The Square

It helps to know absolutely nothing about "The Square" before watching it, just so that it can hit you harder. Nash Edgerton's film depicts an affair between construction foreman Ray (David Roberts) and housewife Carla (Claire van der Boom) which leads to disastrous events. The mud created by the rain in some scenes is nothing compared to what is happening as part of the plot. Many of the shots are not lit entirely, adding to the unpleasant feeling.

Without a doubt, the movie portrays a much grittier side of Australia than we often see in movies. The land down under is often associated with Crocodile Dundee or Aboriginal culture. What "The Square" depicts is closer to what we see in Guy Ritchie's movies, except that the events here are no laughing matter. This is as gut-busting as can be, especially with what happens at the end. But don't get me wrong, it's definitely worth seeing...unless you have a weak stomach.

Also starring Joel Edgerton, Anthony Hayes, Peter Phelps and Bill Hunter.

The action in The Square takes place in a small Australian town, a town so small that everyone knows everyone at least casually, and when a party is arranged most of the residents are invited.

Two of these residents are middle aged construction foreman Ray (David Roberts) and a hairdresser in her early 20s named Carla (Claire van der Boom – an awesome stripper name if there ever was one!). Ray and Carla are married… but not to each other.

Things start going wrong early, but on a smaller scale. Ray and Carla intend to leave their respective spouses and skip town, but first they need cash. To come up with the cash they each come up with a plan, Ray cuts a side deal with a shonky contractor, and Carla's plan involves theft and just a pinch of arson.

"It's not like anyone will get hurt", she reasons. How wrong she is.

The Square is as dark as films come, everyone in the film is varying degrees of shonky otherwise they don't get any lines. No room for the honest here Mate. But this is a decidedly non-Hollywood noir, the protagonists aren't gangsters or hit men or criminal geniuses, they are tow-truck drivers, hairdressers and local slobs.

As the ever growing bodycount envelops both the innocent and the not so… more and more are intertwined in an ever more complex story that should have begun and ended with Ray and Carla skipping town. Alas once the paranoia, mistrust and guilt leads to cover up, murder and betrayal no-one in The Square is destined for a happy ending.

As a viewer I kept thinking "Now how are you gonna get out of this?" and "Don't do that you dickhead", but the actions of those involved never stray into cartoon or the illogical – at least to them. It might take a leap of faith to pretend all the events in the film happen over a short time frame, but it isn't beyond the stretch of the imagination to think most of this stuff could happen.

I just hope it never happens near me.

Final Rating – 6 / 10. An effective and intricately drawn drama that will keep you guessing and involved until the very end, even once you realise there cannot possibly be a happy outcome.

An Australian made suspense movie thriller directed by a talented Nash Edgerton, which features as supporting actor, his equally talented brother Joel Edgerton who wrote the story. This is the Edgerton Brothers first full length feature film, after writing producing and directing many award winning short stories.

The film quickly sets the tone of an unhappy marriage and an illicit love affair headed for trouble, where a middle aged man Ray(David Roberts), hooks up with a much younger mistress, Carla (Claire van der Boom), who is also in a failing relationship. After that, the plot has so many twists and turns it will keep you guessing right through to the unexpected surprise ending, of which Nash Edgerton is known for in his previous productions.

The movie has plenty of action as the ill fated couple descend deeper and deeper into a depressing turmoil involving money, greed, death and revenge, where there seems to be no way out. All the elements and suspense are here to keep you glued to the screen.

The cast work well together, and with the special effects and stunts, makes for a movie well worth checking out.

I really enjoyed this overlooked Aussie flick because it less than predictably shows you that no matter how carefully you plan something and whittle it down to it's simplest form, the universe is chaotic and the butterfly effect can put the screws to your carefully built house of card. And yes, the whole plot here is a house of cards with one lie covering up another and another until the two characters spiral downwards into a chasm of self destruction and loss of control. For our two cheating main characters, it gets a little Kafkaesque as the circle of poison and snowballing of deceit begins to collapse in on itself and destroys everyone around them. This story has been done before but I thought The Square did a good job of telling it from yet another angle.

What would be a fun find on cable one night isn't worth a trip to the theater. An expertly plotted story (with a particularly clever blackmail subplot) suffers from uninspired casting in the male lead. This actor embodies the film's fatal flaw: an almost total lack of humor.

Film noir is necessarily a downer genre but think how funny Body Heat and Chinatown are with their clever protagonists (and Chandler always has you laughing). The Square, however, features morose David Roberts who should be dancing with joy from his affair with the much younger, cuter, livelier Claire van der Bloom. But he's conflicted from the get-go and the director never lets us see what drew these two together in the first place. There's little chemistry between them and a few scenes between two dogs hold more joy than anything between the impassionate human lovers. The most interesting male actor is co-writer Joel Edgerton and the story might have had more sizzle if he'd been the lead.

But the plot does indeed generate some real tension and the film is watchable. Bodies pile up unexpectedly, there's a mystery inside a mystery with the strong subplot and the ending holds real surprises. The script works but the director, through his casting and tone choices, lets it and us down.