Le choix de Jane

This is a good movie for those who love Jane Austen (and similar movies). In the beginning i had to get used to this Jane but when i did i could get lost in the movie. A brilliant movie with a lot of accuracy about Jane's life. Of course not all of it is accurate but they are forgiven since this is a movie and not a documentary. People can't help comparing this movie with "becoming Jane" but this movie basically picks up where "becoming Jane" left of. All in all a must watch for fans of Austen and other period drama movies.

Jane Austen's (16 December 1775 – 18 July 1817) last few years, gorgeously filmed and directed, just as it would be one of her own creations, with the difference that her novels end with 'happy endings', like love and marriage, whilst Austen died at 42 unmarried and depending on her family. One does wonder why Austen, whose very witty and vibrant (though social-critical) books are about women and the necessity of marriage for a social and financial security at her time, never married!?!

This movie is apparently very closely based on the few remaining letters between Jane, her sister Cassandra and her favourite niece Fanny; an assumption of those very intimate and loving letters, a sort of a hypothesis that Jane chose not to marry of her own, by refusing several marriage proposals to be able to write and for her 'freedom'. It is a very emancipated and 21st Century feminist friendly theory. Some hard- core Austen historians still insist though, that Jane never married because, in her very youth, she refused a marriage proposal from a very rich yet ugly, old and dull man...Mr Bigg...and then she was never asked again...for her no Mr. Darcy came along.

Therefore, biographically not fully bullet-proofed but historical events are accurate.

Love the many quotes incorporated in the movie!

I've never heard of Olivia Williams but I must say she earned all my admiration and will look out for her past and future works! Great actress!

If you like BBC period dramas or even Jane Austen's novels adaptations, then you most certainly will enjoy this; a great family-movie which will inspire the interested Teenager to read Jane Austen novels...(so I hope!)

I won't bother comparing Miss Austen Regrets to Becoming Jane. I will simply say: skip the latter and turn to the former if truly interested in the life of Jane Austen and not the fictional speculation. One is BBC and the other Hollywood. Enough said.

The only possible criticism of Miss Austen Regrets is how it starts off at such a startlingly quick pace, so much so that if the credits hadn't run I would have thought I'd come in on a good third of the production already gone. Allthe speculation of Jane Austen never having been in love, or having a chance at marriage (especially an advantageous one) is dashed in the first few minutes. From there the audience is left to wonder at the title--is it a what or who she regrets?

The biopic focuses on Jane Austen's latter years, and uses her relationship with her niece Fanny as a means of exploring her past relationships. We come to see financial security was of paramount concern to her, yet that concern was not so much for her sake as it was for her family's. We also see that her freedom to write being more important to her than love. Yet, it is all speculation. It isn't really clear that she had regrets at all. She exuded a satisfaction, so the title is a bit misleading.

What this new biopic brings out is the independence Jane enjoyed, and how much she enjoyed writing. The acting is commendable, the factual details admirable, and the rendering of the time satisfactory (although Jane's outfits swung from either being rather matronly to almost brazen). An enjoyable addition to Austen offerings. Yet, maybe it's time to leave off on the conjectures and meddling in her love life and focus on the brilliance of her writing--no speculation there.

As one of the many Austen fans still smarting from the vacuously boring Becoming Jane, I was nervous about this. As if sensing this apprehension, Miss Austen Regrets set off at a gallop. One and a half minutes in and we are already over the worst hurdles. We have a talented, intelligent lead - an innovative, sparkily humorous script - tactful and assured direction. Phew!

All memory of the toxically banal Ann Hathaway as the younger Jane evaporated as the lovely Olivia Williams settled into the part - so successfully that the sideswipe the writer takes at the earlier production 20 minutes in seems inappropriately vengeful.

Without hitting the exact spot, this was very, very much better.

It played on safer ground. It portrays Austen between the publication of Mansfield Park and Emma, just starting on the first draft of Persuasion and surrounds her with characters with credible lives of their own. It does an excellent job of demonstrating just how fragile was the life of even a woman successful and famous enough to be a guest of the Prince Regent. Only by marriage rather than as a result of her work can Jane support her family in their modest style of life. Questions over her brother's estate threaten the house she lives in but can never own. This insecurity is what Miss Austen really regrets.

All the minor performances are what you'd expect from top-drawer BBC period drama and Olivia Williams and Imogen Poots are excellent in the two central roles of aunt who hasn't given up flirting and the niece about to become engaged who is still learning the ropes. The whole production portrays an interesting life, full of love, frustration, struggle and uncertainty about life's choices, and does something like justice to one of the greatest authors of literature and her most intimate concerns.

So, if you've seen neither of the two recent dramas about Jane Austen's life and you're prone to kicking the cat when angered, make absolutely certain that you see this one first.

This film is so much better than 'Becoming Jane' (which deals with Jane Austen's earlier life), that it is really in another category altogether. Olivia Williams as Jane Austen in this film is scintillatingly brilliant, she truly becomes the character, and although she had already shown in 'The Heart of Me' (see my review) what a sensational actress she is, here she transcends herself. Rarely can an actress have so thoroughly 'become' a historical character as in this film. Olivia Williams has now proved that she is one of the finest actresses in Britain today. She is not vain, and is not afraid to look rough when necessary for the story, whereas Hollywood actresses do not ever want to be seen from the wrong angle, so that they become artificial. Olivia Williams really does seem to suffer with her character every step of the way. She also effervesces and bubbles with uncontrollable mischief and naughtiness, rebelling against the intolerable restrictions of life for a woman in those days. The pathos of Austen's solitary state, when women who were unmarried could not carry on any other relationships either, is vividly portrayed. Greta Scacchi is marvellous as the silent sister Cassandra, though it is hard for me to come to terms with her no longer being the dazzling starlet she was when younger, as I still envisage her as that. Imogen Poots is a mixture of charm and jealousy, feather-brained idiocy, and beaming smiles, even a touch of innate wisdom, in other words, just as full of contradictions as a real person. She pulls it all off, and we believe every aspect of her changing nature as it varies from circumstance to circumstance, laughing with her one minute and at her the next. Her versatility and instinct will doubtless bring her a fine career. Phyllida Law is marvellous as Mrs. Austen, the mother worn out by it all. Adrian Edmondson does a wonderful job as brother Henry, charming but hopeless, devoted brother and failed banker. The director, Jeremy Lovering, has never directed anything other than television material, but here he shows himself as a superb feature film director, albeit this was a film made for television. Let's hope he can now break out of the box. He is announced as director for 'The Wedding Party', and maybe that is for a larger screen. He has proved that he knows how to tease the best results out of his actors and actresses. This film is a genuine triumph, and everyone connected with it should be thrilled at the result, which could hardly be bettered. It is an instant classic, and long may it live its life as a DVD, avidly watched by anyone with an ounce of taste. And above all, what will the amazing Olivia Williams do next? Will she get all the plum roles she deserves? If there be any justice in the world at all, we will see no end of her from now every which way we turn.