Le drôle de Noël de Scrooge

In the Victorian era of the United Kingdom, the stingy and cranky Ebenezer Scrooge (Jim Carrey) that hates Christmas and people loses his partner Jacob Marley in a Christmas Eve. For seven years, he runs his business exploiting his employee Bob Cratchit (Gary Oldman) and spends a bitter treatment to his nephew and acquaintances. However, in the Christmas Eve, he is visited by the doomed ghost of the chained Marley that tells him that three spirits would visit him that night. The first one, the spirit of past Christmas, recalls his miserable youth; the spirit of the present Christmas shows him the poor situation of Bob's family; and the spirit of future Christmas shows his fate. Scrooge finds that life is good and God bless us everyone, changing his behavior toward Christmas, Bob, his nephew and people in general.

This dark adaptation of "A Christmas Carol" by Charles Dickens to the screen is one of those optimistic films that follows the style of Frank Capra's "It's a Wonderful Life" and it is impossible not loving it. The redemption of the mean Ebenezer Scrooge in a Christmas Eve is one of the most known worldwide novels and this animation produced by Disney Company follows the style of Tim Burton and may not be the best adaptation to the cinema, but it is indeed effective and a good family entertainment. My vote is seven.

Title (Brazil): "Os Fantasmas de Scrooge" ("The Ghosts of Scrooge")

A Christmas CAROL is an enjoyable Hollywood production, a wonderful and straight forward approach to the Dickens's source material being splendidly adopted . It is given the full ¨Motion Capture¨ deluxe treatment in this superior Holiday film. The production values & acting are both excellent, with just enough attractive to appeal to the tenderhearted, and with touching doses of horror , case of the potentially frightening elements the Ghosts of Past, Present and Future , adding sentiment ; all of them are blended into the mix, until, like a nice Christmas punch, the result appeals to all. Scrooge (Jim Carrey) is a miserly old businessman in 1840's London. He displays no charity to mankind generally, and in particular, to his employee Bob Cratchett (Gary Oldman) and his unfortunate son, Tiny Tim . One Christmas Eve he is visited by the ghost of Marley, his dead business partner. He is warned that he must change his miserly ways or face damnation. Marley foretells that Scrooge will be visited by three spirits, each of whom will attempt to show Scrooge the error of his ways.In Just One Night, He Has Seen His Past, His Present, And His Future. And They've All Come Back To Haunt Him Will Scrooge reform his ways in time to celebrate Christmas? . To his delight, the spirits complete their visits in one night giving him the opportunity to mend his ways. The first spirit, the Ghost of Christmas Past, shows Scrooge visions of his own past in which had spent much of his childhood neglected by his father over the holidays at boarding school until he was finally brought home by his loving sister Fan (Robin Wright), who died prematurely after giving birth to his nephew Fred (Colin Firth).

A marvelous recounting of a Christmas vintage classic and Jim Carrey demonstrates once again his versatility on screen in this retelling of Charles Dickens' immortal story . Atmospherically, the movie is as comfortable and heartwarming as an old Christmas card .The whole concept of looking at your life in the past, present and future is creative in and of itself. After watching the movie, you may look at your life from the same perspectives. Special effects add a nice little touch,but it is Carrey's interaction with the 'ghosts' and various characters that really steal the show . Though most of us,if not all of us, have seen other adaptations in the past or read the story,and know already what to expect, Jim Carrey manages to capture pure magic with his stunningly awesome portrayal of main character Ebenezer Scrooge,and it is definitely worth a look. It's fun and different approach to the Christmas classic with top notch effects by means of ¨Motion Capture¨ a technique developed by Robert Zemeckis in previous films as Beowulf and Polar Express . A highly recommended film that nobody should miss it especially during Christmas time.¨Robert Zemeckis's Christmas Carol¨ still ranks as one of the best adaptations of the Dickens classic ever. This animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption will appeal to Jim Carrey fans .

Other versions about this stunning story courtesy of several mysterious Christmas apparitions are the following : The rather obscure 1935 version, with Sir Seymour Hicks, the 1951 British production, with Alastair Sim, adaptation released by MGM in 1938 with Reginald Owen , and the 1970 musical, with Albert Finney. Under the title of 'A Christmas Carol' a cartoon rendition (1997) by Stan Phillips and voiced by Tim Curry and another (1991) by Jimmy T Murakami with Simon Callow ,the made-for-TV productions: 1984 – With George C. Scott, 1999 – With Patrick Stewart, and the 2004 musical, with Kelsey Grammar .

A Christmas Carol (2009) is a movie that I recently watched with my daughter on Disney+. The storyline delivers the classic Charles Dickens storyline in a fresh animation format with far more intensity and darkness than you'd expect from an animated picture.

This movie is directed by Robert Zemeckis (Back to the Future) and contains the voices of Jim Carrey (The Mask), Gary Oldman (True Romance), Colin Firth (The King's Speech), Cary Elwes (Princess Bride), Robin Wright (Forrest Gump) and Bob Hoskins (Who Framed Roger Rabbit).

The animation in this is remarkably good as are the presentation of the ghosts. I was thoroughly impressed by the settings and visualizations. The voices are well selected and Scrooge looked very similar to Carrey. There were many intense and scary elements, especially at the beginning and end. There were a couple elements they went a bit too far, like the scene on the cover, but it didn't detract from the enjoyment of the film.

