience at times.

I recommend watching "Uncertainty" for the risks it takes and the mood it sets (Peter Nashel's evocative score is very helpful in that regard) but, when it comes right down to it, the movie seems a commendable but over-elaborate effort at stating the obvious.

JGL on the phone to Chinese gangster. 'We're in the bank on the corner of Canal Street.'

2 minutes later Chinese gangster arrives at bank.

JGL's girlfriend, Caty, in a panic. 'Oh my God! How'd he find us?'

JGL 'I don't know.'

That just about sums up the nature of this film. They really didn't think it through very well. Indeed, it leaves you thinking very clearly that they had no script for this. Just 'make it up as you go along guys' seems to be the rule here and, well, it comes across as just made up.

JGL is good, as he always is, but the rest of the cast went through the movie in 'actor mode'. There is the ubiquitous scene of families all talking at the same time over dinner; out of focus views of twilight in the Big Apple; and a totally unnecessary sex scene. Sure this was all done on a low budget but so was Napoleon Dynamite. I really cannot think of anything positive to say about this film, even though I would genuinely like to do so. One to be avoided folks.