La vie extraordinaire de Louis Wain

The Electrical Life of Louis Wain is an incredible drama that's funny, extremely emotional and eccentric almost to a fault. A film that's closer to a true heartbreaking tragedy, despite all it's stylish quirks.

Benedict Cumberbatch adds another terrific lead performance to his already impressive career with a tragic yet loveable character. He also has superb chemistry with Claire Foy, who is great and essential to the emotional core of the film.

Will Sharpe's direction is fantastic, consistently beautiful in its imagery and effortlessly stylish. The music by Arthur Sharpe is amazing, matching the films tone perfectly by being both painful and inspirational.

*Seen at The Toronto International Film Festival on September 12th, 2021.

The Electrical Life of Louis Wain (2021) is an amazing film that's based on a true story. The film really reminded me of The Imitation Game (2014) and that's perhaps because of Benedict Cumberbatch's performance that really reminded me of his character Alan Turing (from The Imitation Game) and also perhaps because both Alan Turing's life and Louis Wain's life were full of obstacles. But, in my opinion, Benedict Cumberbatch's performance in this film is way better than his performance in The Imitation Game (2014). His acting was so genuine, especially that there are so many scenes in the film (emotional/dramatic scenes) where the camera was mainly focusing on his face. There's a specific scene in the 2nd half of the film where the camera was mainly focused on Benedict's and Claire Foy's faces for maybe 3 whole minutes and the camera didn't cut so it was a long take scene and they both presented the best performance that I have ever seen for both of them.

The cinematography was so beautiful and the film is visually stunning especially that the film had so many shots that look like an actual painting. Sometimes I felt like in a few scenes the film had that "Wes Andersen style" with the camera movements, the set design, and the cinematography. I also really really loved that the film was shot in the 4:3 aspect ratio.

Loved the editing and the transitions in the film especially in these moments where the Director wanted you to feel how/what Louis Wain is feeling.

One little small detail that I enjoyed as well is Olivia Colman narrating the film as if it is a fairy tale. I felt like using this method/way of telling this story made the film less heavy or less boring, especially that Louis' story could seem dull/sad/depressing sometimes.

But my only problem with the film is that I felt like the film focused too much on the "romance" especially in the first half. Also, there's a specific event that occurs that changes the direction of the film and shifts it. The movie jumps all of a sudden and immediately after that event to a whole new event which confused me because I wanted to see what happened and how Louis dealt with that. After that event, the film went down a bit and started to be boring and it lost the taste that it had since the beginning.

Also, I got to point out that the custom design, set design, and hair & makeup were very well made especially the hair & makeup which really surprised me, especially at the end when all the characters became "old".

My rating is 7.5/10 Watched: at home.

Some films can firmly claim to be one-of-a-kind, such as; 'The Life of Pi', then there's this one, about a painter I had not heard of from the late eighteen hundreds. Louis was a tortured fellow bordering on several psychotic spectrums while being extremely gifted in the arts, etc - leaving behind his remarkable (and much copied) Cat paintings that took the era by storm. Its style is dazzling all the way, and impresses on many levels - it starts off with a rather convoluted opening, that may not suit viewers with a short attention span or an impatience for understanding what drives a character's actions.

This is a fact-based story running the gamut of human emotions - seeking to open doorways into the lives of troubled souls who existed during unsympathetic, and rather medically ignorant times (think also of Van Gogh). Production design, performances, cinematography and, music are exemplary, leaving patient audiences with a unique and precious gift.

Director, co-writer, Japanese/English Will Sharp is no stranger to Bipolar disorders being type 11, and injects powerful understandings into Louis's character. Will's brother, Arthur Sharp, imparts wonderful emotional support supplying a stand-out Theremin based music score. Story writer Simon Stephenson has created a rich human experience giving us much to feel and think about (perhaps there's also a nod to Australian pop artist Martin Sharp here).

One aspect that created a little disappointment was the decision to photograph in a variation of the old 4 x 3 frame. It added nothing to the story, in fact gave the film a cramped, claustrophobic feel, that can be better achieved in production design. Modern movie makers sometimes, mistakenly, think they need to go backward - away from the vast improvements in aspect ratios, this can sacrifice vital elements within their work. The end credits were neat but why so small? Otherwise, it's quite a special experience from Studio Canal and Amazon Studios.

I have to give this film credit as it does get many things "right" about Mr. Wain's life, which is rare in modern "true" films, but not everything, and maybe not the "most" important part of the film.

Wain wasn't "crazy", today many experts agree he was likely autistic in a world that didn't "understand" autism. Look it up, please.

He was thought to be psychotic late in life, but his creativity didn't diminish in those later years, it flourished. Historically speaking, psychiatric patients who are diagnosed with serious mental illness generally "lose" their artistic talents. Wain never did.

What "is" true from the film is that Wain dearly loved his wife, as portrayed, and he changed the way the world looked at cats, and I'm grateful he did.

Benedict Cumberbatch is Louis Wain, the Victorian cat illustrator, in "The Electrical Life of Louis Wain."

This is really a lovely film. Wain, who lives with his five sisters and mother, is flighty. As a result, his sister Caroline (Andrea Risborough) is in charge of the family and sets about to hire a governess, Emily (Claire Foy).

Louis has a million things going on in his head, some of which don't make much sense. He certainly can draw, though. He's also very busy inventing and actually composes an opera ("this isn't really even music," he's told).

When he meets Emily, however, Louis takes on a new interest. She is ten years older than he, and they are of different social standings. Nevertheless, they fall in love and marry. Unfortunately, she is diagnosed with terminal breast cancer not long after.

One day they find a kitten in the rain and name it Peter. Peter gives Emily much comfort during her illness, and Louis begins to draw him. Thus begins his cat illustrations, which bring him success.

Historians believe Louis was schizophrenic and that his advancing illness can be seen in his drawings, which become hallucinogenic later on in his career. He is eventually sent to a state institution, but his fans, including H. G. Wells, raise money to have him sent to more comfortable surroundings, where he lives out his life.

Benedict Cumberbatch - the arrogant genius of Sherlock, the cruel, repressed cowboy in The Power of the Dog, the tortured agent in The Courier, the brilliant Alan Turing, the unstable alcoholic of Patrick Melrose, here adds another brilliant performance to his resume. Passionate, loving, and gentle, whimsical, becoming more and more erratic as time goes on.

Some argue that Wain comes off as too crazy here, and yet others think he is more whimsical and wonder if it wouldn't be more dramatic if his descent into madness had been shown more. Nevertheless, the film has much beauty and many good scenes in it.