Overall this is a nice, fresh delivery of the classic A Christmas Carol Dickens masterpiece that is definitely worth a viewing. I would score this a 7/10 and recommend seeing it once.

I took my grandson to see this, but I was dreading it. I'm not a Jim Carrey fan but it's a Christmas movie, after all , so I bit the bullet and we saw it at the IMAX in 3-D.

The visual effects are great, even though a lot of it was :"Look, we have 3-D!" They stayed very close to the original story, though they added a miniaturization segment that was unnecessary. Carrey was muted and did a great job with some occasional clowning around. It was actually scary in some parts, as it should be, but not overwhelmingly, and there were some laughs as well.

I have always enjoyed this story, because it's one of redemption, and there is no better time than Christmas to tell it. It shows people being compassionate, even in the face of someone as seemingly heartless as Ebeneezer Scrooge. I was first exposed to this story as a little boy watching the animated version with Mr. Magoo that came out in 1962 and is shown every year on TV. There are many such movies that define the season and I truly expect this to be one of them, along with Christmas Story, Home Alone, Miracle on 34th Street, and It's a Wonderful Life.

Like the Macy's Parade, we all have our list of must-see holiday movies, no matter how many times we have seen them. I really expect this to make this list, with one caveat- I'm not sure how well the non 3-D version will translate to the TV screen. But the story is timeless and this movie does a good job of telling it.

I wonder if Robert Zemeckis weren't a filmmaker if he would have become a pilot. Look at his films and you may find a recurring shot in them, if not all then at least a good lot of them: a shot up in the sky, flying around and bringing the audience along (i.e. the feather in Forrest Gump, the pull-back through the valley and mountains in Beowulf, Back to the Future with the flying Dolorean), and here too are shots like that, more than one in fact. It's exhilarating to see Zemeckis at a mastery of this particular shot, and in the full scope and awe in 3D it's even stronger to watch and wonder 'how did they do it(?)' With motion-capture, anything is possible... except, sadly, making one feel a true emotional connection to the material.

Oh, don't get me wrong. It's an improvement over The Polar Express, whose creepiness was more unto itself and jarring as opposed to serving the story, and one can already see advancements in the technology from Beowulf, which was also lots of fun and had an edge to it allowed only with the digital animation. But for some reason- maybe my heart is a lump of coal or I wasn't in the right Christmas spirit or something- the material in the film didn't connect with me, except those moments that were funny (intentionally or not, sometimes due to Jim Carrey's performance), and it became something peculiar. It's a story that is practically timeless, and the director is at the top of his game, almost at the same control of the medium for a particular story like Forrest Gump or Back to the Future - maybe more-so.

It's also still a WOOSH experience, not carrying the same time and effort for characters to really feel fully human before our eyes like, for example, Up did back in the summer. I mention all of this first since the story we all know pretty much (as an aside, I kept thinking back to the first incarnation of the story I saw as a child, the Muppet Christmas Carol, and marveled at how both that and this film kept much of the book's dialog and storytelling devices exactly), and it's almost pointless to recant it here. What is paramount to mention though is that Zemeckis, in keeping with the tone of the original Dickens text (and having the clout that he has), makes it a true Victorian horror movie.

It should be said also that children will be hit or miss with this version; while they'll delight and be awed by the animation and moments of craziness (my favorite being the scene with the ghost Marley and his entire presentation before Scrooge, unhooked jaw uneasily included), they may be put off by the "old" language, some of it in that olde 19th century English Dickens wrote in. Perhaps this is why, against his own better judgment, Zemeckis decided to add in a few scenes to change the very faithful adaptation, the key one being the chase through the streets of London in the Christmas-Future sequence. This is smack dab in the middle of what is the best segment of the film - seeing death as a silhouette with a bony finger and Scrooge's stark pleas is truly chilling - and it suddenly makes it also the worst. It kills the tension and makes a strange sensation: does one laugh at a tiny-voiced Scrooge running around like a mini Daffy Duck cartoon while he's supposed to be facing down his own demise? It's entertaining to watch, but awkward to behold at this point of the story.

That the motion-capture, for all of its beauty and detail in the faces and people and locations and dazzling set-pieces, doesn't engage on a purely spiritual level (not even to the extent that 'Muppet Christmas' did, that at least had the ghost of Henson on the production to keep things truly haunting), is somewhat forgivable for what Zemeckis does accomplish here. He puts a modern spin on a classic tale, makes it approximately dark and mostly uncompromising for all ages- adults will jump possibly more than the kids at the WHOA effects- and Jim Carrey is nothing short of astonishing.

Carrey plays Scrooge in such a bravura way that only calls attention to itself as a dramatic part (only toward the end, when he becomes "happy" Scrooge are there a few unintentional laughs), and it may even be the best Scrooge seen in many years in any medium. Added to this are his *other* parts in the film, as the ghosts of Christmas past and present, the former creepy just on the pronunciation of 's'. Others like Gary Oldman and Colin Firth come off more or less fine if not remarkable (Oldman as Marley is fantastic - as Cratchit, a Oldman-faced Hobbit, is another thing).