The Colour of Magic

Technically, this movie is very good. The effects are well done, with very high quality computer graphics for a "Made for TV" movie, that won't stand behind theatrical release movies. The outdoor scenes were all well produced, placing the actors in a "real" discworld. The customs and environment are in a child-movie style, because of the story's background (it came from a series of books made for children). But that doesn't mean low quality. It just adds to the comical overall feeling of the film. The actors followed this same comical/child-oriented line when playing their roles.

About the story, it never gets boring, and a lot of things happen to the main characters. They practically cross the world in a single adventure, including a journey in "outer space". Multiple parallel plots also take place. In the end, this 3-hour movie entertains you the whole time. The main motivation is very original: following the steps of the first tourist. And the world description is ironically fun.

This story has 2 main perspectives. From the Twoflower point of view, it's a story about having an open mind. One may have much fun and learn a lot when he keeps his mind open to new experiences. From the Rincewood point of view, it shows that one must have persistence; and also that, even in the face of failure, your value doesn't diminish. You're not defined by your failures and/or successes as perceived by the others.

In the end this is a family movie, worth watching by itself, and even more with your children (if you happen to have any).

Vadim Jean's second adaptation of Terry Pratchett's longrunning Discworld series of comedic fantasy novels cannot compare to the first, though it is not really his fault. The series adapts Pratchtt's first two novels, The Colour of Magic and The Light Fantastic, which together form a loose single narrative. Set on a typical fantasy realm, replete with trolls, dwarfs and demons, they are, effectively, a parody of the hero's quest, in that the hero, an untalented "wizzard" named Rincewind, has no intention either of being heroic or of going on a quest but ends up fighting monsters, riding dragons and trying to save the world anyway. He is assisted by his "sidekick" Twoflower, who seems only dimply aware that he isn't on a packaged holiday. And that, without mentioning specifics, is the entire plot. Along the way, several fantasy (or perhaps D&D) conventions, such as talking swords, scantily-clad, Heavy Metal-style warrior women, and raging loin-clothed barbarians, are duly referenced and lambasted.

After the relative success of Hogfather in 2006, Vadim Jean decided to take the series in a surprising direction: backwards. Correctly in my view, he chose perhaps the archetypal novel in Pratchett's canon to adapt first. Hogfather was Pratchett at his absolute height, mixing adventure with philosophical commentary and existential humour, the most mature expression of such Discworldly themes of imagination vs. reality, the power of myth vs rationality, and the dichotomy of "the falling angel and the rising ape". "The Colour of Magic" and "The Light Fantastic" were written 25 years ago, when Pratchett was still finding his feet as a writer. As such, they lack some of the sophistication one comes to expect from the series. The books' humour, which would eventually become character and situation-driven, here operates on the level of broad parody, lampooning the absurdities of many fantasy and fairy tale conventions. The characterisation, which would become far more complex in later novels, is as broad as a wall, with Twofower the naive Asian tourist and Rincewind the cowardly non-hero. In a move that was either very wise or bewilderingly silly, Jean decided to cast Sean Astin as Twoflower, even though in the books he is East Asian in appearance. Perhaps this was done to lessen the racial stereotype, but if so, that doesn't reflect well on the source material. His decision to cast the elderly David Jason as Rincewind, who in the books is a youngish man with a scraggly attempt at a beard, is less explicable, other than Jean was simply grateful that Jason wanted to do another series with him.

But if the plot is slight, the actors certainly give it their all. Astin plays Twoflower with just the right kind of naivete, while Jason, though miscast, creates a Rincewind that is suitably cynical and craven. For Pratchett fans, a number of pleasing retcons have been incorporated: The Librarian becomes an orangutan much earlier; Death is now his fully-evolved, pleasantly bemused self, and the Patrician is unquestionably Vetinari, here played by Jeremy Irons- a nod to Pratchett saying that a good actor for Vetinari would be "that guy from Die Hard", ie Alan Rickman.

In summary, I think Pratchett fans will find pleasure in it, but others should probably stay away.

