Dark Shadows

I love Johnny Depp and I love Tim Burton. Together they can be sublime. Look at "Ed Wood" and "Sweeney Todd" Here, well here they seem kind of lost. Everything is in over the top tones without getting to the root of anything. The performances are shrill and disconnected with the exception of the wonderful Helena Bonham Carter. The script is underwritten and the story is tired and unconvincing but in the present film going landscape it is more enjoyable than most others. I'm tempted to advise Mr. Burton and Mr.Depp to be a bit more daring in their intentions. We're all aware of Burton's visual wizardry and of Depp's remarkable beauty and talent, why not put all that at the service of something meaningful?

Barnabas (Johnny Depp) is a successful man in 1770s town of Collinsport, Maine. He makes the mistake of breaking the heart of a powerful witch Angelique Bouchard (Eva Green). She in turn dooms him into a vampire, and then buries him alive. Two centuries later, Barnabas is accidentally released into the world of 1972. His Collinwood Manor has fallen into disrepair. The dysfunctional remnants of the Collins family have fared little better.

This has the great Gothic look of Tim Burton. He is able to have both a 70s look and an old Gothic look. However it is very difficult to root for Barnabas who is essentially a killing monster. It is not fun. And it is not funny. Although there is a monster sex scene that produced a few smiles.

I had first been familiar with the TV series "Dark Shadows" when it was mentioned in a book about cult TV programs. But it wasn't until the early '90s TV series remake that I even watched anything to do with one Barnabas Collins who was portrayed by Ben Cross in that one. I remember highly enjoying it and was disappointed when it was cancelled after only 13 eps. So while I admire Tim Burton and Johnny Depp and the work they've done together for so long, I was a little disappointed by their latest opus in making a film of this long-beloved series. I mean, I found many of the '70s references funny but also a bit distracting since they didn't seem to advance any characterizations or plot developments. And one doesn't really get the connection Barnabas and Victoria Winters have to each other despite the flashback scene involving the latter. In fact, I enjoyed the scenes Depp has with Eva Green as Angelique better. And Michelle Pfeiffer doesn't really have much to do as matriarch Elizabeth Collins Stoddard even when she uses her gun so that was another disappointment. But, like I said, there were some pretty funny '70s flavor involving The Carpenters, some Steve Miller lyrics, and an Alice Cooper appearance. And there is some respect concerning the translating of the plot lines and some characterizations of the show to the movie. I guess what I'm trying to say is don't expect a seriously epic drama concerning vampires, just go with the flow of part-camp, part-dramatic entertainment.

I am a Johnny Depp and Tim Burton fan girl!!!!! That being said...

The intro excited me, but the rest of the movie made me regret buying the tickets. The movie is a downward spiral of awkward acting and bad jokes.

Burton's visuals are wonderful as always. His colors and scenes make you believe you are where he wants you to be, but the dialogue is simply horrendous for most of the movie. You get rewarded by a few funny jokes for not walking out of the theater once Collins reaches the house, but otherwise are left feeling underwhelmed.

I wont spoil it with details (not that there is much to spoil), but I will say this: Leave your lofty expectations at the theater door so you don't get pushed off cloud nine only to land on 100 degree cement... barefoot.

I am a huge fan of the old Dark Shadows shows. I liked the old series, bloopers and all. I liked the films House of Dark Shadows and to a lesser degree Night of Dark Shadows. I liked the 1991 revival series of Dark Shadows. This new Tim Burton/Johnny Depp version has some good elements in it, like the costumes, soundtrack and special effects, but the problem here lies in the written word. The script relies too much on gags, some funny and some rather lame. The basic characters are mostly here with the exception of the melding of Maggie Evans into Victoria Winters, and the actor playing Willie Loomis does a better job with the character than did the one from the 1991 revival, who chose (or was directed) to play the role as a half-wit.(The one element I disliked about the revival). The 1970s music, cars, costumes and hairdos are spot-on and add to the comfy 1970s feel of the piece. The climax is all special effects and one "revelation" of the plot is so absurdly done here that it is (unintentionally) laughable. In all, I would say that this film may appeal more to those who never saw any of the original versions of this than the fans of them. I didn't hate this film, I just didn't love it either.