Shinjuku Incident: Guerre de gangs à Tokyo

The dark world of Film Noir, with its complex plots, shades of gray and evocations of unrelenting human evil, has long been one genre where Hong Kong cinema has lagged behind Hollywood. After "Infernal Affairs", however, things have changed, and Hong Kong cinema has finally gotten to this profoundly affecting and challenging genre.

Jackie Chan stars as Iron Zhao aka Steelhead, a truck repairman from China's poor but happy Northeast who settles down as an illegal immigrant in Tokyo, and after a series of run-ins with the Yakuza, rises to power as the Don of Chinese illegal immigrants. However, things get out of control when Steelhead is foolish enough to believe in clean getaways in a world that offers none, and soon comes to seal his own fate. A superb supporting cast rounds up this tale of a man's tragic fall from Grace against an unstoppable tide of greed, corruption and evil.

Derek Yee creates a grandly atmospheric, neat piece of work evoking the grime and grit of Tokyo existing under the glittery clean streets, to bring out an immortal tale that has existed as long as there were cities: a tale of hard-luck immigrants who fight their way to the top against all odds in the world of crime, and for the pursuit of money and power, damn their souls to hell.

The stronger message in the story here, is how easily the Chinese get taken advantage of. As the adage goes, united we stand and divided we fall. It's very obvious that given the myriad of Chinese, from the Mainlanders with the different dialect groups to the Taiwanese to the Hong Kongers etc, the immigrants here are shown to exhibit solidarity when they are together, sharing whatever little spoils they have as they build their little community. But quick success would mean the opportunity for corruption to creep in, splitting up the unity established, and spawn plenty of infighting to make the community weak again and ripe for the picking by their enemies. Perhaps in not wanting to acknowledge this issue as highlighted in the film, would have resulted in making Violence an excuse for the Chinese censors to drag their feet in awarding a rating, since they put the people on the whole in some negative light.

One scene too was reminisce of Bruce Lee's Fist of Fury, where Lee's character Chen Zhen rips apart a signboard that says "Sick Man of Asia". Here, lead actor Jackie Chan tears away a sign that says "No Entry to Chinese", but this is no action movie for the action star we're so used to see. In fact, if Shinjuku Incident was a typical Jackie Chan film, then we would see him kick everyone's rear with nary a scratch to himself. Here he drops his superhuman persona, wanting instead to take on a more dramatic, ordinary role as Steelhead, a simple man from Northeastern China who made his way to Tokyo in order to look for his lost love Xiu Xiu (Xu Jinglei).

He strikes an unlikely friendship with Japanese police inspector Kitano (Naoto Takenaka in a more dramatic role too, as I associate him with madcap characters he plays in zero-to-hero movies), and works his way around the new environment with the help of Daniel Wu's cowardly Jie, and with the likes of supporting characters played by Chin Kar Lok and Lam Suet. Together with his Chinese buddies, Steelhead embarks on a life of crime after seeing his lady love had already moved on in life, and a crime he committed back home meant his new one should begin in Japan, hence the desire to achieve instant results. It's almost quite an insult though to the Japanese's polite society manners that the Chinese sought to exploit for personal gains.

Derek Yee had fused some realism into his previous triad drama Protégé, and here he does the same in bringing on the Japanese crime lords, where their latest election of a new leader brought about unhappiness amongst the ranks. So the illegal immigrants got embroiled in the new turf war, in order to lead it to the second and very hurried act of witnessing how power could corrupt, especially when the person at the top, steelhead, decides to adopt a nepotistic approach in delegating power to friends out of pity, or out of having to repay favours, and didn't spell the out-of-bound markers clearly. All this just because of his rebound affection for Fan Bingbing's bar hostess Lily, who's severely underused here.

Surprisingly the many subplots cooked up for the film, got let down by the relatively fluffy narrative style. It had wanted to deal with multiple themes (like selfishness, unity, betrayal and doing deeds for the greater good at whatever the costs), but found itself introducing them quite haphazardly, jumping from one point to the other sometimes with disregard to time. While action sequences are very sparse and bordering on shock value with in-your-face type violence, the finale whack-fest brought to mind some Johnnie To classical stand off moments, but unfortunately was let down by the tight shots and poor lighting. And lo and behold, the guilty party in ruining the film experience is the trailer which basically spelt everything out in black and white terms, so if you haven't seen any clips of the film, don't.

