The Hole

Gremlins remains one of my favourite films from childhood, and it is thanks to Joe Dante who helmed the films with enough to keep it frightening, yet kid friendly and family oriented at the same time. It's been a long while since I've missed Small Soldiers on the big screen, that he now returns with The Hole, yet dabbling with a similar treatment of making it quite the entertaining romp for both young and old to sit through.

A pity about the 3D version though, as I opted to watch this in 2D, and clearly because of the 3D gimmick, there were a few needless scenes stuck in, like having a kid throw a baseball toward the screen while lying on his back on his bed. On the whole there weren't too many deliberate 3D shots designed for the film, though I thought that the special effects put into it were spiffy enough, especially since there was a good mix of traditional stop motion efforts deliberate done in a cheesy manner, and those of the modern money shots toward the end.

As it's family oriented, this film like the rest of what Dante did thus far, has family being in the centre of all things that trip up in the dark, and we get three stories put into one, by virtue of each character having to deal with their fears come alive. Written by Mark L. Smith (Vacancy), the narrative keeps you guessing exactly what the reason is behind the threats are as faced by each child/teenage lead in the Thompson brothers Dane (Chris Massoglia) and Lucas (Nathan Gamble), and their neighbour Julie (Haley Bennett) when they look down the cursed hole, found in the new home of the Thompsons.

The idea is pretty cool in itself, because what could spook you more than what's truly your greatest fear? However that itself served up a mixed bag of scares, because the scares here are customized to the character's. For instance, Lucas has to deal with something straight out of Child's Play, although this little thingamajig had a small scene as a stinger after the end credits (well, if you have to know, it's only a wink, so you didn't miss much if you failed to stay behind). For Julie, it has to deal with a guilt from the past that manifest itself as something spiritual, and to face one's guilt is something that takes up her story arc.

For Dane's however, it was kept under wraps until the last, which provided for a fitting finale with all the bells and whistles thrown in, dealing with how the magnitude of one's problems when young seem to shrink in size as we grow older, possibly because we may either have outgrown it, or that being older we have a lot more other concerns to deal, in his case, the growing into a surrogate paternal role over the care of his younger brother, in a single parent family.

Still, despite being a horror/thriller, this is still something that will find a broad appeal, being somewhat simple in its stories, but nothing less than effective and of course for those catching it in 3D, yet another film to provide you that fixation with putting on the glasses. I'm not quite sure if a sequel would be made given the way it ended with a plot thread so glaringly hanging out, but we know how Gremlins 2 went.

Foolishly I thought this was a horror, and a few minutes in I realised my error, that it was a family film, worse still an attempt at a family horror, but I did preserve, and to some extent I found it rather satisfying.

It's almost like a modern day Goonies, with an adventure for a group of plucky kids. Definitely family entertainment, with no violence or scares, the best entertainment comes from the creepy clown, which is actually very well designed, and wouldn't look out of place in a real horror.

It's a bit cliche ridden, but it's watchable. 6/10

Susan (Teri Polo) and her sons Dane (Chris Massoglia) and Lucas Thompson (Nathan Gamble) move from Brooklyn to Bensonville, in the countryside. Dane is upset with the constant changes of address and the family has lived in many cities. Lucas and Dane befriend their next door neighbor, the gorgeous Julie (Haley Bennett) and the brothers find a bottomless hole in the basement of their house locked with several padlocks. They take the locks off and sooner they are haunted by their darkest fears. Further, they believe that the hole might be a gateway to hell.

"The Hole" is a fantasy film directed by Joe Dante, with a story that is a compilation of several horror movies. I immediately recall "The Gate", "House" (1996); "Child Play" and "Nightmare on Elm Street" as direct references. This forgettable movie is entertaining and Haley Bennett is very beautiful. My vote is six.

Title (Brazil): "O Buraco" ("The Hole")

Fear and nostalgia don't often go hand in hand, but the two were riding high in my mind after the screening of The Hole. Coulrophobia, or a fear of clowns, seems to be quite a common phobia amongst my peers and for 99% of us it can be traced back to a certain television show. The Sky One adaptation of Stephen King's It, which aired in 1990. It's main antagonist, a clown named Pennywise, gave me my first real post-horror-film sleepless night. Up to that point the only fear-inducing villains I had been exposed to were Darth Vader and the Wicked Witch of the West. But a samurai robot and a middle-aged woman in green make-up didn't seem quite so scary after watching the terrifying killer clown. Echoes of Pennywise are evident in the ghoulish Jester doll of The Hole. The fact that Joe Dante brings us a family film that manages to instill some levels of discomfort and even fear in adults reminds us why he was such a big name in the 80's. With The Hole, the man behind Gremlins and The 'Burbs goe's back to what he does best; frightening yet family friendly. And he almost succeeds in giving us another great kids film. Almost.

Featuring the aforementioned Jester doll, the corpse of a young girl and some Beetlejuice like nightmare sequences, there are a lot of horror elements of the film to like. These elements are executed well and the use of some traditional stop-motion special effects gave the film an endearing charm. However all of this just served to highlight how awful the 3D was. The digital effect only served to ruin what would otherwise have been a great thowback-to-the-80's look. I ended up watching the second half of The Hole with my Roy Orbison style specs removed.

In my experience, and a lot of people I've discussed it with, the novelty of 3D lasts for roughly the first ten minutes of a film. Afterwards it simply distracts from whats going on and tends to blur any action above a certain speed. It adds nothing to the vast majority of the films released in the format and ultimately becomes headache inducing. Let's hope it's just a Smell-O-Vision style fad that fades away sooner rather than later.

The storyline of The Hole is in no way original and the dialogue is ridiculously bad at times, but on the whole it had a certain charisma about it. Had this been released when I was between eight and twelve years of age it may have been a favourite of mine, along with Ghostbusters and two of Dante's other works Innerspace and Gremlins. It pushes the boundaries of whats acceptable in a film rated 12A, is nicely stylised and has genuinely frightening moments. For a certain age group in years to come, The Hole will evoke great memories of how much fun the cinema can be. If they happen to see a 2D version, all the better.

There's a handful of directors who stand as tall as Joe Dante when it comes to movies a kid/teen growing in the 80s grew up with. Joe Dante is a legend, directing such classics as The Gremlins, Explorers, Innerspace, The 'burbs and co-directing Twilight Zone the Movie and Amazon Women on the Moon. Such nostalgia, but like many of his contemporaries, he didn't really make anything noteworthy after those.

Needless to say I was still looking forward to seeing The Hole, which in paper looked like he was kind of returning to his forte - sort of family horror comedy. And that's exactly what it was! I'm already out of the target group, but still I really enjoyed the movie. It's finally a Joe Dante movie that we've been waiting for a long time.

The story is great, a mystery Hole in the floor. Quite a few clichéd horror moments, but that's totally fine, clichés are OK when you do it tongue in cheek and not too seriously. Still I must say I was a bit surprised how tense it got here and there. Spooky stuff.

One of the only real gripes with this movie is the fact that it looks a bit low budget (I'm not sure if 10 mil qualifies as a low budget, it's an awful lot of money). It's got a bit of a TV movie feel. No big stars, good looking but rather small scale sets. Still old Dante fans will love a few cameos and familiar faces.

Other gripe with the movie is that I don't find Chris Massoglias characters very likable. I didn't like him in Cirque du Freak and neither in this movie. The kid brother was so much better actor creating a much more likable character.

Having also seen John Carpenters return movie "The Ward", I'd have to say Dante won this round. I hope these two 80s superstars will still return to form with a real big budget movie showing the younger directors what they're really made of.