Despite all the "bad" reviews posted here, I guess it all depends on your personal taste. I, for one, loved this movie! But like the tag line says: "It's a pigment of your(!) imagination"

No movie will ever be as good as it's book (or books in this case). However, they did a very good job trying to capture the essence of the books and put it all in this movie.

The movie won't please everyone as you can see from other reviews posted here, but like Sir Pratchett said: "If I've would have written these stories to be a movie, I would have written them very differently".

All in all a good movie which will certainly please most people, regardless if they are familiar with Terry Pratchett or not.

I quite liked this film thought I thought some elements of it would be lost on people who haven't read the book since there's only so much exposition you can fit in a film. One of my pet hates is when one of my favourite books gets turned in to a film where the director just can't resist changing every second character and adding entirely new scenes. This kept faithful to the books while still being enjoyable for those who haven't read the books. The version I got on DVD actually comes in two parts with the first part covering the first book - The colour of magic. The second part covers the second book in the series - The light fantastic. Not sure if that's the standard version everyone gets or if some only get part one.

One thing I don't understand. Pratchett wrote quite a lot of Discworld novels, and some of them are simply begging to be put on the big screen. Most of the "Watch" novels for example. "Small Gods" as another. However, when Pratchett actually gets on the big (ok, small) screen, they seem to make the worst choices possible. First it was the "Hogfather", which is probably one of the most esoteric and confusing Discworld novels out there. Now they take the very first Discworld novels which - while perhaps being the funniest in the series - do not really present what Pratchett's work is all about. These early two novels are basically Terry taking a jab at (but also making homage) to a fantasy genre in general. Well, perhaps the entire Discworld series is like that, but in "Color of Magic" and "The light fantastic" this parody takes the front seat while a coherent story and characters sit in the back. And this works well in written form, but as a cinematic narrative it simply fails; clever jokes get cut, simplified and/or drowned in the overall chaos, the plot has to move quickly so it is nearly impossible to absorb everything that happens (let alone enjoy it) and overall it represents a rather frustrating experience, both for the Pratchett fans as well as the general audience.

The first thing that bothered me is the casting. Sean Austin is a fine Twoflower, even though I think it perhaps should have been cast by a more exotic-looking actor. David Jason, sadly, is a complete miss as Rincewind. This particularly bothers me since David is probably my favorite British actor; however he is just too likable to pull of a Rincewind. Someone like Rowan Atkinson channeling his Black Adder persona (but with less malice and much more cowardice) would be perfect. The thing is, you need to take pleasure in Rincewind constantly being put from one peril to the next; David's Rincewind is like a kooky old grandpa that you feel bad for when he gets thrown from a cliff, threatened or trampled on. And whenever he does something Rincewind-y (like taking off with Twoflower's gold), it actually feels out of character.

The rest of the cast is hit-or-miss. Death is horribly puppet-like - I endured him in Hogfather but here the rubber skull should really have been lees pronounced. Vetinari is on par (even though in those early Discworld novels he most probably wasn't the "Patrician", but that's fan service for you). Tim Curry overplays Trymon to the extreme, but I guess this is due to the bad direction - many characters seem to be overacting their bits probably to infuse a sense of lightness and silliness. Just check out the faces leader of the Krull makes while doing his speech; inexcusable.

However the biggest culprit is the plot. It is just too hectic, too chaotic and doesn't let the characters to develop or even establish themselves. This perhaps has a lot to with with (un)necessary exposition given by both the narrator and the characters - the plot hardly gets a chance to move along before the next bit of exposition has to get its turn.

It's not all bad however. There are some superb actors involved in this, the sets and effect look fantastic (especially for a TV movie). And even though I said Jason makes a bad Rincewind, it still is a joy to watch this fine actor doing his schtick. And it IS Pratchett, after all.

So I guess that bottom line I can give this a passing grade, but it's still a deeply disappointing venture. I hope they do "Guards! Guards!" next, and I hope they do it good.