Jackie Chan had limited success in taking on a more dramatic role, and a morally ambiguous character who's prime motivation may have seemed like a mechiavellian one masked by a very simple exterior, and looked clearly uncomfortable in not being able to unleash his usual repertoire of stunts when surrounded by thugs. Deniel Wu however upstaged Chan with ease with his Jie role, despite having to suffer bad hair days throughout the film with a ridiculous perm, and a Joker-esquire makeup in the latter half. And following the Jackie Chan trend, female characters are little to show for, and here both Xu Jinglei and Fan Bingbing's characters do nothing more than looking good and offer translator services.

Shinjuku Incident is a good effort, but nowhere near the ranks of Derek Yee's better films. This is not to say that this film is no good, but it could have been much better. A pity too that it had to end with a whimper.

I went to see this film out of the blue, wasn't hyped, didn't even know it came out yet. However I am a fan of Asian films, not hardcore as some but I've watched my fair share, also you can say I'm a fan of Daniel Wu and of course Jackie Chan.

That said, this film you can put next to Jackie Chan's more serious films, and without a doubt IS his most serious film in all his career, in my opinion.

The plot is obviously based on the Chinese people who "migrated" to Japan and their struggles and battles to establish themselves, mix in Japanese yakuza, turf war and old missing friend(s), and then to top it off depiction of human tendencies to be corrupted by power.

Analyzing the plot is time consuming and I don't get paid for it, so I wont get into it too much at all. However I do want to mention that it is a gritty film, it is violent, harsh but these things were necessary to set the tone of the film. Don't expect the usual Jackie Chan flips, martial arts, fun kung-fu action scenes.. no.. its more realistic that violence is represented by people chopping each other almost Kill Bill-esquire.

It is a serious film, well shot, well acted and the cast were well suited. Daniel Wu is good in it, although some questionable and real quick turn of character as the movie goes on. Jackie Chan is good too, the man can put on a serious face and act in a dramatic role when he needs to. I'm glad it was made for the Asian audiences, I can imagine it being only being mediocre if not bad if westernized.

If you want a film with a scar face esquire story/plot, lots of gang members fighting, a bit of drama, heaps of blood and quiet frankly a pretty darn good film... then I recommend it.

Its a 4 star movie for me...

Jackie Chan has been known to audiences worldwide for his spectacular, comedic and stunt-filled martial arts. Well, now in this movie, Chan gets to show off acting chops as well, with a few kicks and punches thrown in as well.

The setting and story are surprisingly solid and well done. The movie paces along in a brisk pace (courtesy of director Derek Yee), and is gripping throughout. The cinematography is beautiful at times and gritty at others, showing Tokyo as a whole. And it's fun to see Japanese and Chinese spoken a lot in this film, really pulls you into the film further.

While the level of violence is the highest than any other Jackie Chan movie (there is graphic brutal violence in some action scenes), the total amount of violence is surprisingly little, with the majority of the film dealing with the characters' trials and tribulations. There are some fight sequences, but don't expect Chan to do his usual thing; at times he's down to earth and makes us genuinely feel for his character, at times he is directly brutal. This film is NOT for the easily disturbed.

The acting is above average. Chan delivers a standout performance, an illegal worker who tries to protect his kinsman by gaining respect by and protecting themselves from the Yakuza. Another great performance comes by Daniel Wu, a fellow immigrant who gets his innocence lost... the hard way. The two love interests and the detective also get props too.

For those of you expecting another Chan romp ala Rush Hour and Supercop, you may find yourself refreshed at Chan's sudden change of pace. For those who like crime dramas such as City of God, give this one a shot. This is definitely one of Chan's highest marks, and I hope to see more of the new, dramatic Chan in the future.

Overall rating: 8/10

Another inspiring and meaningful movie directed by Derek Yee, he still intends to educate his audience after the success of "Protege" The story of the movie is very very good indeed. 10years of planning in pre-pro gives Derek Yee a solid script, but he tends to inject too many incidents and characters to the movie. Which is why, he didn't actually put all his effort into every scenes. I cannot really recognize his style in this movie, but of course he is still very focusing on the message of the story. No action and stunts by Jackie Chan, which is...quite weird for me....but we all gotta try to accept him...maybe give him a chance. Another fantastic performance by Daniel Wu, always maintain his own acting style while he has already possessed to his character. "Shinjuku Incident" is a movie that is worth for a watch, if you are not looking for an excellent cinematography and editing aspects.